{"title":"Adélia Prado","description":"\u003cp\u003eAdélia Luzia Prado de Freitas nasceu em 13 de dezembro de 1935, na cidade de Divinópolis, Minas Gerais, onde vive até hoje. Escreveu seus primeiros versos aos 15 anos, em 1950, logo após o falecimento de sua mãe. Em 1958, casou-se com José Assunção de Freitas, funcionário do Banco do Brasil. O casal teve cinco filhos. Antes do nascimento da última filha, a escritora e o marido iniciaram o curso de Filosofia da Faculdade de Filosofia, Ciências e Letras de Divinópolis. Adélia formou-se em 1973, um ano após a morte do pai. Poucos anos depois, enviou os originais de seus poemas ao crítico e escritor Affonso Romano de Sant’Anna, que os submeteu à apreciação de Carlos Drummond de Andrade. O poeta mineiro considerou os poemas “fenomenais” e indicou sua publicação a Pedro Paulo de Sena Madureira, da Editora Imago. O editor, empolgado com o que leu, decidiu publicar os originais, o que resultou no lançamento de Bagagem, no Rio de Janeiro, em 1976, com a presença de Antônio Houaiss, Raquel Jardim, Carlos Drummond de Andrade, Clarice Lispector, Affonso Romano de Sant’Anna e Nélida Piñon, entre outros intelectuais e escritores. Em 1980, ela fundou sua companhia de teatro amador, Cara e Coragem, para a qual adaptou e dirigiu peças de Dias Gomes e Ariano Suassuna. Em parceria com o colega Lázaro Barreto, escreveu um auto de Natal intitulado \u003cem\u003eO clarão\u003c\/em\u003e. Vencedora de inúmeros prêmios literários – entre os quais, o Jabuti, o da Academia Brasileira de Letras e, por duas vezes, o da Biblioteca Nacional –, Adélia Prado foi condecorada pelo Governo Brasileiro com a Ordem do Mérito Cultural, em 2014.\u003c\/p\u003e","products":[{"product_id":"reuniao-de-poesia-edicao-de-bolso","title":"Poetry Gathering (Pocket Edition)","description":"\"\u003cp\u003e \u003cstrong\u003eThe exciting poetic production of Adélia Prado in pocket format.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eAdélia Prado, one of Brazil's most renowned authors, knows better than anyone how to portray the feminine soul and feelings in her poems, short stories, and novels. Accustomed to expressing perplexity and enchantment in her work, guided by Christian faith and permeated by playfulness—one of the hallmarks of her unique style—the poet from Minas Gerais uses the most mundane aspects of everyday life in a sweet and passionate tone to recreate life in the countryside of Minas Gerais through innovatively feminine language.\u003c\/p\u003e\n\n \u003cp\u003eAdélia Prado established herself in the contemporary Brazilian poetry scene with the publication of her first book, \u003cem\u003eBagagem (Baggage\u003c\/em\u003e ). Since then, religiosity, eroticism, and scenes from everyday life have been present throughout her work, evidencing a lyricism seemingly marked by simplicity. This \u003cem\u003ePoetry Collection\u003c\/em\u003e presents the reader, in a pocket edition, 150 poems selected from the author's seven poetry books: \u003cem\u003eBagagem\u003c\/em\u003e (1976), \u003cem\u003eO coração disparado\u003c\/em\u003e (The Displaced Heart) (1978), \u003cem\u003eTerra de Santa Cruz (Land of the Holy Cross\u003c\/em\u003e ) (1981), \u003cem\u003eO pelicano\u003c\/em\u003e (The Pelican) (1987), \u003cem\u003eA faca no peito (The Knife in the Chest\u003c\/em\u003e ) (1988), \u003cem\u003eOracles of May\u003c\/em\u003e (1999), and \u003cem\u003eA última do dia (The Length of the Day\u003c\/em\u003e ) (2010).\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159380738300,"sku":"9788577994038","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/821b26059ff5891887ffb0fa053b092d_2171ab20-32ae-4f99-89c0-bf6d4e8bc78f.jpg?v=1777626835"},{"product_id":"miserere","title":"Miserere","description":"With Miserere, Adélia Prado returns to poetry. In this book, Adélia, one of the most important poets in Brazilian literature, brings together 38 poems, in which she translates, through poetic language, childhood memories, the desire to enjoy the present, and doubts about the future. Miserere deepens the mystical and religious sentiments present in the author's work. The poet from Minas Gerais brings to her work a blend of faith, hope, a search for piety, strength, and sensitivity. \"The greatest living Brazilian poet, alongside Ferreira Gullar and Manoel de Barros, Adélia both flirts with metaphysics and focuses on the details of everyday life, but above all, she believes in the grandeur of small things.\" — Ubiratan Brasil, O Estado de São Paulo, 2010 \"Small family stories, everyday dramas, all filtered through her discerning gaze, result in extremely refined and beautiful poetry.\" — Heitor Ferraz, Cult Magazine, 2010 Adélia Prado has more than 15 titles published by Record. Bagagem, one of her titles, is in its 33rd edition, with more than 50,000 copies sold. Among her greatest successes are Filandras, Oráculos de Maio, O coração Disparado, and Quando eu era Pequena, the latter of which has sold over 90,000 copies.