{"title":"Carlos Drummond de Andrade","description":"\u003cp\u003eCarlos Drummond de Andrade nasceu em Itabira, Minas Gerais, em 1902. Poeta, contista e cronista, considerado um dos maiores nomes da poesia brasileira do século XX, foi autor, entre outros, de \u003cem\u003eAlguma poesia\u003c\/em\u003e, \u003cem\u003eBrejo das almas\u003c\/em\u003e, \u003cem\u003eSentimento do mundo\u003c\/em\u003e, \u003cem\u003eClaro enigma\u003c\/em\u003e, \u003cem\u003eFazendeiro do ar\u003c\/em\u003e e \u003cem\u003eFala, amendoeira\u003c\/em\u003e. Faleceu no Rio de Janeiro, em 1987, aos 84 anos.\u003c\/p\u003e","products":[{"product_id":"sentimento-do-mundo","title":"Feeling of the world","description":"\u003cp\u003e \u003cstrong\u003eThe social poems from \u003cem\u003eSentimento do mundo\u003c\/em\u003e return in a new project, with an afterword by Ailton Krenak.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eSentimento do Mundo\u003c\/em\u003e , published in 1940, when Carlos Drummond de Andrade was 38, is his third book of poems, but the first written after moving to Rio de Janeiro, then the country's capital. The title poem, which opens the volume, records the poet's openness to a broader vision of humanity. The collection of poems collected here also reveals a more participatory and committed political stance (albeit aware of its limits) in transforming reality.\u003c\/p\u003e\n\n \u003cp\u003eThe social poems in \u003cem\u003e\"Sentimento do Mundo\"\u003c\/em\u003e are some of the finest ever produced in Brazilian literature. \"O operário no mar\" (The Worker at Sea), \"Os ombros suporm o mundo\" (The Shoulders Support the World), \"Mundo Grande\" (The Big World), and \"Noite dissolves men,\" among others, are examples of an engaged literature in which, as critic Antonio Candido wrote, referring to Drummond's political stance at the time, \"adherence to socialism and the denial of the capitalist system\" are expressed \"in a lyrical key, as something that comes from within and exists first and foremost as a way of being.\"\u003c\/p\u003e\n\n \u003cp\u003eThis new breadth, while representing a turning point in Drummond's work, does not, of course, eliminate the strong ties he had with Minas Gerais and his hometown. The two dimensions coexist, more or less tensely, throughout the book. This decisive connection to his origins is evident, for example, in the poem \"Confidência do Itabirano\": \"For some years I lived in Itabira. \/ Mostly I was born in Itabira. \/ That's why I'm sad, proud: made of iron.\"\u003c\/p\u003e\n\n\u003cp\u003e The new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eSentimento do Mundo\u003c\/em\u003e , readers will find an afterword by Indigenous leader, environmentalist, and author Ailton Krenak, as well as selected bibliographies by and about Drummond; and the section titled \"At the Time of the Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n \u003cp\u003eComplete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159199170812,"sku":"9786555874600","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/d0229fbcda46f59ac7e685768dc235e7.jpg?v=1778875392"},{"product_id":"a-cor-de-cada-um","title":"The color of each one","description":"\"\u003cp\u003e \u003cstrong\u003eIn poems and short stories, with a new project and illustrations by Mayara Lista, \u003cem\u003eA cor de cada um\u003c\/em\u003e introduces Drummond to children and young people.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Carlos Drummond de Andrade, one of the greatest writers in Brazilian literature, was a master at retelling everyday life. In this new edition of \u003cem\u003eA cor de cada um (The Color of Each One)\u003c\/em\u003e , which features additional texts and previously unpublished illustrations, everyday stories are transformed into delightful literary treasures, selected for children and teenagers.\u003c\/p\u003e\n\n \u003cp\u003eIn the first part of the book, \"Nineteen Hundred and Something,\" the poems portray childhood and family relationships in a small rural town. The following section, \"Gnawing at Time,\" speaks with poetry and lyricism about the typical problems of life's early stages—from childhood games to everyday school life and youthful love.\u003c\/p\u003e\n\n\u003cp\u003e Finally, the section \"The Color of Each One\" brings together short fiction about: a storyteller for the king; a gardener mistreated by flowers; a republic where political parties are differentiated by their colors; a boy with a reputation for lying; a distant people with a different lifestyle; a future where it will be Christmas all year round; a city without boys; the encounter between the doorman Francisco and the goat Marcolina; the boys watching a movie about good guys; two kittens fighting on the sidewalk; reflections on the ear; and the visit of Pedro, the poet's one-year-old friend (actually, his grandson Pedro Augusto).\u003c\/p\u003e\n\n \u003cp\u003eCarlos Drummond de Andrade's words convey enchantment, humor, and sensitivity. This book is a great opportunity for today's children and teenagers to read Drummond, discover his style, and admire his prose and poetry.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159199269116,"sku":"9786555875072","price":59.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/5fc6a7f8e663c7f2c80e796bfe2ce4e6_4c1b5d6c-8f26-4d9c-bd1f-ca374596f698.jpg?v=1779506314"},{"product_id":"a-rosa-do-povo","title":"The people's rose","description":"\u003cp\u003e \u003cstrong\u003eOne of Drummond's most modernist and political books, \u003cem\u003eA rosa do povo\u003c\/em\u003e returns in a new project, with an afterword by Affonso Romano de Sant'Anna.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarlos Drummond de Andrade's poetry doesn't require a critical manual to be appreciated. The work itself is self-contained. But when it comes to \u003cem\u003eA rosa do povo (The People's Rose\u003c\/em\u003e ), the historical context in which the book was written and published helps to give even more meaning to the 55 poems that comprise this masterpiece, published in 1945, when the poet turned 43.\u003c\/p\u003e\n\n \u003cp\u003eWritten under the impact of World War II and the Estado Novo dictatorship in Brazil, the verses carry a strong \"politicized\" tone, a trait already present in previous books, such as \"Sentimento do mundo\" (The Feeling of the World) and \"José.\" This is true of the well-known \"A flor e a nausea\" (The Flower and the Nausea), where beauty (or was it poetry?) springs from the most hostile places, in a time of despair, or in \"Nosso tempo\" (Our Time)—\"a time of borders, a time of cut-off people\"—so timely with its powerful imagery that it can even disconcert the reader. Not to mention the ode \"Letter to Stalingrad,\" in which the poet makes his humanism clear in the face of barbarism.\u003c\/p\u003e\n\n \u003cp\u003eBut Drummond was a complete poet. Beyond the hopeless tone of that moment, he wrote metalinguistic texts (\"Nova canção do exílio\"), poems of unrequited love (\"O mito\"), and existential reflections (\"Morte no plano\"). There's also the gem \"Caso do vestido,\" an epic (somewhat Rodriguian) \"narrative\" about betrayal and dishonor, which Nobel laureate Bob Dylan would certainly have liked to have written.\u003c\/p\u003e\n\n\u003cp\u003e In the end, what truly prevails is Drummond's greatest poetry, with his unwavering faith in the craft of writing: \"Contemplate the words, each one has a thousand secret faces\" (\"Procura da poesia\"). In this book, they truly do.\u003c\/p\u003e\n\n \u003cp\u003eThe new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eA rosa do povo\u003c\/em\u003e , readers will find an afterword by writer and poet Affonso Romano de Sant'Anna, a scholar of Drummond's work; selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159199334652,"sku":"9786555875232","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/4300a30f20d9a076bbfa4d25c610d152.jpg?v=1778876335"},{"product_id":"o-elefante","title":"The elephant","description":"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eThe Elephant\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003e, a book-poem by Carlos Drummond de Andrade, has a new edition illustrated by Argentine artist Raquel Cané.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “I make an elephant \/ from my few resources,” writes the narrator in the introduction to the story of the friendly elephant, who, despite being slow and somewhat clumsy, has so much to teach us.\u003c\/p\u003e\n\n \u003cp\u003eIn this book-poem, Carlos Drummond de Andrade uses this figure, which many consider grotesque and lacking in sensitivity, to present everything missing in today's fast-paced, insensitive world. The elephant is the projection of each person's dreams and desires; it is also an animal brimming with senses and discoveries: textures, flavors, smells, and sounds; sensations, feelings—pains and joys. The allegory created by the author prepares readers, young and old alike, to understand what is at stake in life, that is, the border between reality and fantasy.\u003c\/p\u003e\n\n\u003cp\u003e The illustrations by Argentine artist Raquel Cané also help to give shape to the elephants that exist in each of us – in addition to the one that existed in Drummond –, all different from each other, but always willing to reform this world that no longer believes in the wisdom of animals.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159387980028,"sku":"9786585954020","price":64.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/34d63aa01013b888c9d764dc68e6fb85.jpg?v=1778875522"},{"product_id":"antologia-poetica","title":"Poetic anthology","description":"\u003cp\u003e \u003cstrong\u003eA collection of poems by the author at the height of his form, \u003cem\u003ePoetic Anthology\u003c\/em\u003e returns in a new project, with an afterword by Zélia Duncan.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eUntil 1962, when this anthology was released, the poetic work of Carlos Drummond de Andrade, then 60 years old, was made up of the following books: \u003cem\u003eSome poetry\u003c\/em\u003e , \u003cem\u003eBrejo das almas\u003c\/em\u003e , \u003cem\u003eSentimento do mundo\u003c\/em\u003e , \u003cem\u003eJosé\u003c\/em\u003e , \u003cem\u003eA rosa do povo\u003c\/em\u003e , \u003cem\u003eNovos poemas\u003c\/em\u003e , \u003cem\u003eClaro enigma\u003c\/em\u003e , \u003cem\u003eFazendeiro do ar\u003c\/em\u003e , \u003cem\u003eViola de bolso\u003c\/em\u003e , \u003cem\u003eViola de bolso restrungo\u003c\/em\u003e , \u003cem\u003eA vida passa a limpo,\u003c\/em\u003e and A \u003cem\u003eLição de coisas\u003c\/em\u003e . All of them are classics of our literature today.\u003c\/p\u003e\n\n\u003cp\u003e The mere fact that Drummond himself selected the poems that comprise this collection would be enough to make this collection special. But the way he organized it, dividing it into thematic sections, makes it a true map of the poet's sensibility, indicating the paths not only of his past work but also of what was yet to be written.\u003c\/p\u003e\n\n \u003cp\u003eThere are nine sections in total, with poems about: 1) the individual; 2) the homeland; 3) the family; 4) friends; 5) the social and political world; 6) love; 7) poetry itself; 8) poetic amusements; 9) the existential condition.\u003c\/p\u003e\n\n\u003cp\u003e This thematic breadth, rare in any writer, is combined with a great formal variety and remarkable technical competence, which makes Drummond, without a doubt, one of the most complete poets in the Portuguese language, past and present.\u003c\/p\u003e\n\n\u003cp\u003e The new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003e\"Antologia poética\" (Poetic Anthology\u003c\/em\u003e ), readers will find an afterword by singer-songwriter Zélia Duncan, as well as selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n \u003cp\u003eComplete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159406985468,"sku":"9786555874624","price":79.