{"title":"Bruna Beber","description":"Bruna Beber (Duque de Caxias\/RJ, 1984) é poeta, tradutora, artista visual e mestre em Teoria e História Literária (Unicamp). Apresentou-se em diversos eventos literários no Brasil e no exterior, tais como a Festa Literária Internacional de Paraty (Flip) e a Göteborg Book Fair, na Suécia. Realizou a exposição Brinquedos espalhados, em 2016, no Oi Futuro, no projeto Programa Poesia Visual. Como tradutora, dedicou-se a livros de Dr. Seuss, Lewis Carroll, William Shakespeare, Sylvia Plath, Louise Glück, Eileen Myles, Mary Gaitskill, Neil Gaiman, entre outros. É autora de A fila sem fim dos demônios descontentes (7Letras, 2006), balés (Língua Geral, 2009), rapapés \u0026amp; apupos (7Letras, 2012), Rua da Padaria (Record, 2013) e Ladainha (Record, 2017), além do infantil Zebrosinha (Galerinha Record, 2013).","products":[{"product_id":"zebrosinha","title":"Little Zebra","description":"Clumsy, smiling, lively, the family's darling... but this intrepid zebra has a serious problem to solve: a lack of friends. Apart from Potrosinha, her toy horse, Zebrosinha's only option is to find solace in the wise words of her old uncle Sitiosa. To finally make new friends, Zebrosinha invents a dance called Pinotinho. And when it's time to introduce Pinotinho at school, in front of all the other farm animals, Zebrosinha not only performs the dance but also surprises everyone—and even himself—with an irresistible boldness that changes her life and, why not, the lives of many others! A book that teaches readers young and old to have the courage to be happy no matter what others think. • \"With the delicacy of banal things, Bruna's poetry breaks the placidity of certainties.\" The words of critic José Castello about Rua da padaria, a book of poems published in 2013, are a good clue as to what can be found in Zebrosinha, Bruna Beber's first work for children.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159698850044,"sku":"9788501100641","price":49.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/1870670b97f090a309eb4f8f42514035_6340be65-fa41-4d01-a57f-7032eaa8dd49.jpg?v=1778313827"},{"product_id":"uma-encarnacao-encarnada-em-mim","title":"An incarnation embodied in me","description":"\u003cp\u003e \u003cstrong\u003eIn this unprecedented study of Stella do Patrocínio's poetry, the sound of this black woman's voice guides us through diverse scenarios, mapped by a surprising shift in space-time.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eStella do Patrocínio (1941-1992) was a Black Brazilian woman, creator of \u003cem\u003eFalatório\u003c\/em\u003e , a collection of speeches recorded in a series of audio recordings, mediated by Carla Guagliardi and Nelly Gutmacher between 1986 and 1988, at the Juliano Moreira Colony, in Rio de Janeiro. The publication, in 2001, of the book \u003cem\u003eKingdom of Animals and Animals is My Name\u003c\/em\u003e – a transcription of part of these recordings, organized by Viviane Mosé – revealed and established, in an inescapable manner, \u003cem\u003eFalatório\u003c\/em\u003e as one of the fundamental poetics of contemporary Brazilian art.\u003c\/p\u003e\n\n \u003cp\u003eAlthough Bruna Beber, in her \u003cem\u003eessay \"An Incarnation Embodied in Me\u003c\/em\u003e ,\" does not delve into the merits of Stella do Patrocínio's complex legitimization as a poet, reading this essay encourages us to reflect on the fragility of her lyrical autonomy. The way Stella do Patrocínio combines poetics and prophecy in everyday speech has made her a unique example in the history of Brazilian literature, in addition to demonstrating her incredible ability to weave, in her voice, the intersection of different literary systems.\u003c\/p\u003e\n\n \u003cp\u003eStella do Patrocínio's biography, however, is riddled with gaps. It's unclear where she was born, only that she spent most of her life in two mental institutions. She entered the first institution at age 21, in 1962, after being approached on the street by police officers and taken to the Pedro II Psychiatric Center. In 1966, she was transferred to the Teixeira Brandão Center, a women's ward in the Juliano Moreira Colony, where she remained until her death in 1992. Since there were no records of her family, she was buried as an indigent in the Inhaúma Cemetery.\u003c\/p\u003e\n\n\u003cp\u003e In total, Stella do Patrocínio spent thirty years confined. Because of this, she also became an important figure in the anti-asylum movement in Brazil, a movement that advances the agenda of psychiatric reform.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175885750524,"sku":"9786558470700","price":79.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/901cab36ad9b2b00ba629c9b12974df0_7e5e32da-f0f8-4033-825f-935756df45bc.jpg?v=1778873979"}],"url":"https:\/\/www.record.com.br\/en\/collections\/bruna-beber.oembed","provider":"Editora Record","version":"1.0","type":"link"}