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159395156220,"sku":"9788501101730","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/4858849c7d47fa76b057f9560b07be87.jpg?v=1777629311"},{"product_id":"terra-de-santa-cruz","title":"Land of Santa Cruz","description":"\u003cp\u003e \u003cstrong\u003eOriginally published in 1981, \u003cem\u003eTerra de Santa Cruz\u003c\/em\u003e , by Adélia Prado, returns with a new cover to celebrate the great figure of current Brazilian poetry, winner of the Camões and Machado de Assis prizes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe publication of \u003cem\u003eTerra de Santa Cruz\u003c\/em\u003e in 1981 solidified Adélia Prado as one of the most original voices in Brazilian poetry in the second half of the 20th century. After her stunning debut with the now classic \u003cem\u003eBagagem\u003c\/em\u003e (1976) and the acclaim of \u003cem\u003eO coração disparado\u003c\/em\u003e (1978), winner of the Jabuti Prize, the author from Minas Gerais completed what critic Augusto Massi defined as the “holy trinity of her poetic style.”\u003c\/p\u003e\n\n\u003cp\u003e Of the three parts that make up the work – “Territory”, “Catechesis” and “Sagration” –, the last two are dedicated to poems that dialogue intensely with religiosity, but also reaffirm the poet’s faith in everyday life, in the people and in the simple things in life, as in “The Narrow Door”: “God, have compassion on this city \/ and on me who walked its streets \/ secretly telling myself: \/ I am the poet of these people.”\u003c\/p\u003e\n\n \u003cp\u003eWith the country still under dictatorship, the poet is incisive when she states in the poem \"Terra de Santa Cruz\" that \"The torturers all go mad\" and \"the wicked regimes rot.\" In \"Marriage,\" one of the book's most beautiful poems, love, desire, and companionship are represented in a platter of fish: \"There are women who say: \/ My husband, if he wants to fish, let him fish, \/ but let him clean the fish. \/ Not me. At any hour of the night I get up, \/ I help scale, open, cut, and salt. \/ It's so good, just us alone in the kitchen, \/ every now and then our elbows bump.\"\u003c\/p\u003e\n\n \u003cp\u003eThe work is replete with \"scenes from private life,\" in which the poems unfold through narrative threads and powerful poetic images, as in \"Mobiles\" and \"Miserere\" (a poem that would become the title of a book by the writer three decades later). A place where poetry intimately intersects with life, \u003cem\u003eTerra de Santa Cruz\u003c\/em\u003e was also a fundamental book in establishing the poetic path that Adélia Prado would brilliantly follow in the following decades.\u003c\/p\u003e\n\n\u003cp\u003e Now, in time to celebrate the Camões and Machado de Assis awards (ABL), won by the author in 2024, \u003cem\u003eTerra de Santa Cruz\u003c\/em\u003e returns to readers with a new cover, signed by the award-winning designer Leonardo Iaccarino, on the canvas \u003cem\u003eUma aventura obstinada\u003c\/em\u003e (2022), by the visual artist Manoela Monteiro.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159418880252,"sku":"9788501922779","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/99053bc8bba8975086782d863c2d7b79_676e932f-63e4-4286-b430-dce8574c166f.jpg?v=1777630702"},{"product_id":"quando-eu-era-pequena","title":"WHEN I WAS LITTLE","description":"\"\u003cp\u003e \u003cstrong\u003eWinner of the 1978 Jabuti Award, Adelia Prado writes her childhood memories in this classic of children's literature.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIn \" \u003cem\u003eWhen I Was Little\u003c\/em\u003e ,\" Adélia Prado takes the reader on a journey through her childhood memories. The beautiful illustrations, combined with exquisite writing, evoke sensations such as smells, tastes, sadness, and joy, transporting adults back to memories of the past and children to a wonderful world of discovery.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159427432700,"sku":"9788501074751","price":64.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/dae14b9a129b90b8d6dcc656a0e19fbb_8b172069-6c99-4018-9f78-0ff42f6b4f23.jpg?v=1777619513"},{"product_id":"manuscritos-de-felipa","title":"FELIPA'S MANUSCRIPTS","description":"FELIPA'S MANUSCRITOS was published in 1999. After five years without writing, Adélia Prado was invited to write a weekly column for the newspaper Correio Braziliense. The assignment helped her overcome her poetic block and resulted in this volume of short texts, marked by religiosity.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159427465468,"sku":"9788501075178","price":49.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/6c72f57ac63142514be6dea8a1d41907.jpg?v=1777630420"},{"product_id":"os-componentes-da-banda","title":"THE COMPONENTS OF THE BAND","description":"In OS COMPONENTES DA BANDA, first released in 1984, Adélia once again describes her world—a small town—its people, its landscape, in language that is sometimes moving, sometimes indignant. Filled with passion and universality, she creates music with her lyricism. \"I only have everyday life and my feelings for it. I don't know anyone who has more. Everyday life in Divinópolis is the same as anywhere else in the world, only lived in Portuguese.