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/321bdade4a07504ab1a3e0a730b8cd4c.jpg?v=1778875971"},{"product_id":"autorretrato-e-outras-cronicas","title":"Self-portrait and other chronicles","description":"Collection of chronicles by Carlos Drummond de Andrade in a commemorative edition celebrating the 75th anniversary of Grupo Editorial Record.\n \nIn a commemorative edition celebrating the 75th anniversary of Grupo Editorial Record, this collection of chronicles by Carlos Drummond de Andrade, selected by Fernando Py, is re-released with a new cover and booklet containing photos and a selection of previously unpublished correspondence between the poet and Alfredo Machado, founder of the Group.\n With his usual tender and bitter feeling toward life's absurdities and beauty, Drummond perfectly and elegantly records facts from daily life and Brazilian politics, the deaths of friends, nature, literature, and even a humorous and reasonably condescending self-portrait: \"Mr. Carlos Drummond de Andrade is a reasonable prose writer who thinks he's a good poet, but in this he's deluded. As a prose writer, he wrote some chronicles and short stories that reveal a certain knowledge of graceful forms of expression, a certain humor and mischief.\"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159475470588,"sku":"9788501112330","price":69.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/84cc1dc26c937aa4d3245c5bb2e510bc.jpg?v=1778315843"},{"product_id":"alguma-poesia","title":"Some poetry","description":"\u003cp\u003e\u003cstrong\u003eCarlos Drummond de Andrade's debut book, \u003cem\u003eAlguma poesia,\u003c\/em\u003e returns in a new project, with an afterword by Ronaldo Fraga.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “No meio do caminho,” “Poema de sete faces,” and “Quadrilha” are among Carlos Drummond de Andrade’s best-known poems, and all are part of \u003cem\u003eAlguma poesia\u003c\/em\u003e , his debut book, published in 1930, when the poet was 28. Here, more unmistakably than in any other of his works, the influence of the 1922 Modern Art Week and, above all, of Mário de Andrade, with whom Drummond maintained a prolific literary correspondence, shines through.\u003c\/p\u003e\n\n \u003cp\u003eModernist ideology and aesthetics are present in the poet's approach to the world—rejecting old idealizations and immersing himself in everyday life, \"like any man on Earth.\" They are also present in the delightful sense of humor that characterizes many of the poems collected here—\"Any Little Town,\" \"Santa Claus in Reverse,\" \"Zero Quota,\" and \"Ballad of Love Through the Ages\" are good examples. And, finally, they are present in the confrontation of nationalism as a theme, as seen in \"Europe, France, Bahia\" and \"Fuga,\" among others.\u003c\/p\u003e\n\n\u003cp\u003e The joyful rebellion of modernity emerges accompanied by a restless lucidity, raising ethical, political, and existential questions, casting doubt on technical advancement and progress—\"There are terribly complicated machines for the simplest needs,\" writes the poet. Amid poems marked by youth and freshness, the typical Drummondian intelligence already revealed itself, with firm lines.\u003c\/p\u003e\n\n \u003cp\u003eThe new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003e\"Some Poetry\u003c\/em\u003e ,\" the afterword is by stylist Ronaldo Fraga. Readers will also find selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159523574012,"sku":"9786555874617","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/c0198b7b547523053417b7a1e2c8c10e.jpg?v=1778876052"},{"product_id":"quando-e-dia-de-futebol","title":"When is football day?","description":"\u003cp\u003e \u003cstrong\u003eAn anthology of short stories, chronicles and poems about the passion for sport shared by the nation and the poet, \u003cem\u003eQuando é dia de futebol\u003c\/em\u003e returns in a new project, with an afterword by Pelé.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eEarly in this anthology, Drummond announces the field on which it will be played: \"Football is played in the soul.\" For the poet, who saw every fan as someone threatened with death, the defining sport of Brazilians was intimately linked to the idea of mystery. Magic and illusion were words that suited him well when establishing the intangibility of our love for the ball. But Drummond understood that football expressed, above all, a political emotion. Our victories, he wrote, opened the people's eyes to their \"denied capacities for organization, persistence, resilience, associative spirit, and technique.\" More than that: they allowed our people to discover themselves.\u003c\/p\u003e\n\n \u003cp\u003eOrganized chronologically, following the World Cups our team won or failed to win between 1954 and 1986, the poems, chronicles, and letters collected in this book also analyze the turbulent years that preceded and followed the 1964 coup. Tostão, Zagallo, Gérson, and Rivelino are intertwined with figures from other competitions, such as Médici, Costa e Silva, Geisel, and Figueiredo. The \"passionate mythology of the World Cup,\" Drummond knew, was an attractive ideological lure. Football, after all, \"sometimes returns to primitivism, with stops for angry nationalism.\"\u003c\/p\u003e\n\n\u003cp\u003e There are also two sections dedicated to the genius of Garrincha and Pelé, a duo the author considered a kind of antithesis to Monteiro Lobato's Jeca Tatu. In the moving afterword he wrote for this work, Pelé makes a point of reciprocating the affection the writer always showed him: \"The difficult, the extraordinary, is not writing a thousand texts, like Drummond. It's writing one text like Drummond.\"\u003c\/p\u003e\n\n \u003cp\u003eThe new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \" \u003cem\u003eWhen It's Football Day\u003c\/em\u003e ,\" readers will find an afterword by soccer legend Pelé and selected bibliographies by and about Drummond.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159523606780,"sku":"9786555875256","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/716635a30b7eafa85cc859824d6b871b_325d3828-f7b6-476f-9ec6-cdc0861f2b1c.jpg?v=1778874043"},{"product_id":"a-intensa-palavra","title":"The intense word","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe intense word\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003ebrings together, for the first time, chronicles by Carlos Drummond de Andrade originally published in the old Rio de Janeiro newspaper \u003cem\u003eCorreio da Manhã\u003c\/em\u003e , between 1954 and 1969. This work offers a deep immersion into Drummond's daily and poetic life and the political history of Brazil, revealing the singular perception of one of the greatest poets, chroniclers and short story writers in Brazilian literature.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eThe Intense Word\u003c\/em\u003e is a previously unpublished collection of 150 chronicles by poet, columnist, and short story writer Carlos Drummond de Andrade, never before published in book form. These texts, published between 1954 and 1969 in the pages of \u003cem\u003eCorreio da Manhã—\u003c\/em\u003e a former Rio de Janeiro newspaper that was persecuted and shut down on several occasions during the military dictatorship—remained in the author's vast personal archive for nearly three-quarters of a century.\u003c\/p\u003e\n\n \u003cp\u003eEdited by fellow chronicler Luís Henrique Pellanda, the work serves as a lens that broadens our understanding of time and everyday life, reflecting Drummond's vision of the 20th century. Pellanda observes, in the edition's introductory text, that the chronicler is, in essence, \"a courtier of coincidences,\" and that, although the period in which they were written is clearly marked in the chronicles, Drummond, even from a distance in time, manages to capture and convey universal and still current problems and experiences, connecting with readers who \"are always seeking some confluence between what they read and what they experience in their daily lives. And it is precisely in this fertile and shifting terrain, where coincidences multiply with the passing of the decades and the evolving mindset of increasingly diverse readers, that a chronicle written in Brazil seventy years ago can take on new meanings.\"\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eThe intense word: unpublished chronicles from Correio da Manhã, 1954-1969\u003c\/em\u003e thus arrives at a good time for admirers of Drummond's works and for those passionate about this literary genre which, as the author himself describes in one of his best-known chronicles – \"Fala, Amendoeira\" (1954) – is a \"craft of scribbling about the things of time.\" And there is no better way to explore the nuances of life and time than through the writings of one of the greatest names in Brazilian literature.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"That Carlos Drummond de Andrade is one of the greatest poets in the Portuguese language is beyond doubt. That he also ranks among its greatest chroniclers seems indisputable [...]. Therefore, it is always a cause for joy when we come across unpublished texts in book form that remained forgotten in archives accessible only to researchers, and which bring us the author in the freshness of his daily task as a 'courter of coincidences,' in the apt description given by the compiler of this \u003cem\u003eA intenso palavra\u003c\/em\u003e , the also excellent chronicler, Luís Henrique Pellanda.\" – Luiz Ruffato, for the blurb of \u003cem\u003eA intenso palavra\u003c\/em\u003e .\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159524196604,"sku":"9786555879377","price":149.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/f3f96c5c2fa39fb15180fec27942f88e_f948c508-d423-4dad-8438-a5df1ed8f137.jpg?v=1778873911"},{"product_id":"o-observador-no-escritorio","title":"The observer in the office","description":"\u003cp\u003e \u003cstrong\u003eIn this new edition of \u003cem\u003eO observador no escritorio\u003c\/em\u003e , with a new graphic design and an unpublished afterword by Míriam Leitão, the reader has the privilege of delving into the most intimate daily life of Carlos Drummond de Andrade, based on the notes made in his diary over more than thirty years.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe mythical aura surrounding the figure and poetry of Carlos Drummond de Andrade takes on real form in * \u003cem\u003eThe Observer in the Office\u003c\/em\u003e *. Here, the reader has the privilege of delving into the poet's daily life through notes from his diary, which spans over thirty years—from 1943 to 1977.\u003c\/p\u003e\n\n\u003cp\u003e First published in \u003cem\u003eJornal do Brasil\u003c\/em\u003e between 1980 and 1981, this historical record nearly succumbed to the author's perfectionism, which led him to consider destroying his writings in a Kafkaesque impulse. Finally published in 1985, the book reveals the author's diverse interests during a period of intense political instability in Brazil and the world: the end of the Estado Novo (New State) and World War II; the return of a dictatorship from 1964 onward; the clash between the military and the left, etc.\u003c\/p\u003e\n\n \u003cp\u003eBut \"man does not live by politics alone, if it even lets him live,\" as the writer says to himself. Beyond his concern for Brazil's future, scenes from his private life are also recorded, such as an unpretentious afternoon at the home of Fernando Sabino, accompanied by João Cabral de Melo Neto and Vinicius de Moraes; a reception for the poet Pablo Neruda on a visit to Rio de Janeiro; or even a moving description of the burial of the Drummond family canary.