\"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159462592764,"sku":"9788501075154","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/def27fca2a2e208c7dcfbedd15e91586.jpg?v=1777620597"},{"product_id":"bagagem","title":"Baggage","description":"\u003cp\u003eAlmost 50 years after its release, Bagagem, Adélia Prado's debut book, returns with a new cover to celebrate this great writer of Brazilian literature, winner of the Camões and Machado de Assis awards.\u003c\/p\u003e\n\n\u003cp\u003e Few Brazilian authors had such a celebrated debut as Adélia Prado when she released Bagagem, her first book of poems, in 1976. It is enough to remember that the collection was effusively welcomed by Carlos Drummond de Andrade, who wrote about the poems of his fellow Minas Gerais native even before their publication in book form, beginning a relationship of mutual admiration.\u003c\/p\u003e\n\n \u003cp\u003eBagagem contains texts charged with emotions that, for Adélia, are inseparable from creation, though they often arise from suffering. Anchored in the author's experience, the book offers countless references, ranging from Guimarães Rosa to the Bible (\"Everything is Bibles. Everything is Grande Sertão\"), from theater to philosophy (\"Life is much greater than death\"). Religiosity also permeates many of the poems, reflecting the reality of life in rural Brazil. On several occasions, Adélia exposes the clash between the sacred and the profane, observed in small things in nature or even in the reading of a religious text.\u003c\/p\u003e\n\n \u003cp\u003eThe unique style of the poems not only reflects the slow maturation of a work conceived over four decades (Adélia was 40 when she published her debut book); it reveals a poet who is self-critical, patiently cultivated, and willing to take risks. This late debut reveals a rare balance: freshness and maturity, boldness and respect, uninhibitedness and humility.\u003c\/p\u003e\n\n\u003cp\u003e Now, in time to celebrate the Camões and Machado de Assis awards, won by the author in 2024, Bagagem returns to readers with a new cover, designed by award-winning designer Leonardo Iaccarino, on the work Um segundo rio corre neste que todo mundo vê (2021), by visual artist Manoela Monteiro.\u003c\/p\u003e\n\n\u003cp\u003e “Adélia is lyrical, biblical, existential, she writes poetry as she has for a long time: this is the law, not of men, but of God.” – Carlos Drummond de Andrade\u003c\/p\u003e\n\n \u003cp\u003e\"Adélia is a poet of written language. But writing dictated by the rhythms of the voice, long cultivated in liturgy, in small-town conversation, in family memories, in popular songs, and in the recitation of poems. Her poetic conception converges on the verb.\" – Augusto Massi\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159549198588,"sku":"9788501922748","price":64.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/18860f0d54900a930cd1ee455d540412.jpg?v=1777613013"},{"product_id":"solte-os-cachorros","title":"Release the dogs","description":"Adélia's prose debut, \"SOLTE OS CACHORROS,\" originally published in 1979, depicts the challenges faced by a 40-year-old woman. As the title suggests, here the author speaks her mind, revealing herself without censorship. She discusses love, relationships, religion, life, and death.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159590060284,"sku":"9788501075130","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/27d405a97eb3afb680344910d0133169.jpg?v=1777631965"},{"product_id":"poesia-reunida-capa-dura","title":"Collected Poetry (Hardcover)","description":"\"\u003cp\u003e \u003cstrong\u003eAdélia Prado's greatest hits in a deluxe hardcover edition.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Adélia Prado, one of Brazil's most renowned authors, knows better than anyone how to portray the feminine soul and feelings in her poems, short stories, and novels. Accustomed to expressing perplexity and enchantment in her work, guided by Christian faith and permeated by playfulness—one of the hallmarks of her unique style—the poet from Minas Gerais uses the most mundane aspects of everyday life in a sweet and passionate tone to recreate life in rural Minas Gerais through innovatively feminine language.\u003c\/p\u003e\n\n \u003cp\u003eIn this single volume, filled with his welcoming imagery, you will find all the poems from \u003cem\u003eBagagem\u003c\/em\u003e , \u003cem\u003eO coração correr\u003c\/em\u003e , \u003cem\u003eTerra de Santa Cruz\u003c\/em\u003e , \u003cem\u003eO pelicano\u003c\/em\u003e , \u003cem\u003eA faca no peito\u003c\/em\u003e , \u003cem\u003eOracles de maio\u003c\/em\u003e , \u003cem\u003eA última do dia\u003c\/em\u003e , and \u003cem\u003eMiserere\u003c\/em\u003e . This edition also includes texts by Carlos Drummond de Andrade and Affonso Romano de Sant'Anna, and an afterword by Augusto Massi. A true gift for readers of classics of Brazilian literature.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159747641596,"sku":"9788501069351","price":169.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/d9367663465623be5c02ec57a0fe4165_76e2d969-9ff9-40cc-abd9-b695974b935a.jpg?v=1777622647"},{"product_id":"terra-de-santa-cruz-1","title":"LAND OF SANTA CRUZ","description":"\"One of Adélia Prado's most important titles, Terra de Santa Cruz, a collection of moving poems, was first published in 1981. The book is part of the Record publishing house's project to relaunch the entire work of the author, who is one of the most expressive names in contemporary poetry.\"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47174509723900,"sku":"9788501075086","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/9868ab965174d79f2033bca8593ac407_5b1ea230-c5b3-43ca-b08e-44338102309d.jpg?v=1776892722"},{"product_id":"quero-minha-mae","title":"I WANT MY MOTHER","description":"\"I WANT MY MOTHER\" presents a fragmented narrative, like small moments cut from the character's life and consciousness. Each piece or moment presents a new perspective of the protagonist, through a language that interweaves everyday life, the character's subjectivity, and the narrated facts. All of this in a beautiful way.\n \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47174820102396,"sku":"9788501063960","price":49.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/28216a03bb4d7a0bcf61a2f1ea95930c_f1f483fe-b0e5-4a63-b0dd-c115be0e7e45.jpg?v=1777618199"},{"product_id":"o-pelicano","title":"THE PELICAN","description":"The book THE PELICAN, published in 1987, marked a new phase in the author's career, in which religiosity and eroticism clash, revealing unusual aspects of her mysticism.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47174996230396,"sku":"9788501075093","price":49.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/6cae7e978a13efa48bded101ec253366_6ef86ad8-6c75-477c-8bb7-c6230be165dd.jpg?v=1776896996"},{"product_id":"oraculos-de-maio","title":"May Oracles","description":"Oracles of May, a book in which the author values everyday life and oral text, paying homage to the Virgin Mary and dedicating several poems to her.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47174997049596,"sku":"9788501075116","price":49.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/f87f3817fd832b298ecc3dd3b775a031.jpg?v=1777630031"},{"product_id":"filandras","title":"Filandras","description":"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eFilandras\u003c\/em\u003e marks the debut of Minas Gerais writer Adélia Prado at Editora Record, who returns to recurring themes in her literature: provincial life, religiosity, the colors of the countryside, in a reflection of her own experience.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eA collection of short stories dealing with love, desires, frustrations, and dreams. \u003cem\u003eFilandras\u003c\/em\u003e , her first new work since 1996, reveals a seductive and subtle storyteller behind the acclaimed poet Adélia. According to dictionaries, Filandras are, among other definitions, \"long, thin threads\" and \"flakes that flutter through the air and cover vegetables.\" Adélia's stories in this book are truly filandras—delicate, fluttering threads. When we reach them, they dissolve like dreams.\u003c\/p\u003e\n\n \u003cp\u003eThe book's 43 stories can certainly be read individually. But they take on a new dimension when you begin to weave the threads together, the small details revealed in each one allowing you to construct the lives of its characters. The characters in \u003cem\u003eFilandras\u003c\/em\u003e —simple country women and their everyday lives—gradually reveal a strong personality, even when submissive. All the stories feature women as their main characters. And what women: the absent-minded Olinda; the rational Célia; the seductive Calixtinha; the insecure Ester. Carolas, in crisis; Amélias, devoted and passionate.\u003c\/p\u003e\n\n \u003cp\u003eOn second glance, Adélia's women are all the women of the world. Full of nuances and phases (like the moon). In Analysis, for example, the protagonist declares: \"A woman's nature is to obey, to admire, to serve, the nature of an ant, a worker bee, and a cat in the mud, otherwise, my God, there's no room for her to become Cinderella.\" Like the women, a sense of religiosity is present in many of the book's stories, portraying part of the reality of life in rural Brazil.\u003c\/p\u003e\n\n\u003cp\u003e In a deeply personal narrative, \u003cem\u003eFilandras\u003c\/em\u003e deals with love, desire, things and people to conquer, and those left behind—lost, abandoned, forgotten. A winding journey through the heart.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175632421116,"sku":"9788501062727","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/be042c7b13cf0d3345cb8359ec46352a.jpg?v=1777630500"},{"product_id":"a-faca-no-peito","title":"The knife in the chest","description":"\"\u003cp\u003e \u003cstrong\u003eFirst published in 1988, \u003cem\u003eA faca no peito\u003c\/em\u003e is another work by the notable poet Adélia Prado.