\u003c\/p\u003e\n\n\u003cp\u003e The diary also records a moment of transition in the author's professional life, when he left the then Ministry of Education and Public Health to make a living from writing, whether in journalism or literature: “I feel an interest in earning a living outside the paternalistic circle of bureaucracy.”\u003c\/p\u003e\n\n \u003cp\u003eVarying between long texts, like a news report, and short notes, like a social media \u003cem\u003epost\u003c\/em\u003e , Drummond transforms the mundane into art. And, through his privileged lens, the Brazilian streetscapes become a literary work.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"It's one thing to read a book to write an afterword. It's another to spend time with Drummond. It's walking into his office and watching him jot down random ideas, while Crispim, his cat, with a personality the opposite of Inácio's, who was 'elusive and dry,' 'shows himself ready to socialize.' He became his great friend in the office. 'But he doesn't always let me write.' I finished the book feeling the joy of intimacy with the poet whose verses have stayed with me through life.\" – \u003cstrong\u003eMíriam Leitão\u003c\/strong\u003e , for the afterword to \u003cem\u003eThe Observer in the Office\u003c\/em\u003e .\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159548510460,"sku":"9788501921987","price":99.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/ff14b363e4d9dc4a336648ce314882d0.jpg?v=1778875734"},{"product_id":"jose-novos-poemas","title":"José \u0026amp; New Poems","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eJosé \u0026amp; Novos poemas\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eis a volume that compiles two collections of emblematic poems by the great Carlos Drummond de Andrade, originally published in 1942 and 1948. These works, which were gathered in the same book for the first time in 1967, under the title \u003cem\u003eJosé \u0026amp; outros: poesia\u003c\/em\u003e , now return with a new graphic design and an unpublished afterword by the poet Laura Liuzzi.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e With \"José,\" a poem published in the collection \u003cem\u003ePoesias\u003c\/em\u003e in 1942 and which lends its title to one of the books in this volume, Carlos Drummond de Andrade demolished the barrier between high and low culture. The opening line—\"And now, José?\"—of a blunt and challenging poem, gained diverse interpretations and connotations, going viral through quotations ranging from literature to advertising. A landmark of Brazilian modernism, it also became part of popular culture.\u003c\/p\u003e\n\n \u003cp\u003eWith only twelve poems, the book \u003cem\u003e\"José\u003c\/em\u003e \" nevertheless has many other inspiring moments, such as the sad images of urban life in the poem \"Edifício Esplendor,\" a place with \"complicated gas installations \/ useful for suicide.\" Leaving Minas Gerais in the mid-1930s, the young poet is haunted by loneliness, whether in memories of the rural environment of his childhood in Itabira (\"O boi\" and \"Viagem na família\"), or the hustle and bustle of Rio de Janeiro at the time (\"A Bruxas\").\u003c\/p\u003e\n\n \u003cp\u003e\" \u003cem\u003eNew Poems\u003c\/em\u003e ,\" published in 1948, caps a decade of spectacular production, in which Drummond bequeathed to Brazilian literature the fundamental works \" \u003cem\u003eSentimento do Mundo\"\u003c\/em\u003e (1940) and \u003cem\u003e\"A Rosa do Povo\"\u003c\/em\u003e (1945). In his final book of the 1940s, the poet balances the tragic meaning of life and hope. In the melancholic \"Desaparecimento de Luísa Porto,\" the pall of uncertainty covering the world after a long period of war is transferred to the private drama of a mother awaiting her lost daughter. \"Notícias de Espanha\" and \"A Federico García Lorca\" return to the engaged Drummond. But the sweetness of \"Canção amiga,\" a poem set to music by Milton Nascimento three decades later, reveals the poet's most generous and hopeful side.\u003c\/p\u003e\n\n \u003cp\u003eWith \u003cem\u003eNovos poemas\u003c\/em\u003e , Carlos Drummond de Andrade concludes an essential chapter in our poetic history, and paves the way for an equally brilliant future, in which he returns to forms without abandoning the lyricism of his best poetry.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “It is not difficult to notice something in Drummond’s work that, despite being remarkably inscribed in its time, surpasses the marks that would make it age, as if the thick river of the years carried away what perishes and left what stubbornly refuses to disappear: like stones, but also sand, which rearrange themselves at every moment.” – Laura Liuzzi, for the afterword of \u003cem\u003eJosé \u0026amp; Novos poemas\u003c\/em\u003e .\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159548575996,"sku":"9788501922007","price":84.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/72e255bb6522bf598c1f35c495cdafa2_bd1d089d-ea5c-4794-b861-0e48e6dfd007.jpg?v=1780024710"},{"product_id":"o-cinema-de-perto-prosa-e-poesia","title":"Cinema up close: prose and poetry","description":"\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003e\"Close-Up Cinema: Prose and Poetry\u003c\/em\u003e ,\" a never-before-seen collection of his chronicles and poems about the seventh art, Carlos Drummond de Andrade proves himself a true cinephile. The author enthusiastically celebrates his fascination with actresses, actors, filmmakers, and all the magic of the cinematic universe.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Who are our idols' idols? Who inspires them to create works we love? In this unpublished selection of chronicles and poems—edited by Pedro Augusto Graña Drummond, grandson of Carlos Drummond de Andrade, and Rodrigo Lacerda—our greatest poet emerges from moving texts to openly proclaim his fascination with actresses, actors, filmmakers, and the entire liturgy surrounding the seventh art of the 20th century.\u003c\/p\u003e\n\n \u003cp\u003eActresses hold a special place in the emotional memory of the columnist and self-proclaimed founder of the \"Society of Madmen in Love with Greta Garbo.\" Fascinated by the Swedish artist, Drummond indulges in \"fan delirium,\" inventing a visit by Garbo to Belo Horizonte, complete with dialogues and encounters that never actually took place. Regarding Marlene Dietrich, he says: \"For me, she wasn't born: she just appeared.\" In the poet's pantheon, there's also a special place for Bette Davis, Ingrid Bergman, Romy Schneider, and Catherine Deneuve, among other stars.\u003c\/p\u003e\n\n\u003cp\u003e Formed in the seats of the Odeon in the capital of Minas Gerais, the writer also turns his gaze to Brazilian cinema, sometimes concerned with the paths of film production (public policies, ticket prices, censorship, the beginning of the disappearance of street theaters, etc.), sometimes praising directors like Joaquim Pedro de Andrade and Glauber Rocha. And, of course, writing generously about our Brazilian divas, like Fernanda Montenegro and Sônia Braga.\u003c\/p\u003e\n\n \u003cp\u003eFor Sérgio Augusto, a renowned journalist and film critic who wrote the foreword to this edition, \"The poet from Itabira was an active film chronicler in publications in Belo Horizonte and Rio de Janeiro for nearly six decades. [...] He was a voice of constant solidarity against censorship and an enthusiast for the best Brazilian cinema produced.\"\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eCinema de perto: prosa e poesia\u003c\/em\u003e is, then, a declaration of love from Carlos Drummond de Andrade to an art form that helped shape his sensibility. Here, the histories of literature and cinema intersect through the eyes of a master of words, for whom, wisely, \"cinema is another life, alongside life.\"\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159642620156,"sku":"9786555876802","price":129.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/f5f1143655f0e05c229fbee12e8636aa_324a70c4-6f32-4bc1-a05a-9d7ea3eaa59e.jpg?v=1778876653"},{"product_id":"viola-de-bolso","title":"Pocket guitar","description":"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eViola de bolso\u003c\/em\u003e , a collection of poems by Carlos Drummond de Andrade released in the 1950s, reaches its third edition, with 25 poems previously unpublished.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eOne of the gems marking the return of poet Carlos Drummond de Andrade to Editora José Olympio's catalog is undoubtedly the new edition of \u003cem\u003eViola de bolso (Pocket Viola\u003c\/em\u003e ). Originally published in 1952 by the Ministry of Education and Health, the book was reprinted by Livraria José Olympio Editora in 1955, adding 56 new poems, bringing the total to 91. This third edition, released in 2022, brings together the poems from the second edition—with the addition of Drummond's handwritten revision marks—and includes new pieces, including 25 poems previously unpublished in previous editions, recently discovered by the poet's grandchildren.\u003c\/p\u003e\n\n \u003cp\u003eThese poems, which had been organized by the author himself in a folder titled \"Pocket Guitar (New),\" also appear in a facsimile version. For both Drummond scholars and poetry readers, it is possible to observe the changes made to certain poems from one edition to the next. These changes demonstrate the poet's concern for his writing and demonstrate how literary creation is an ongoing process, never finished.\u003c\/p\u003e\n\n \u003cp\u003eBesides the new edition's meticulous graphic design and hardcover, it will be a very rewarding experience to read the writings Drummond brings together in \u003cem\u003eViola de bolso (Pocket Viola).\u003c\/em\u003e The book is a kind of sentimental inventory of the poet's work, paying homage to places, affections, thoughts, and, for the most part, to people close to him: friends, artists, and important figures—among them, José Olympio himself—who won the heart of the great writer from Itabira. The dedications form a constellation that highlights Drummond's rare dexterity for crafting beautiful poetic works tied to his own life.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159670276348,"sku":"9786558471004","price":154.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/982641e15c7748d68daf78ce82be937a.jpg?v=1778815999"},{"product_id":"o-poder-ultrajovem","title":"The ultra-young power","description":"\u003cp\u003e \u003cstrong\u003eBringing together chronicles, short stories and poems by Drummond, \u003cem\u003eO poder ultrajovem\u003c\/em\u003e returns in a new project, with an afterword by Antonio Prata.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eCarlos Drummond de Andrade's versatility is more than evident in \u003cem\u003eO poder ultrajovem (The Ultra\u003c\/em\u003e -Young Power), a collection of texts published in the press in the late 1960s and early 1970s. Originally published in 1972, this book showcases Drummond's enormous diversity and incredible creative capacity in prose as well. It's a true delight for fans of Drummond and literature in general.\u003c\/p\u003e\n\n\u003cp\u003e In the 77 texts that make up this collection, the author from Minas Gerais presents a vast repertoire—from the highest culture to a detailed perception of Brazilian reality in the 1960s and 1970s. A time also marked by the dichotomy between the military dictatorship and the cultural \"desbunde.\"\u003c\/p\u003e\n\n \u003cp\u003eMoving with ease between chronicles, short stories, and, of course, poetry, the writer often blends everything, blurring the boundaries of literary genres. Beginning with the book's title, Drummond presents a hopeful vision of youthful rebellion. And his broad perspective—a general rule of all good chroniclers—covers absolutely everything: from the price of chayote squash to customs, including summer floods, a curious case of an elephant donation, and a moving tribute to his friend Cecília Meireles. All of this with humor, irony, and lightheartedness.