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAn essential work of Brazilian poetry, the book centers on Jonathan, a character who refers to both God and the male sex and religious belief. He combines promise and escape, fulfillment and desire, the eternal quest.\u003c\/p\u003e\n\n \u003cp\u003e\"There's only one way to tell someone: 'I won't forget you.' The cello string vibrates on its own under an invisible bow, and sins disappear like caught rats. My heart is astonishing because it beats and has blood in it, and it will stop one day and become a pathetic drum if you whisper in my ear 'I won't forget you.' Spots of light on the wall, a small vase with three plastic roses. Everything in the world is perfect, and death is love.\"\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175890796796,"sku":"9788501075109","price":49.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/71459e03d8dff0104709c1c83c72f46d.jpg?v=1777628600"},{"product_id":"a-duracao-do-dia","title":"The length of the day","description":"APCA Award: Best Book of 2010 in the Poetry Category Adélia Prado — award-winning author of Bagagem and Filandras, with over 500,000 copies sold — is one of the most acclaimed writers in Brazilian literature, alongside names such as Nélida Piñon, Lívia Garcia-Roza, and Lya Luft. With a body of work that includes prose, poetry, and, recently, her debut in children's literature with Quando eu era pequena (When I Was Little), Adélia enchants once again in A DURAÇÃO DO DIA (The Duration of the Day) with language that is both poetic and impactful. After 10 years without publishing a book of poetry, Adélia returns to the genre that made her famous. And confirms why she is one of the greatest poets in the country. A DURAÇÃO DO DIA exposes a subtle and seductive poet, in verses that speak of love, desires, frustrations, and dreams. A winding journey through the paths of the heart. With a style that contrasts the lightness of Words filled with the power of feeling, her unique perspective on seemingly unimportant everyday things reveals the perplexity and enchantment of life. In an extremely personal narrative, Adélia returns to recurring themes in her literature: provincial life, religiosity, the colors of the countryside, mirroring her own experience. Often, Adélia chooses to expose conflicts between the sacred and the profane, observed through simple objects in nature or even through the reading of a religious text. The book features texts filled with emotions that, for the author, are inseparable from creation, even though they are often born of suffering. Despite being numerous and varied, addressing themes as diverse as carnal love, divine love, the poet's vocation, and the colors and pains of life, the texts in THE LENGTH OF THE DAY possess a unity, a unique way of speaking. A 24-hour literary journey, yet one that remains eternal on every page.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175920713980,"sku":"9788501091109","price":59.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/bf8789ff2f72d0701742be5bcf803cf9_954a5434-7aa3-4f8b-9a1c-647ea0e9f295.jpg?v=1777630870"},{"product_id":"o-coracao-disparado","title":"The heart racing","description":"Winner of the Jabuti Prize in 1978, O CORAÇÃO DISPARADO (The Heart Beating) established the author as the most feminine voice in Brazilian poetry. In it, Adélia delves into one of the themes that would become a hallmark of her work: religiosity. \"The religious experience is a poetic experience. Poetry points to the same place where faith takes us. They are experiences of a common nature. So much so that the language is the same. Mythical texts are paradoxes, they speak in metaphors, because they speak of the unspeakable. 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This box set brings together the four most defining books in her poetic career: \u003cem\u003eBagagem (Baggage\u003c\/em\u003e ), \u003cem\u003eO coração Disparado (The Displaced Heart),\u003c\/em\u003e \u003cem\u003eA faca no peito (The Knife in the Chest)\u003c\/em\u003e , and \u003cem\u003eOráculos de Maio (May Oracles\u003c\/em\u003e ). It also contains a booklet with photos and a previously unpublished text about Adélia's work, written by actress and poet Elisa Lucinda.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLuggage (152 pages)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Adélia Prado's first book, published in 1976, \u003cem\u003eBagagem\u003c\/em\u003e showcases the talent that would make her one of the most acclaimed poets in Brazilian literature. The unmistakable style of her poems not only reflects the slow maturation of a work four decades in the making; it reveals a poet gifted with self-criticism, slowly cultivated, and willing to take risks.\u003c\/p\u003e\n\n\u003cp\u003e “Adélia is lyrical, biblical, existential, she writes poetry as she has for a long time: she is under the law, not of men, but of God.” - Carlos Drummond de Andrade\u003c\/p\u003e\n\n \u003cp\u003e\"Adélia is a poet of written language. But writing dictated by the rhythms of the voice, long cultivated in liturgy, in small-town conversation, in family memories, in popular songs, and in the recitation of poems. Her poetic conception converges on the verb.\" - Augusto Massi\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe racing heart (128 pages)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Winner of the Jabuti Prize in 1978, \u003cem\u003e*O coração disparado*\u003c\/em\u003e established the author as one of the great voices of Brazilian poetry. In it, Adélia delves into one of the themes that would become a hallmark of her work: religiosity.\u003c\/p\u003e\n\n\u003cp\u003e \"Religious experience is a poetic experience. Poetry points to the same place where faith takes us. They are experiences of a common nature. So much so that the language is the same. Mythical texts are paradoxes, they speak in metaphors, because they speak of the unspeakable. Poetry is the same thing,\" explains Adélia.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe knife in the chest (88 pages)\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eFirst published in 1988, \u003cem\u003e\"A faca no peito\" (The Knife in the Chest)\u003c\/em\u003e is another essential work of Brazilian poetry. The book centers on Jonathan, a character who refers to both God and the male sex and religious belief. He combines promise and escape, fulfillment and desire, the eternal quest.\u003c\/p\u003e\n\n\u003cp\u003e \"There's only one way to tell someone: 'I won't forget you.' The cello string vibrates on its own under an invisible bow, and sins disappear like caught rats. My heart is astonishing because it beats and has blood in it, and one day it will stop and become a pathetic drum of words in my ear: 'I won't forget you.' Spots of light on the wall, a small vase with three plastic roses. Everything in the world is perfect, and death is love.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMay Oracles (96 pages)\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eIn \u003cem\u003e\"Oráculos de Maio\u003c\/em\u003e ,\" Adélia Prado emphasizes everyday life and oral texts, paying homage to various religious figures, both sacred and profane. According to Elisa Lucinda, \"her most revolutionary poetic conception is the seemingly blasphemous concept, but founded on the most genuine love—the awareness that the erotic does not separate us from God and that being in contact with him is, above all, a sensory experience.\"\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176475050236,"sku":"9788501305077","price":279.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/cffa35f296af98e94a4561fade456086.jpg?v=1777633060"},{"product_id":"o-pelicano-1","title":"O pelicano","description":"\u003cp\u003e\u003cstrong\u003ePublicado originalmente em 1987, \u003cem\u003eO pelicano\u003c\/em\u003e, de Adélia Prado, retorna com nova capa para celebrar a grande figura da atual poesia brasileira, vencedora dos prêmios Camões e Machado de Assis.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eO pelicano\u003c\/em\u003e (1987) foi publicado seis anos depois de Adélia Prado inscrever seu nome na literatura brasileira com a trilogia de livros composta por \u003cem\u003eBagagem\u003c\/em\u003e (1976), \u003cem\u003eO coração disparado\u003c\/em\u003e (1978) e \u003cem\u003eTerra de Santa Cruz\u003c\/em\u003e (1981).\u003c\/p\u003e\n\u003cp\u003eSem perder as características formais e temáticas de sua obra inicial, a autora mineira incorporou novos elementos à sua poética a cada novo livro. Neste conjunto de poemas, surge como força motriz a figura de Jonathan. Espécie de Godot beckettiano, ele é onipresente, é a própria poesia, mas também o sagrado, o desejo e o amor. Como no poema “A criatura”: “Eu já amava Jonathan, \/ porque Jonathan é isto, \/ fato poético desde sempre gerado, \/ matéria de sonho, sonho, \/ hora em que tudo mais desce à desimportância.”\u003c\/p\u003e\n\u003cp\u003eOutra marca desses poemas é o contraste proposto por Adélia ao colocar no mesmo plano o sagrado e o profano, o amor mais sublime e o desejo carnal, as luzes e as trevas. Por exemplo, em “A treva”: “A alma desce aos infernos, \/ a morte tem seu festim. \/ Até que todos despertem \/ e eu mesma possa dormir, \/ o demônio come a seu gosto, \/ o que não é Deus pasta em mim.”\u003c\/p\u003e\n\u003cp\u003eMas, se há beleza em tudo o que se refere à Criação, conforme vaticinou Tomás de Aquino, nada foge à lírica de Adélia, a exemplo do espirituoso “Duas horas da tarde no Brasil”: “Frigoríficos são horríveis \/ mas devo poetizá-los \/ para que nada escape à redenção: \/ \u003cem\u003eFrigorífico do Jiboia\u003c\/em\u003e \/ \u003cem\u003eCarne fresca\u003c\/em\u003e \/ \u003cem\u003ePreço joia\u003c\/em\u003e.”\u003c\/p\u003e\n\u003cp\u003eAinda que aponte para novos caminhos, \u003cem\u003eO pelicano\u003c\/em\u003e mantém o que Affonso Romano de Sant’Anna – um dos primeiros autores a perceber a grandeza da poesia de Adélia Prado – definiu como “aquela maneira de pegar a gente pelo pé e nos deixar prostrado e besta com uma verdade revelada”.