\u003c\/p\u003e\n\n \u003cp\u003eThe fact is that \u003cem\u003e\"O poder ultrajovem\"\u003c\/em\u003e masterfully captures the spirit of that time, with its morals, slang, and vibe. It lives up to the tradition of the chronicle, the most Brazilian of literary genres, by photographing a generation, with its beauties and contradictions. Some of the newspapers that published these texts no longer exist, as does the Brazil portrayed in them. It hardly matters. The texts in \u003cem\u003e\"O poder ultrajovem\"\u003c\/em\u003e stand the test of time, showing the diverse facets of a country through the generous and insightful gaze of this genius named Carlos Drummond de Andrade.\u003c\/p\u003e\n\n \u003cp\u003eThe new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eO poder ultrajovem (The Ultra-Young Power\u003c\/em\u003e ), readers will find an afterword by writer Antonio Prata; selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159734468860,"sku":"9786555876451","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/c89982866c56d32c2c73839a2f529878.jpg?v=1778874366"},{"product_id":"moca-deitada-na-grama","title":"Girl lying on the grass","description":"\u003cp\u003e \u003cstrong\u003eThe last book of prose edited by Carlos Drummond de Andrade, and published three months after his death, \u003cem\u003eMoça lida na grama (Moça lying on the grass)\u003c\/em\u003e brings together the best of his chronicles, full of lyricism and poetry.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eLike his fellow Minas Gerais natives Otto Lara Resende, Paulo Mendes Campos, and Fernando Sabino, Carlos Drummond de Andrade etched his name in Brazilian chronicles. For over sixty years, he was a constant presence in the country's newspapers and magazines. He was with Brazilians through decisive political moments, lean economic periods, the architectural transformation of cities, the arrival of new technologies, and, above all, in those moments of distraction when all that matters is the colloquialism of life, the mundane and the ephemeral.\u003c\/p\u003e\n\n \u003cp\u003eThis astute and broad perception of reality is present in \u003cem\u003e\"Moça lida na grama\" (Girl Lying on\u003c\/em\u003e the Grass), the author's last book of prose, published in November 1987, just three months after his death. Practicing what he called \"vocabulary vagrancy,\" Drummond ranges from the popular to the philosophical, balancing reality and daydreaming. \"How good it is to sail like this,\" he confesses in \"A Little Bit of Nothing and Everything,\" a masterful chronicle in which he recaptures Federico Fellini's dreamlike vision of life when he says, \"The world is a ship we embark on to cast the ashes of a famous singer into the high seas.\"\u003c\/p\u003e\n\n \u003cp\u003eAnother striking feature of these sixty chronicles is the breadth Drummond constructs, expanding them into a mix of fiction and nonfiction—thus, in this vein, the writer reveals himself to be a master of dialogue, a literary device so associated with novelists and playwrights. All of this is peppered with the author's distinctive humor, with heavy doses of irony and sarcasm. A perfect formula for discussing serious matters without losing the humor.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159768678652,"sku":"9788501920201","price":79.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/c2eb4796e72258c891d46a5c8384eee3.jpg?v=1778875396"},{"product_id":"claro-enigma","title":"Clear enigma","description":"\u003cp\u003e \u003cstrong\u003eA milestone in Drummond's philosophical and poetic maturity, \u003cem\u003eClaro enigma\u003c\/em\u003e returns in a new project, with an afterword by Mia Couto.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"And how boring it has become to be modern. \/ Now I will be eternal,\" wrote Drummond in a poem from the 1954 book \u003cem\u003eFazendeiro do ar\u003c\/em\u003e (Air Farmer). But this distancing from the modernist poetic attitude—with all its euphoria, rebellion, and optimism—came from before. More precisely, from this \u003cem\u003eClaro enigma\u003c\/em\u003e , published in 1951, when the author was approaching 50 years of age.\u003c\/p\u003e\n\n\u003cp\u003e The devices of modern poetry begin to coexist with fixed forms, including sonnets, and with rhyme schemes and meters classic in the Portuguese language, such as the redondilha, the decasyllable, and the alexandrine. The playful tone, often present in the earlier works, becomes predominantly serious and elevated here.\u003c\/p\u003e\n\n \u003cp\u003eAs the contradiction in the book's title suggests, Drummond wasn't seeking a simple return to order. A sense of incompleteness, of insolvency, present in several poems, erodes any illusion of stability. \u003cem\u003eThis clear enigma\u003c\/em\u003e demonstrates, above all, that maturity, far from representing a fixed and secure perspective, elevates the concerns and anxieties of youth to a new level.\u003c\/p\u003e\n\n\u003cp\u003e The new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eClaro enigma\u003c\/em\u003e , readers will find an afterword by Camões Prize winner Mia Couto, as well as selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n \u003cp\u003eComplete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159786569980,"sku":"9786555874648","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/a5702dd78eda939f745566afaf79cedc_72c66dc4-ca8a-484b-9c0c-7671e0a05d30.jpg?v=1778875921"},{"product_id":"crianca-dagora-e-fogo","title":"Child of now is fire","description":"\"\u003cp\u003e \u003cstrong\u003eIn chronicles aimed at children and young people, with a new project and illustrations by Mayara Lista, Drummond deals with everyday life with a lot of humor and lightheartedness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e In this new edition of \u003cem\u003eCriança dagora é fogo\u003c\/em\u003e , with additional texts and new illustrations, the great storyteller Carlos Drummond de Andrade paints a sensitive and fun portrait of everyday life, which will certainly delight children and young people of all ages.\u003c\/p\u003e\n\n \u003cp\u003eIn the book's opening story, a four-year-old girl goes to a restaurant with her father and demonstrates her \"ultra-youth power.\" The following story, \"At the Police Station,\" tells the mother's unusual reaction upon discovering the true reason her son was arrested. In \"Tareco, Badeco, and the Boys,\" two children have fun calling a stranger—after all, \"kids are hot stuff these days!\" The dispute between two siblings who live in a boarding school and live in anticipation of receiving a gift with their godfather's visit is the theme of \"A Case of Choice.\" \"You Will Be a Minister\" shows the consequences of choosing an unusual name for a child. \"On the Road\" tells the story of a bow-legged boy who only wanted to play like the others. In \"The Secret of the Safe,\" a boy discovers what was in the large, mysterious safe built into the wall of his house. \"The Little Girl and the Manager\" follows a little girl left by her father with a store employee for \"fifteen minutes, tops.\" \"The Other Lady\" shows a girl writing an essay for Mother's Day. And in \"The Mouth, on Paper,\" the poet helps a young friend talk about the mouth, because, after all, \"it's always through it that we speak of it.\"\u003c\/p\u003e\n\n \u003cp\u003eChildren and teenagers today, as well as those of yesterday, will love Drummond's sensitive prose. A refined writer, capable of creating delightful tales based on everyday life.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159790469372,"sku":"9786555875089","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/8fec9bc71fcada3b8922dcf184a44db7_8e8bcfb3-a33c-446b-b80d-43e1276b5e04.jpg?v=1778874820"},{"product_id":"as-impurezas-do-branco","title":"The impurities of white","description":"\u003cp\u003e \u003cstrong\u003eExtremely relevant even half a century after its publication, \u003cem\u003eAs impurezas do branco\u003c\/em\u003e returns in a new project, with an afterword by Bruna Lombardi.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBy 1973, Drummond was already considered a classic author by many. And perhaps he himself, despite his characteristic skepticism and irony, already felt a bit that way. \"Love is a privilege of the mature,\" wrote the poet. A verse from someone who knew his time very well, the end of a century in which even feelings of love demanded to be communicated, reported, and unraveled in words, those impurities disturbing the silent white of the paper.\u003c\/p\u003e\n\n \u003cp\u003eHalf a century after its publication, this book still resonates. And anyone who reads it today, in Brazil—\"that part of me outside of me \/ constantly searching for me\"—will certainly be surprised by its aesthetic and political relevance. In \"Diamundo,\" Drummond sings of the \"24-hour information\" to which \"journaledores\" are allegedly exposed. And he lists some of the issues with which we were and continue to be bombarded daily: financial and real estate speculation, media sensationalism, the cult of celebrity, climate collapse, the enslavement of rural workers in the country's interior, the consequences of mining in the Amazon, the fuel crisis, the culture of pharmaceuticals, automobiles, and crime.\u003c\/p\u003e\n\n \u003cp\u003eFor Drummond, all these themes were intertwined through the arts of the god Kom Unik Assão, an increasingly deified entity, uniting and transforming everything around him. Love and heartbreak, age and memory, the \"extremely dangerous journey from oneself to oneself,\" the longing for friends, and the profound admiration for the artists of his homeland, this \"place of great misery,\" \"little fun,\" and a single certainty: it is also from Drummond's poetry that emanates the pain that the poet, in some way, wanted to unite us.\u003c\/p\u003e\n\n\u003cp\u003e The new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eAs impurezas do branco (The\u003c\/em\u003e Impurities of White), readers will find an afterword by actress and poet Bruna Lombardi; selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n \u003cp\u003eComplete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159790600444,"sku":"9786555875225","price":69.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/9d2017fbcc06257170b989c7624aa4e4.jpg?v=1778875404"},{"product_id":"o-gato-solteiro-e-outros-bichos","title":"The single cat and other animals","description":"\u003cp\u003e \u003cstrong\u003eIn poems, chronicles and short stories published in newspapers and books, this illustrated edition brings together Drummond, defender of nature and animals.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e In the chronicle \"People, Animals,\" Carlos Drummond de Andrade asserts that \"loving animals is a kind of dress rehearsal for loving one another.\" This collection of chronicles, poems, and short stories, published in newspapers and books, was organized by his grandson, Pedro Augusto, who inherited his grandfather's love of animals, from the smallest birds to the largest mammals, including our domestic companions, like the cat that gives the book its title. After all, \"every animal is magical.\"\u003c\/p\u003e\n\n \u003cp\u003eBorn and raised in rural Minas Gerais, Drummond spent his adult life in Rio de Janeiro, never ceasing to be moved by animals. He created, with his friend Lya Cavalcanti, the annual newspaper \" \u003cem\u003eA Voz dos que Não Falam\" (The Voice of Those Who Don't Speak)\u003c\/em\u003e , to cover issues related to animal rights, of which he was a staunch advocate.\u003c\/p\u003e\n\n\u003cp\u003e In the short story \"Os bichos chegar\" (The Animals Have Arrived), Drummond speaks of a \"fraternalistic tendency\" among animals—they are \"friends among themselves, and friends of the human species: a stark contrast to the suspicious, even warlike, behavior of man toward his fellow man.