\u003c\/p\u003e\n\u003cp\u003eAgora, a tempo de comemorar os prêmios Camões e Machado de Assis (ABL), conquistados pela autora em 2024, \u003cem\u003eO pelicano\u003c\/em\u003e retorna aos leitores com nova capa, assinada pelo premiado designer Leonardo Iaccarino, sobre a tela \u003cem\u003eO mundo é uma máquina complicada; inventando universos \u003c\/em\u003e(2021), da artista plástica Manoela Monteiro.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":48522680172796,"sku":"9788501922762","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/9cf8d4dcf9b77c43cfecb9f0795afa03_a73b09c2-3b11-4bcd-a8f1-311b014553c1.jpg?v=1777630806"},{"product_id":"o-jardim-das-oliveiras","title":"O jardim das oliveiras","description":"\u003cp\u003e\u003cstrong\u003eDoze anos após o lançamento de sua última obra, Adélia Prado, vencedora dos prêmios Camões e Machado de Assis, retorna à poesia com \u003cem\u003eO jardim das oliveiras\u003c\/em\u003e, uma reunião de 105 poemas inéditos.\u003c\/strong\u003e\u003c\/p\u003e\\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\\n\u003cp\u003eApós doze anos sem publicar um livro inédito desde o comovente \u003cem\u003eMiserere\u003c\/em\u003e (2013), Adélia Prado retorna ainda mais profunda e madura em \u003cem\u003eO jardim das oliveiras\u003c\/em\u003e, um livro que é ao mesmo tempo síntese e reinvenção de sua obra, um mergulho poético na aridez e na transcendência, no mistério e na lucidez.\u003c\/p\u003e\\n\u003cp\u003eOs poemas aqui reunidos retomam temáticas vivas na obra da autora, como o conflito essencial entre luz e sombra, fé e dúvida, poesia e silêncio. Em versos de grande força simbólica, o sagrado e o cotidiano se entrelaçam com rigor e desatino. A poeta elabora uma reflexão radical sobre a origem da linguagem poética e seu papel diante do mundo — “era Deus quem doía em mim”, escreve, em um dos momentos mais cortantes da obra.\u003c\/p\u003e\\n\u003cp\u003eA poesia aqui se mostra em estado de vigília: há ecos metalinguísticos, diálogos com a própria história literária da autora, desde o nascimento de \u003cem\u003eBagagem\u003c\/em\u003e até a comunhão mais serena com o mistério. 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Casada há trinta anos com Thomaz, ela sofre de uma dor de dente implacável, que “paralisou o mundo”. O que, à primeira vista, pode parecer um enredo simples é, na verdade, transformado por Adélia Prado em um universo simbólico, palco para reflexões filosóficas, debates religiosos e questões de consciência.\u003c\/p\u003e\n\u003cp\u003eEspirituosa e inteligente, a personagem se reconhece um pouco “má” e vive entre os delírios dos sonhos (que anota para discutir com seu analista) e as questões prosaicas na pacata Coronas. Apaixona-se por Soledade, “um místico”, cujo verdadeiro nome é Jorge Teodoro, mas a quem apelidou de “Teodardo”. Um beijo bastou para bagunçar tudo. Menos para ela se considerar infiel, pois “nem dormindo com o Teo viraria adúltera”.\u003c\/p\u003e\n\u003cp\u003eAntônia gosta de “escrever poéticas”. Esses versos ajudam a enriquecer a linguagem concisa e divagante da obra. O relato está nos “cadernos” da personagem – uma narrativa dentro de outra, portanto. Burlando a estrutura tradicional do romance, os textos curtos – quase como contos autônomos – dão à história um caráter desconexo, um caos calculado que atiça a sanha do leitor em descobrir como tudo se encaixa. O envelhecimento e suas consequências, os questionamentos existenciais, as tentações da carne, a depressão, o poder da fé e a linha tênue que separa sonho da realidade dão ao livro uma amplitude impressionante. “Voz inconfundível na literatura de língua portuguesa”, como destacou o júri do Prêmio Camões, recebido pela autora em 2024, Adélia Prado mostra em \u003cem\u003eO homem da mão seca\u003c\/em\u003e um domínio extraordinário da narrativa. 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A capacidade de dizer muito com pouco fica evidente, por exemplo, em “Uma pergunta”, ao traduzir sentimentos complexos e dolorosos que pais e mães costumam experimentar em algum momento da vida: “Vede como nossos filhos nos olham, \/ como nos lançam em rosto \/ uma conta que ignorávamos. \/ Não cariciosos, convertem em pura dor \/ a paixão que os gerou.”\u003c\/p\u003e\n\u003cp\u003eÉ sempre muito bonito ver como Adélia, mesmo ao descrever a iminência da doença e da morte, arranca da bruma onírica uma visão bem-humorada. “Deus, tem piedade de mim. \/ Peço porque estou viva \/ e sou louca por açúcar”, diz a poeta com graça em “Distrações no velório”.\u003c\/p\u003e\n\u003cp\u003eLivro após livro, a sensibilidade de Adélia Prado continua transformando o corriqueiro em matéria poética e espiritual. 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Ao traçar vários retratos dessas mulheres, os contos se unem num contexto maior e formam um painel delicado e íntimo da existência feminina.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEster está deprimida por conta da menopausa; Calixtinha ficou grávida depois de namorar em segredo Otavianinho; uma sonhadora vê no casamento com moço da rede ferroviária “garantia de solidez e conforto”. Essas são algumas das personagens que aparecem nos contos de \u003cem\u003eFilandras\u003c\/em\u003e, publicado pela primeira vez em 2001, e que traz, em prosa, os temas mais preciosos para Adélia Prado: religião, amor, desejo, inocência, morte, tudo entrelaçado por fios delicados, como sugere o título, mas também muito passíveis de se estreitarem em nós fatais. É dessa trama que se cria o universo ficcional de Adélia Prado, a maior poeta brasileira hoje, capaz de transformar histórias cotidianas em grandes épicos. \u003c\/p\u003e\n\u003cp\u003eSe a maioria dos grandes contistas brasileiros da segunda metade do século XX concentrou-se em narrar as mazelas vindas a reboque da urbanização das metrópoles, Adélia Prado vai em sentido contrário ao olhar para o interior, revelando grandes dramas no microcosmo da pequena cidade. Em sua escrita, o humano surge das miudezas. Dona Ceres, Olinda e Célia, personagens recorrentes na obra, andam de “ônibus de linha”, dão conselhos, receitam remédios caseiros e emprestam açúcar a quem bater palma na frente de seus portões. Há ainda o resgate de Dona Doida, personagem que faz referência à peça estrelada por Fernanda Montenegro nos anos 1980, aqui retratada como uma mulher humilde e cômica, levada ao hospital por conta do “istrés”.\u003c\/p\u003e\n\u003cp\u003eNo plano estilístico, as histórias são tão notáveis pela contenção das coisas não ditas quanto pelo retrato vívido do cotidiano no interior. Numa “terra de donasmarias”, a visão católica manifesta-se na angústia metafísica da existência das personagens. Um mundo que, conforme bem define uma das narradoras do livro, é ao mesmo tempo “maravilhoso e imperfeito”.\u003c\/p\u003e\n\u003cp\u003eA tempo de comemorar os prêmios Camões e Machado de Assis (ABL), conquistados em 2024, e os 90 anos da autora, completados em dezembro de 2025, \u003cem\u003eFilandras \u003c\/em\u003echega aos leitores com capa nova criada pelo premiado designer Leonardo Iaccarino a partir da tela do artista plástico Pedro Meyer.\u003c\/p\u003e","brand":"Editora Record","offers":[{"title":"Default Title","offer_id":48804168761596,"sku":"9788501925213","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/418a3e1c7b622abdc98997700749371d_9f2903e5-dcfe-46de-b430-16772c96d116.jpg?v=1777627449"},{"product_id":"solte-os-cachorros-1","title":"Solte os cachorros","description":"\u003cp\u003e\u003cstrong\u003eEm sua estreia na prosa, Adélia Prado usou a mudança de gênero literário para se apresentar como uma narradora feroz, sem medo de impor-se como uma das prosas mais contundentes para retratar a vida das mulheres de sua geração. Quase 50 anos depois, o texto permanece absolutamente atual. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePrimeiro livro de Adélia Prado em prosa, lançado originalmente em 1979, \u003cem\u003eSolte os cachorros\u003c\/em\u003e mostra que, para a poeta, a poesia está em toda parte, derramando a mesma força da linguagem de seus primeiros livros numa prosa inventiva e madura. O salto da poeta na ficção não foi ao acaso. O domínio da linguagem deu à escritora mineira a segurança para forjar uma prosa bem urdida, em que a tríade temática que guiaria sua produção – sexo, Deus e morte – está “amarrada” a histórias em que a vida comezinha ganha contornos filosóficos, quando não épicos.\u003c\/p\u003e\n\u003cp\u003eA narrativa que dá nome ao livro apresenta uma mulher “na metade da vida”. Amparada pela experiência, ela fala, com alguma contundência, mas sempre com afeto, sobre o mundo ao redor e sobre como Deus se insere na franja dos dias. Assim, sua voz se alterna a cada novo assunto, podendo soar reflexiva, divertida, desesperada ou esperançosa. E, num exercício de concisão provavelmente vindo da poesia, Adélia flerta com o miniconto na segunda parte do livro, expondo a beleza coloquial da língua portuguesa em narrativas enxutas.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSolte os cachorros\u003c\/em\u003e é uma celebração de certa língua inventada por Adélia, e também do universo criado por ela para retratar a mulher de meia-idade, que, a despeito no mundo, não desistirá de desejar.\u003c\/p\u003e\n\u003cp\u003eA tempo de comemorar os prêmios Camões e Machado de Assis (ABL), conquistados em 2024, e os 90 anos da autora, completados em dezembro de 2025, \u003cem\u003eSolte os cachorros \u003c\/em\u003echega aos leitores com capa nova criada pelo premiado designer Leonardo Iaccarino a partir da tela do artista plástico Pedro Meyer.\u003c\/p\u003e","brand":"Editora Record","offers":[{"title":"Default Title","offer_id":48804172497148,"sku":"9788501925176","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/a160df583aba2c785c514eb24446758e_ce42740e-fdba-4404-a3f1-1b76c05e5488.jpg?v=1777627220"}],"url":"https:\/\/www.record.com.br\/en\/collections\/adelia-prado.oembed","provider":"Editora Record","version":"1.0","type":"link"}