\" \u003cem\u003e\"O gato único e outros bichos\" (The Single Cat and Other Animals)\u003c\/em\u003e recaptures the Drummondian face perhaps less familiar to young readers: that of a nature lover and animal defender.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159791223036,"sku":"9786555875263","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/d3938d91506a4f56ca9aa4ab42c20ca0.jpg?v=1778814715"},{"product_id":"fazendeiro-do-ar","title":"Air farmer","description":"\u003cp\u003e \u003cstrong\u003eAn emblematic work from Drummond's adult phase, \u003cem\u003eFazendeiro do ar\u003c\/em\u003e returns in a new project, with an afterword by Mariana Ianelli.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eFazendeiro do ar\u003c\/em\u003e , published in 1954, followed \u003cem\u003eClaro enigma\u003c\/em\u003e —one of Drummond's and Brazilian poetry's most important works—and became equally emblematic of the poet's mature phase. Throughout just over twenty poems, Drummond never repeats \"formulas\" and masterfully alternates poetic devices: he ranges from sonnet to prose poem, passing through free verse.\u003c\/p\u003e\n\n\u003cp\u003e Death and the ephemerality of life are themes that permeate the entire work, composing a breathtaking sequence of highly inspired poems, which begins with “The Distribution of Time” (“One minute, one minute of hope, \/ and then everything ends.”) and continues with two texts in homage to the poets Américo Facó and Jorge de Lima, both of whom died in 1953.\u003c\/p\u003e\n\n \u003cp\u003eThe end of the life cycle is also present in “Cemitérios,” a series of very disconcerting short poems, with anthological lines: “On the left side I carry my dead. \/ That’s why I walk a little to the side.” “Death of Neco Andrade” is another find, perhaps the most eccentric text of the set, a prose poem with touches of the Western, complete with a surprising twist at the end.\u003c\/p\u003e\n\n\u003cp\u003e The book also brings up other recurring themes in Drummond's work, such as love, revealed in the thought-provoking \"The Room in Disorder,\" in which the poet says: \"On the dangerous curve of fifty \/ I slipped into this love.\" And the treatise on the passage of time that he constructs in \"Eternal\": \"eternal is everything that lives for a fraction of a second \/ but with such intensity that it petrifies and no force can rescue it.\"\u003c\/p\u003e\n\n \u003cp\u003eFilled with twilight imagery, \u003cem\u003eFazendeiro do ar\u003c\/em\u003e is a factory of powerful poetic fragments, where Drummond continues his successful mission of making sense of the world's machine.\u003c\/p\u003e\n\n\u003cp\u003e The new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eFazendeiro do Ar\u003c\/em\u003e , readers will find: the afterword, written by Mariana Ianelli, poet, essayist, columnist, and literary critic; selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159793320188,"sku":"9786555877236","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/b69866ad411d070dc0a3bb5929dd7d90_acce8401-4e94-43be-9473-75136257c114.jpg?v=1778875726"},{"product_id":"declaracao-de-amor","title":"Declaration of love","description":"\u003cp\u003e\u003cstrong\u003ePublished by Editora Record in 2005, Declaration of Love returns to bookstores in this new, revised and expanded edition, with a selection of the most beautiful love poems by Carlos Drummond de Andrade.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"What can a creature do if not, \/ among creatures, love?\" asks Carlos Drummond de Andrade in a poem from this collection, edited by two of his grandsons, Luis Mauricio Graña Drummond and Pedro Augusto Graña Drummond, and by Edmílson Caminha, a scholar of his work. Here, love is not an abstract theme, a dream, a fantasy, but an attraction brimming with libido, desire, and the pulse of life. One of the greatest names in 20th-century world literature, the poet avoids sentimentality, melodrama, or appeals to emotion, but creates verses that enchant the reader with their human richness, the strength of feelings, and the refinement of form. Often, also with their delicacy and sense of humor.\u003c\/p\u003e\n\n \u003cp\u003ePublished by Editora Record in 2005, \u003cem\u003eDeclaration of Love\u003c\/em\u003e returns to bookstores in this new, revised and expanded edition, with a hardcover, to which six poems from the book \u003cem\u003ePoesia errante\u003c\/em\u003e are added: “A essa altura da vida” (At this height in life), “Amor – eu digo” (Lover’s Song), “Nossa história de amor” (Our Love Story), “Papinho lírico no Dia dos Namorados” (Lyrical Chat on Valentine’s Day) and “Quero sentir” (I Want to Feel). Declarations of love that make us agree with Drummond, when he wrote: “Love is the cousin of death, \/ and the victor over death, \/ no matter how much they kill it (and they kill it) \/ at every moment of love.”\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159835787516,"sku":"9788501920195","price":99.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/74437d1adf3eedd43459c116bd958731_da5f5c96-3cf2-4e1e-adcb-6367e9136a30.jpg?v=1780975468"},{"product_id":"boitempo-ii-esquecer-para-lembrar","title":"Boitempo II: Forgetting to remember","description":"\u003cp\u003e \u003cstrong\u003eThe second volume of Drummond's collection of memorial poems, \u003cem\u003eBoitempo II: Forgetting to Remember,\u003c\/em\u003e returns in a new project, with an afterword by Heloisa Murgel Starling.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e In \u003cem\u003eBoitempo II\u003c\/em\u003e , Drummond leaves his rural childhood and enters a new world, one of forced technological advancement, where only what each person produces or sells matters: hats, birdcages, daggers, jam, cheese bread, coffins. The boy from Itabira, however, makes nothing; he simply watches others make them.\u003c\/p\u003e\n\n \u003cp\u003eIt is from this vantage point, as a suspicious observer, that we see progress finally arrive in rural Brazil, imposing its fines and restrictions: it is forbidden to gallop along cobblestone streets, to spread white clothes among the graves in the cemetery, to pray loudly at dawn. But then the future poet asks himself: \"What can I do to not die in peace?\"\u003c\/p\u003e\n\n\u003cp\u003e Carlos is sent to school, leaves his parents' home, ventures onto the train, studies Latin and grammar, stands out in student pamphlets, and earns the nickname Anarchist. The priests expel him from school, accusing him of \"mental insubordination.\" Rejected, the teenager loses his faith. He decides to stop being a \"saint\" and become \"clay and profanity, \/ a flawed human, an earthly sign.\"\u003c\/p\u003e\n\n \u003cp\u003eRiding time—\"a chair in the sun, and nothing more\"—the poet grows up. Suddenly, he finds himself young and free in Belo Horizonte. Supported by his family, he frequents the literary scene, among the modernists of Café Estrela and Livraria Alves. He graduates in Pharmacy, but \"only in the frame.\"\u003c\/p\u003e\n\n\u003cp\u003e He's a loafer, he dates, and he sleeps. He hears the call of writing and public service, becomes a newspaper editor, writes for the Republican Party of Minas Gerais, but something bothers him. It's his \"dirty conscience,\" the remorse of being an \"unconvinced official scribe.\" He still harbors within himself the boy Carlos, the one from second grade, who dreamed of \"emitting flashes \/ of a literary sun.\" It wouldn't be long before it happened. It was only a matter of time.\u003c\/p\u003e\n\n \u003cp\u003eThe new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eBoitempo II\u003c\/em\u003e , readers will find an afterword by historian Heloisa Murgel Starling; selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159855939836,"sku":"9786555876598","price":89.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/12b198cd2af581ccfc800725270bda5a.jpg?v=1778814938"},{"product_id":"boitempo-i-menino-antigo","title":"Boitempo I: Old Boy","description":"\u003cp\u003e \u003cstrong\u003eFirst volume of the collection of Drummond's memorial poems, \u003cem\u003eBoitempo I: Menino antigo\u003c\/em\u003e retorno em novo projeto, with an afterword by Carlos Bracher.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eOriginally published by Drummond in three volumes — in 1968, 1973 and 1979 —, the \u003cem\u003eBoitempo\u003c\/em\u003e series seems to endorse, not without irony, two of his simplest verses: “Living is longing \/ in advance.” When composing it, the poet admitted that he was returning to being a child in Itabira, and “with voluptuousness,” although an unnamed voice had always urged him to silence such “silly boyish memories.”\u003c\/p\u003e\n\n\u003cp\u003e He didn't keep quiet. When revisiting the past, he claimed he was merely writing about his present. In truth, he went further. Recalling his childhood impressions in \"mundominas,\" he also recorded part of the biography of a Brazil with a slave-owning and predatory essence. The \"agritortura,\" the mining, the commerce—all of it fascinated young Carlos, attentive to the desires of what he perhaps already identified as \"privilege\" and \"property\"—indeed, Drummond gives these titles to two poems collected here.\u003c\/p\u003e\n\n \u003cp\u003eCarlos flourished under the influence of the archaic laws that still governed, in the early 20th century, the relationships between society and nature, faith and morality, land and wealth, farm and family. He grew up admiring his powerful colonel grandfather; his cattle rancher father, who taught his son \"fear and to laugh at fear\"; his mother, so much \"easier to deceive\"; and his brothers, living and dead, presences \"to be deciphered later.\"\u003c\/p\u003e\n\n\u003cp\u003e “Boitempo”, thus, was the perfect amalgam he found to define his hybrid, rural and, in a certain way, aristocratic origin, since the ox, for him, was a fundamental magical animal, always ruminating on the mysteries that nourished him: “the cornmeal of life” ground by time, as well as his first letters and even the suspicion that love itself would be, perhaps, “a spectacle \/ offered to the cows \/ that do not look and graze”.\u003c\/p\u003e\n\n \u003cp\u003eThe new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eBoitempo I\u003c\/em\u003e , readers will find an afterword by painter, sculptor, and writer Carlos Bracher; selected bibliographies by and about Drummond; and the section titled \"At the Time of Release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159856038140,"sku":"9786555876604","price":89.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/222f632eaf151f17fe7d8c9fba261e64.jpg?v=1778876984"},{"product_id":"o-amor-natural","title":"Natural love","description":"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eO amor natural\u003c\/em\u003e , a posthumous publication by Drummond and the poet's most erotic book, returns in a new project with an afterword by Manuel Graña Etcheverry.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eErotic poetry became more prevalent in Drummond's work in his later years. \"As if Eros were playing his last card against Thanatos,\" Affonso Romano de Sant'Anna once wrote. Indeed, between 1984 and 1985, Drummond published \u003cem\u003eCorpo\u003c\/em\u003e and \u003cem\u003eAmar se aprende amando\u003c\/em\u003e , books that already addressed, albeit less explicitly, the complex themes of sex and physical desire. A third volume of love poems, however, remained unpublished until its posthumous publication in 1992: \u003cem\u003eO amor natural (Natural Love\u003c\/em\u003e ).\u003c\/p\u003e\n\n \u003cp\u003eHere, from the outset, Drummond evokes love as his guide. It is love that, in his verses, must unite \"soul and desire, member and vulva.\" Then follows a parade of erotic images, in which the poet recalls or reinvents fellatio and sodomy; forays into a \"curly garden\" and a \"deserted inn\"; orgasms that in themselves contain nothing less than the \"explanation of the world.\" Eternity itself, Drummond suggests, is \"pure orgasm.\"\u003c\/p\u003e\n\n\u003cp\u003e The \"milvalent mouth,\" the \"long-lipped\" tongue, and the butt—\"bumdamel bundalis bundacor bundamor\"—thus emerge as sweet elements of fantasy, unleashing the poet's sensuality. But what prevails in these verses, beyond physical pleasure, is a certain longing for love, the \"essential word\" integrating the ground, the bed, and the cosmos.\u003c\/p\u003e\n\n \u003cp\u003eThe new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003e*O amor natural*\u003c\/em\u003e , readers will find an afterword by Argentine poet and translator Manuel Graña Etcheverry, as well as selected bibliographies by and about Drummond.\u003c\/p\u003e\n\n\u003cp\u003e Complete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159856595196,"sku":"9786555877182","price":64.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/f58e282c25925cc66aad7d4fa9483c37.jpg?v=1778317845"},{"product_id":"amar-se-aprende-amando","title":"Love is learned by loving","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLove is learned by loving\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eis a beautiful panorama of the different ways of loving.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “The world is big and fits \/ in this window over the sea. \/ The sea is big and fits \/ in the bed and the mattress of love. \/ Love is big and fits \/ in the brief space of a kiss.” With verses like these, which combine sophistication and simplicity, this collection exalts the noblest “feeling in the world.”\u003c\/p\u003e\n\n\u003cp\u003e Originally published in 1985, just two years before Drummond's death, \u003cem\u003e\"Amar se aprende amando\"\u003c\/em\u003e reveals the different facets of love. To speak of them, the poet always finds an unusual angle (as in the delightful neologisms \"sempreamar\" and \"pluriamar\"), which highlights his aversion to rhetoric and avoids the sentimentality that haunts poetry when it speaks of \"matters of the heart.\" His verses do what many find impossible: they translate indescribable feelings into words.\u003c\/p\u003e\n\n \u003cp\u003eIf romantic love, preceded by overwhelming passion, is prominent in powerful poems like \"Amor\" and \"Lira do Amor Romântico,\" Drummond also shows that \"Old love has deep roots, \/ made of suffering and beauty.\" In the second section of the book, he expands his scope to compose masterful poems about fraternal love, most notably the moving \"Companion,\" written for his friend Pedro Nava's 80th birthday. In the final section, the poet embodies the chronicler in verses drawn from Brazilian reality, which, at that time, was moving toward a democratic transition after the bitter \"years of lead.\"\u003c\/p\u003e\n\n\u003cp\u003e In \u003cem\u003eAmar se aprendendo amar\u003c\/em\u003e , the reader lives with a Drummond who is attentive to reality, lyrical and brilliant.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159896834300,"sku":"9788501920188","price":114.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/ebb5dda6eb7e08177055cb606b98f7e5.jpg?v=1778874395"},{"product_id":"o-mundo-e-grande","title":"The world is big","description":"\u003cp\u003e \u003cstrong\u003eA beautiful illustrated poem about love and all its immensity—a perfect gift for couples in love and passionate about poetry.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e In his poem “The World is Big,” Carlos Drummond de Andrade conveys the vastness of nature and love in just six verses.\u003c\/p\u003e\n\n\u003cp\u003e The beautiful illustrations by Argentine artist Raquel Cané, in a circular narrative movement, in which the beginning and end of the poem come and go like the waves, show: a fisherman who enters the sea and dreams of his wife; the grandmother who sews a bag to give to her grandson; the boy going to meet his father, who returns from fishing; the woman who saw the man leave and now walks to wait for him on the shore; and, finally, the poet, who finds a shell in the sand that fell from the lovers' necklace and in it hears the whole story from the beginning.\u003c\/p\u003e\n\n\u003cp\u003e An illustrated version of a famous poem, which renews its strength and reach.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175314374908,"sku":"9786555876833","price":79.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/633075f5f3bca0e1e2c58484ffe3a552.jpg?v=1778815034"},{"product_id":"licao-de-coisas","title":"Lesson of things","description":"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eLição de coisas\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003ereturns to Editora José Olympio's catalog in a special edition, with a new graphic design, new text fixation and extra content.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIf Drummond's taste for experimentation was already evident in poems like \"No meio do caminho\" (No meio do caminho) from \u003cem\u003eAlguma poesia (Some Poetry)\u003c\/em\u003e , his debut book, this approach intensifies in this \u003cem\u003eLição de coisas (Lesson on Things\u003c\/em\u003e ). Drawing on provocations posed by concretism, the poet from Itabira opens himself up to a more intense exploration of form and content—especially visual and sonic content—\"without, however, adhering to any prevailing poetic formula,\" as the first edition's note emphasizes.\u003c\/p\u003e\n\n \u003cp\u003eThe nine parts that make up \u003cem\u003e\"Lição de Coisas\u003c\/em\u003e \"—\"Origem,\" \"Memória,\" \"Ato,\" \"Lavra,\" \"Companhia,\" \"Cidade,\" \"Ser,\" \"Mundo,\" and \"Palavra\"—represent the foundations of Drummond's poetry: the land, family, memories, affections, friendships, admiration, and an awareness of human problems and the dangers of the world. The poems included here are among Drummond's best-known works: \"O padre, a moça,\" adapted for the screen by director Joaquim Pedro de Andrade, and \"Para sempre,\" a beautiful hymn of praise for mothers that circulates on social media whenever people pay tribute to them.\u003c\/p\u003e\n\n \u003cp\u003eThis new edition also includes a dedication from the poet to his wife, Dolores, and another to his daughter, Maria Julieta, and her family; the chronicle “Livros novos” (New Books), which Drummond published in the newspaper \u003cem\u003eCorreio da Manhã\u003c\/em\u003e ; and four poems (“A música barata” (Cheap Music), “Ceramics”, “Discovery” and “Intimation”), which were previously unpublished in the author’s \u003cem\u003epoetic anthology\u003c\/em\u003e , published in 1962, and included in \u003cem\u003eLição de coisas\u003c\/em\u003e (Lessons of Things) from the second edition, released in 1965.\u003c\/p\u003e\n\n \u003cp\u003eWith this edition, we invite readers to enjoy poems that, beyond experimentation, encompass themes dear to our beloved poet, such as memory, humor, and the exploration of self and others. Thus, we realize that, beyond any observation about the technique of his texts, what we often encounter is the most simple humanity. His simple, yet always cohesive, poetic expression still amazes us with its tenderness. This lesson, perhaps for this reason, remains and endures. These are poems that, like small jewels, become increasingly valuable \"in the clever current of time.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “Drummond is first and foremost a \u003cem\u003emaker\u003c\/em\u003e , an 'inventor'” – Haroldo de Campos\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175444758780,"sku":"9786558471219","price":174.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/098c7832830e32acb23b03574ced8afc.jpg?v=1778814729"},{"product_id":"historia-de-dois-amores","title":"Story of two loves","description":"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eStory of Two Loves\u003c\/em\u003e , by Carlos Drummond de Andrade and Ziraldo, returns in a new edition, with a new cover and never-before-seen images, to win hearts with the story of friends Osbó and Pul.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe unlikely friendship between Osbó, the elephant leader of the herd, and Pul, the flea—or rather, the flea—who lives behind his ear is put to the test when Pul's ambition to have such an important friend gets the better of him and he starts kicking everyone around. The solution? Something very simple and fundamental, but one that we so often forget to incorporate into our lives... What could it be?!\u003c\/p\u003e\n\n\u003cp\u003e For celebrated writer Ana Maria Machado, this \u003cem\u003estory of two loves\u003c\/em\u003e \"never gets old. It's timeless. It remains entertaining, with its funny names and humorous situations.\" Written and illustrated by two masters of Brazilian literature, this book is a wonderful gift that teaches about friendship, partnership, and, of course, the power of love.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175492698364,"sku":"9786555876840","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/e242c480570aa86f6ac65b1eedd67728.jpg?v=1778874391"},{"product_id":"corpo","title":"Body","description":"\u003cp\u003e \u003cstrong\u003eExposing the contradictions of the body in a solemn and intense way, \u003cem\u003eCorpo\u003c\/em\u003e is part of Drummond's later publications and returns in a new project, with an afterword by Eliane Robert Moraes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e“My body is not my body, \/ it is the illusion of another being.” In the opening verses of this book, published in 1984, Drummond proposes a radical rupture: the desire to distance himself from the shell of himself, a body that erases the memory of his mind, that “attacks, wounds and condemns” him, inventing pain to, among other tricks, “make it internal, \/ part of my Id.”\u003c\/p\u003e\n\n\u003cp\u003e From this already old and deprived body, his \"jailer,\" Drummond moves on to others, far less exclusive. The body that strips itself bare with pleasure, becoming the \"last veil of the soul.\" The female body, or its pictorial representation, perceived not only as line, curve, and volume, but also as sign and melody. The bodies at rest and the absent, the \"walking dead\" who, despite being averse to their essential condition as flesh, already see themselves as fertile \"manure soil\"—the body made garden.\u003c\/p\u003e\n\n \u003cp\u003e\"Why are we born to love, if we are going to die? \/ Why die, if we love?\" This is what Drummond asks himself, constantly oscillating between the materiality and metaphysics of the bodies he investigates. He begins to speak of time, of \"last year's bread\" that the body chews but cannot eliminate; of the sky and the ambiguous grandeur of celestial bodies; of the shameful inequality of our social body. \"One day,\" the poet predicts, \"everything will come crashing down,\" and \"the classes will unite amidst the rubble.\"\u003c\/p\u003e\n\n\u003cp\u003e The new editions of Carlos Drummond de Andrade's work feature texts edited by experts, with unprecedented access to the collection of annotated copies and manuscripts he left behind. In \u003cem\u003eCorpo\u003c\/em\u003e , readers will find an afterword by literary critic and USP researcher Eliane Robert Moraes; selected bibliographies by and about Drummond; and the section titled \"At the time of the release,\" a chronology of the three years immediately before and after the book's first publication.\u003c\/p\u003e\n\n \u003cp\u003eComplete bibliographies, a chronology of the poet's life and work, and variations in the process of fixing the texts are available via the QR code located on the back cover of this volume.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176188723452,"sku":"9786555877229","price":119.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/1242404864195ed3dca6ca8a205294d5.jpg?v=1780975551"},{"product_id":"contos-de-aprendiz","title":"Apprentice Tales","description":"\u003cp\u003e \u003cstrong\u003eOne of the greatest challenges for an artist is to convey complex ideas or emotions simply. Carlos Drummond de Andrade achieves this goal masterfully in \u003cem\u003e\"Contos de Aprendiz\" (Apprentice Tales)\u003c\/em\u003e .\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published in 1951, \u003cem\u003eContos de aprendiz\u003c\/em\u003e marks Carlos Drummond de Andrade's debut in properly fictional narratives.\u003c\/p\u003e\n\n \u003cp\u003eBorn in a rural region, Drummond incorporates this experience into many of these fifteen stories, such as “The Salvation of the Soul,” in which the childhood and adolescence of five brothers are intertwined with the bucolic and naive climate of the interior of the country in the first half of the 20th century, and “The Ice Cream,” in which two boys face the dilemma of whether or not to try a previously unknown delicacy for the first time.\u003c\/p\u003e\n\n \u003cp\u003eGradually, the stories move toward the big cities, revealing their slow transformation. Drummond's talent for clarity and narrative elegance contributes to the psychological development of his characters. In the long, Chekhovian narrative \"The Manager,\" the author gradually constructs (and deconstructs) the protagonist Samuel, a bank clerk who frequents the Rio de Janeiro jet set and is accused of a bizarre crime, thus being nicknamed \"the Vampire of the Salons\" by the newspapers. Drummond paces the revelations and lets the reader \"peek\" into the events, while simultaneously revealing the complexity of \"ordinary people.\"\u003c\/p\u003e\n\n\u003cp\u003e Another highlight of Drummond's fables is \"Meu Compañero,\" the amusing story of Pirolito, the dog who has the \"gift\" of talking to his owner, the peaceful Professor Motinha. Between fantasy and realism, the writer crafts a moving narrative about friendship.\u003c\/p\u003e\n\n \u003cp\u003eWith the publication of \u003cem\u003eContos de Aprendiz\u003c\/em\u003e – when Drummond was entering his fifth decade of life and was already a renowned author – Brazilian readers had one more reason to celebrate: our greatest poet had also revealed himself to be a great fiction writer.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176262680828,"sku":"9788501920218","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/c6613759d939a9a1d2fcaea8591ea2b8_26584e32-a7cd-4894-ae03-aba44b7c8114.jpg?v=1778877026"},{"product_id":"contos-plausiveis","title":"Contos plausíveis","description":"\u003cp\u003e\u003cstrong\u003eA nova edição de \u003cem\u003eContos plausíveis\u003c\/em\u003e reúne histórias curtas marcadas pelo olhar irônico e sensível de Carlos Drummond de Andrade. Com novo projeto gráfico e posfácio inédito de João Anzanello Carrascoza, os contos cheios de humor seguem sendo uma leitura atual e indispensável.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUm homem busca nos classificados de jornal a própria alma perdida; o menino Paulo é diagnosticado como poeta por mentir demais; convivendo com duas sombras, Meneses se torna “polo turístico” de sua cidade; uma mesa adquire o dom da fala após servir mais de vinte anos aos trabalhos de um médium.\u003c\/p\u003e\n\u003cp\u003eEsses são alguns dos motes e tipos que compõem os espirituosos \u003cem\u003eContos plausíveis\u003c\/em\u003e, publicados originalmente na coluna de Carlos Drummond de Andrade no \u003cem\u003eJornal do Brasil\u003c\/em\u003e e reunidos em livro pela primeira vez em 1981. Acostumado a transformar o mundo em poesia, Drummond conta grandes histórias de maneira minimalista, exercitando-se no miniconto, um gênero à época pouco usual na literatura brasileira.\u003c\/p\u003e\n\u003cp\u003eMas o conto drummondiano nasce metamorfoseado: é meio crônica, meio fábula; tem toques de anedota e de “causo”. Textos em tom de conversa, recheados de humor, em que a tão propalada ironia do escritor mineiro vai longe.\u003c\/p\u003e\n\u003cp\u003eDrummond joga sua observação no liquidificador da fabulação e dá vida a ficções que dialogam com a realidade daquele tempo, mas permanecem atuais. Por outro lado, algumas histórias são totalmente alegóricas, como “A fala vegetal”, em que um jardim é transformado numa espécie de Torre de Babel das plantas.\u003c\/p\u003e\n\u003cp\u003eA observação do cotidiano e o embate entre vida moderna e tradição, traços da poética do autor, também estão presentes nessas saborosas histórias, nas quais os personagens nem sempre acompanham as transformações do tempo. Poeta maior, nesta rara incursão pela prosa de ficção, Drummond mostra que os gêneros literários não o definem.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Neste caudaloso volume de preciosidades, irrompe não só a ampla imaginação ficcional de Drummond, mas, sobretudo, a sua capacidade de observar a vida cotidiana, prosaica e ordinária, e, a partir dela, encontrar a matéria-prima de suas tramas concentradas, de poderoso impacto.” ­– João Anzanello Carrascoza, para o posfácio de \u003cem\u003eContos plausíveis\u003c\/em\u003e.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":48522697670908,"sku":"9788501924056","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/fc0abc7328c162bf005e62459a2255b2_0771fac7-dc46-44fa-9767-f3f358dbd857.jpg?v=1778876988"},{"product_id":"a-paixao-medida","title":"A paixão medida","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eA paixão medida\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, um dos livros mais emblemáticos de Carlos Drummond de Andrade, está de volta. A nova edição conta com projeto gráfico moderno e posfácio inédito de Maria Fernanda Candido, uma ótima oportunidade para redescobrir a poesia única de um dos maiores nomes da literatura brasileira.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrestes a completar 80 anos quando \u003cem\u003eA paixão medida\u003c\/em\u003e foi lançado, em 1980, Carlos Drummond de Andrade chegava à nova década com vitalidade de estreante. O livro tem início com versos ontológicos, com Drummond seguindo implacável na sua investigação sobre a relação do ser com a imensidão do mundo. Como no poema “A suposta existência”: “Existe, existe o mundo \/ apenas pelo olhar \/ que o cria e lhe confere \/ espacialidade?”\u003c\/p\u003e\n\u003cp\u003eRecorrente em sua produção, o poema de amor está representado no soneto “Confronto”, em que se dá o encontro entre o Amor e a Loucura, dois sentimentos tão distantes e tão próximos. O poeta olha para trás com graça em textos que revisitam o próprio passado e a História, declarando seu amor às suas “duas riquezas: Minas \/ e o vocábulo”, segundo o poema “Patrimônio”. A finitude está no horizonte, vindo a galope no autobiográfico “A morte a cavalo”.\u003c\/p\u003e\n\u003cp\u003eA verve fabuladora nunca abandonou o eu lírico drummondiano. Aqui há três pequenas obras-primas de sua poesia em prosa: “A cruz e a árvore”, “O marginal Clorindo Gato” e “A visita”. Ainda nesta coletânea, o poema “O corvo”, de Edgar Allan Poe, faz a ponte para o encontro, ocorrido em 1919, entre o jovem Mário de Andrade e o consagrado Alphonsus de Guimaraens, na cidade mineira de Mariana. Trata-se de uma colagem brilhante que põe em diálogo a obra de três grandes poetas. Drummond fecha o livro com outra homenagem, agora a Camões, em que diz: “Luís de ouro vazando intensa luz \/ por sobre as ondas altas dos vocábulos”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Não é difícil notar algo na obra de Drummond que, apesar de se inscrever notavelmente em seu tempo, supera as marcas que a fariam envelhecer, como se o rio espesso dos anos levasse aquilo que perece e deixasse o que teima em não desaparecer: como as pedras, mas também as areias, que se rearranjam a todo momento.” – Maria Fernanda Candido, para o posfácio de \u003cem\u003eA paixão medida\u003c\/em\u003e.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":48522697933052,"sku":"9788501924063","price":84.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/3ccaa6d972208989d78f9ee8e40c24f9.jpg?v=1778875136"},{"product_id":"discurso-de-primavera-e-algumas-sombras","title":"Discurso de primavera e algumas sombras","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDiscurso de primavera e algumas sombras\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, de Carlos Drummond de Andrade, está de volta. A nova edição conta com novo projeto gráfico e posfácio inédito de Micheliny Verunschk. Um retrato do Brasil, das amizades e das perdas sob o olhar do nosso maior poeta.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiscurso de primavera e algumas sombras\u003c\/em\u003e, publicado originalmente em 1977, é um exemplo do poder avassalador da obra de Carlos Drummond de Andrade. Vibrantes, melancólicos e comoventes, os poemas do livro apresentam um mosaico sobre os dramas, os personagens e os lugares que habitaram o imaginário do escritor.\u003c\/p\u003e\n\u003cp\u003eQuando as preocupações com o meio ambiente ainda estavam bem longe do peso e da importância atuais, Drummond voltava seu olhar para o tema no extraordinário “Águas e mágoas do rio São Francisco”, lastimando o “leito pobre”, os “barqueiros e barranqueiros na pior”, as “pontes sobre o vazio” e a “ausência de verde”. Já em “Num planeta enfermo”, com sua conhecida ironia, descreve como habitantes de uma cidade confundem neve com a espuma da poluição.\u003c\/p\u003e\n\u003cp\u003eA seção “Os marcados”, dedicada a amigos e figuras que admirava, forma a coluna vertebral do livro. E quando um poeta da grandeza de Drummond fala sobre algo que ama, o resultado é arrebatador. São inspiradíssimos os versos sobre Helena Antipoff, Di Cavalcanti, Pedro Nava, Lúcio Cardoso e Erico Verissimo. Assim como os poemas para Manuel Bandeira e Clarice Lispector, em que se entrelaçam amizade e arte.\u003c\/p\u003e\n\u003cp\u003eO poeta ainda canta o Brasil colonial, as divas de Hollywood, o Rio de Janeiro e sua Belo Horizonte da juventude, décadas depois fraturada em sua paisagem visual e cultural.\u003c\/p\u003e\n\u003cp\u003eAo relembrar Murilo Mendes, faz uma reflexão acerca da atemporalidade da poesia do amigo mineiro: “Por ter sido futuro, entre passados \/ e estagnados: \/ futuro intensamente, poeta \/ a nascer amanhã, sempre amanhã.” Versos certeiros que poderiam se referir a si próprio e aos poemas deste livro. Drummond é hoje e amanhã.\u003c\/p\u003e\n\u003cp\u003e“Se, no poema dedicado a Murilo Mendes, Drummond abre a imagem de uma janela cosmorâmica (o cosmorama é um antigo dispositivo óptico que permitia observar o “espetáculo do mundo”, paisagens, quadros, entre outras imagens), não será demasiado afirmar que a primavera que o poeta itabirano engendra é, também ela, cosmorâmica, como se o Brasil, e tudo o que lhe diz respeito, fosse visto da forma mais próxima e afetada possível pelo orifício da caixa, pelo contorno das notícias.” – Micheliny Verunschk, para o posfácio de \u003cem\u003eDiscurso de primavera e algumas sombras\u003c\/em\u003e.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":48522699735292,"sku":"9788501924339","price":89.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/83d27c77f11e0fb885f4622efb96b615_c90a6806-fd39-4cde-8904-c314323ef2bc.jpg?v=1778815374"},{"product_id":"box-essencial-carlos-drummond-de-andrade","title":"Box Essencial - Carlos Drummond de Andrade","description":"\u003cp\u003e\u003cstrong\u003eOs cinco clássicos essenciais de Carlos Drummond de Andrade, em box exclusivo, com projeto gráfico de Mayumi Okyama e ensaio inédito do poeta Tarso de Melo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePara celebrar um dos maiores nomes da poesia moderna brasileira, foram reunidos em um box de luxo os 5 clássicos essenciais de Carlos Drummond de Andrade: \u003cem\u003eAlguma poesia\u003c\/em\u003e, \u003cem\u003eSentimento do mundo,\u003c\/em\u003e \u003cem\u003eJosé \u0026amp; Novos poemas\u003c\/em\u003e, \u003cem\u003eA rosa do povo\u003c\/em\u003e e \u003cem\u003eClaro enigma\u003c\/em\u003e. Com projeto gráfico assinado pela designer Mayumi Okuyama, os livros têm capa dura e pintura trilateral. De brinde, o box traz um livreto, \u003cem\u003eVida e obra\u003c\/em\u003e, reunindo um ensaio inédito do poeta Tarso de Melo e a cronologia completa de vida e obra de Drummond; e 6 cards com diferentes autocaricaturas e versos de Drummond.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAlguma poesia\u003c\/em\u003e (120 páginas)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“No meio do caminho”, “Poema de sete faces” e “Quadrilha” estão entre os poemas mais conhecidos de Drummond, e fazem parte de \u003cem\u003eAlguma poesia \u003c\/em\u003e(1930), seu livro de estreia. Aqui, mais do que em qualquer outra de suas obras, transparece a influência da Semana de Arte Moderna de 1922 e, sobretudo, de Mário de Andrade, com quem Drummond manteve farta correspondência literária.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSentimento do mundo\u003c\/em\u003e (80 páginas)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSentimento do mundo\u003c\/em\u003e (1940) é o terceiro livro de poemas de Drummond, mas o primeiro escrito após a mudança para o Rio de Janeiro, então capital do país. O poema-título registra a abertura do poeta para uma visão mais ampla da humanidade. Nos demais poemas, há também uma atitude política mais participativa e empenhada na transformação da realidade.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eJosé \u0026amp; Novos poemas\u003c\/em\u003e (88 páginas)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCom “José”, poema que dá título a um dos livros (de 1942) deste volume, Drummond demoliu a barreira entre alta e baixa cultura. O verso inicial “E agora, José?” ganhou diversas interpretações e conotações na boca do povo, “viralizando” por meio de citações que vão da literatura à propaganda. Já com \u003cem\u003eNovos poemas\u003c\/em\u003e (1948), o poeta escreve um capítulo essencial da história da poesia brasileira, equilibrando-se entre o sentido trágico da vida e a esperança.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eA rosa do povo\u003c\/em\u003e (209 páginas)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eO contexto histórico em que este livro foi produzido e lançado ajuda a dar ainda mais sentido aos 55 poemas que compõem essa obra-prima, publicada em 1945. Escritos sob o impacto da Segunda Guerra Mundial e da ditadura do Estado Novo no Brasil, os versos trazem grande carga “politizada” e a fé inabalável do poeta no ofício da escrita.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eClaro enigma\u003c\/em\u003e (136 páginas)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEm \u003cem\u003eClaro enigma\u003c\/em\u003e (1951), os recursos da poesia moderna passam a conviver com formas fixas, entre elas os sonetos, e com esquemas de rimas e metros clássicos, como a redondilha, o decassílabo e o alexandrino. E, como a contradição dos termos no título do livro sugere, \u003cem\u003eClaro enigma\u003c\/em\u003e demonstra que a maturidade, longe de representar um ponto de vista fixo e seguro, recoloca em outro patamar as inquietações e angústias da juventude.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVida e obra\u003c\/em\u003e (104 páginas)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLivreto exclusivo do box reunindo um ensaio inédito de Tarso de Melo sobre as cinco obras essenciais e uma cronologia completa de vida e obra do poeta.\u003c\/p\u003e","brand":"Editora Record","offers":[{"title":"Default Title","offer_id":48798524408060,"sku":"9788501925862","price":279.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/4d94b521b4b55698fdde823420fc83f7.jpg?v=1778312552"},{"product_id":"d-quixote-cervantes-portinari-drummond","title":"D. Quixote: Cervantes, Portinari, Drummond","description":"\u003cp\u003e\u003cstrong\u003eO clássico da literatura mundial com poemas de Carlos Drummond de Andrade e desenhos de Portinari volta em nova edição em capa dura. \u003cem\u003eD. Quixote\u003c\/em\u003e conta com novo projeto gráfico e posfácio inédito de Eduardo Bueno. Uma obra-prima pelos olhares dos maiores nomes da literatura e da arte do Brasil.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eA influência de \u003cem\u003eDom Quixote\u003c\/em\u003e, romance de Miguel de Cervantes publicado em 1605, é incomensurável. E sua permanente popularidade foi, em parte, ampliada pelo prestígio que teve no mundo das artes — de Pablo Picasso a Dostoiévski, foram muitos os artistas inspirados pelo livro. No Brasil, o clássico foi o ponto de partida para uma parceria icônica entre Carlos Drummond de Andrade e Candido Portinari, cujo resultado é este \u003cem\u003eD. Quixote: Cervantes, Portinari, Drummond\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eConcluída em 1956, a incrível série de 21 desenhos que Portinari fez sobre \u003cem\u003eDom Quixote\u003c\/em\u003e só ganhou a companhia dos poemas de Drummond em 1973. Mas a obra circulou pouco, apenas em edições dirigidas e de tiragem limitada. Agora, setenta anos depois de o pintor brasileiro concluir as ilustrações, o livro ganha uma edição comercial e acessível.             \u003c\/p\u003e\u003cp\u003eNa obra, Drummond e Portinari criam peças que de alguma forma acompanham o roteiro de eventos do romance, como as batalhas imaginárias de Quixote, o amor dele por Dulcineia e as trapalhadas com o esquálido cavalo Rocinante. Já no poema de abertura, “Soneto da loucura”, Quixote apresenta ao leitor seu estado mental divagante, imaginando um “tropel de batalhas jamais vistas”. Já o poema “Convite à glória” é todo feito em diálogos, com o fidalgo tentado convencer um ainda ressabiado Sancho Pança a embarcar na jornada contra o mal, prometendo-lhe uma ilha de esmeraldas como recompensa.\u003c\/p\u003e\u003cp\u003eDrummond adapta as hilárias histórias da dupla ao seu imenso repertório linguístico, ao passear pelo poema concreto, pelo soneto e pela parlenda: “Epa! \/\u003cbr\u003e Baixa, gordo, \/ cara de bufão, \/ bola no chão, \/ bãobalalão” (“Coro dos cardadores e fabricantes de agulhas”). Neste poema, de forma magistral, ele constrói uma ponte entre o romance de cavalaria europeu e a tradição oral brasileira.\u003c\/p\u003e\u003cp\u003eNo entanto, o que fica evidente aqui é uma sinergia artística impressionante. Drummond e Portinari nos fazem imaginar um \u003cem\u003eQuixote\u003c\/em\u003e realizado a seis mãos, enriquecendo de forma única essa obra-prima da literatura mundial ao mesmo tempo que criam um verdadeiro clássico do modernismo brasileiro.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e“[...] resgatar o Dom Quixote pelas lentes de Portinari e pela voz de Drummond configura um ato de resistência poética [...].” – Eduardo Bueno, para o posfácio de \u003cem\u003eD. Quixote: Cervantes Portinari Drummond\u003c\/em\u003e.\u003c\/p\u003e","brand":"Editora Record","offers":[{"title":"Default Title","offer_id":48901647925500,"sku":"9788501924599","price":149.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/18159653dcd3926567a31688baeb5d73.jpg?v=1780457186"},{"product_id":"seleta-em-prosa-e-verso","title":"Seleta em prosa e verso","description":"\u003cp\u003e\u003cstrong\u003eReunindo o melhor de Carlos Drummond de Andrade, a \u003cem\u003eSeleta em prosa e verso\u003c\/em\u003e do poeta mineiro, com ensaio e notas de Gilberto Mendonça Teles, retorna ao catálogo da Editora José Olympio com capa fac-símile da edição original de 1971.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReunindo poemas, contos e crônicas selecionados pelo próprio autor, esta Seleta em prosa e verso oferece uma leitura privilegiada da obra de Carlos Drummond de Andrade. Publicada originalmente pela Editora José Olympio em 1971, a antologia reúne os textos que o escritor considerava essenciais, permitindo ao leitor não apenas acessar sua produção, mas percorrê-la guiado pelas escolhas do próprio poeta mineiro.\u003c\/p\u003e\n\u003cp\u003eAo contemplar tanto os versos que o consagraram quanto sua deliciosa prosa, o volume evidencia as múltiplas facetas de Drummond: o poeta de imaginação rigorosa, o cronista atento ao cotidiano, o observador sensível capaz de extrair beleza e inquietação dos gestos mais simples da vida.\u003c\/p\u003e\n\u003cp\u003ePublicada originalmente pela Editora José Olympio em 1971, esta \u003cem\u003eSeleta em prosa e verso\u003c\/em\u003e integrava a Coleção Brasil Moço, responsável pela formação literária de gerações de leitores. Nesta nova edição, além de manter o estudo crítico e revisar as notas do professor Gilberto Mendonça Teles, os textos de Carlos Drummond de Andrade passaram por nova fixação realizada pelo especialista Edimílson Caminha. O volume oferece, assim, um panorama consistente e qualificado da produção drummondiana, aliando leitura literária e contextualização crítica.\u003c\/p\u003e\n\u003cp\u003eValiosa tanto para admiradores quanto para estudiosos, esta \u003cem\u003eSeleta em prosa e verso\u003c\/em\u003e reafirma o lugar de Carlos Drummond de Andrade como um dos pilares da literatura brasileira e como autor fundamental na formação de leitores ao longo de gerações.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Drummond é antes de mais nada um maker, um ‘inventor’” – Haroldo de Campos\u003c\/p\u003e\n\u003cp\u003e“Ledor e reledor de Drummond, sempre me maravilho com suas novidades, seus achados, e partilho o prazer que ele frui ao escrever e achar o que nunca foi achado em nossa linguagem” – Gilberto Amado\u003c\/p\u003e","brand":"Editora Record","offers":[{"title":"Default Title","offer_id":48902239879420,"sku":"9786558471677","price":74.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/0ef63974c3f9aceae99ef1c7772ff897_d197f8d2-fafd-4b05-baf8-35b0a7a94f2f.jpg?v=1778875171"},{"product_id":"o-avesso-das-coisas","title":"O avesso das coisas","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eO avesso das coisas\u003c\/em\u003e, de Carlos Drummond de Andrade, está de volta. Uma reunião bem-humorada dos aforismos do maior poeta do Brasil. Agora com novo projeto gráfico, ilustrações de Dedé Laurentino e posfácio de Pedro Bial.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUm aforismo é uma sentença, uma tirada, uma observação – filosófica ou humorística – que nos apresenta, subitamente, uma visão inusitada, uma ideia pelo avesso, capaz de questionar “verdades” cristalizadas ao longo de séculos. Neste \u003cem\u003eO avesso das coisas\u003c\/em\u003e, organizado pelo autor ainda em vida e publicado postumamente, em 1988, Drummond repensa o mundo. Agora, nesta nova edição, com ilustrações de Dedé Laurentino e posfácio de Pedro Bial.\u003c\/p\u003e\n\u003cp\u003eO fato de a obra ter vindo à tona na fase crepuscular do escritor mineiro não é mera coincidência. Diversos autores escreveram aforismos em situações-limite ou nos seus derradeiros dias, como um último esforço no plano das ideias. O Poeta das Sete Faces, portanto, junta-se a um seleto grupo de escritores e pensadores – Hipócrates, Oscar Wilde, Nietzsche e Kafka – que deixaram suas marcas neste saboroso gênero milenar.\u003c\/p\u003e\n\u003cp\u003eEm suas pílulas idiossincráticas, dispostas aqui em ordem alfabética, Drummond destila conhecimento enciclopédico ao redefinir temas universais: do amor à guerra, da velhice ao perdão. Por outro lado, é curioso conferir a visão peculiar de nosso maior poeta sobre temas aparentemente corriqueiros, como a vadiagem, a estátua, o sono e a zebra.\u003c\/p\u003e\n\u003cp\u003eA tão propalada ironia drummondiana aparece com força naquilo que o autor jocosamente chamou de “mínimas”, definidas por ele como “algumas coisas que não chegam a alcançar a sabedoria”. Para além da conhecida modéstia do escritor, nesta coleção de “anotações vadias” Drummond surge engraçado, picaresco, nonsense e debochado, mas também reflexivo. O certo é que, ao final deste O avesso das coisas, o leitor pode tranquilamente se valer de um dos muitos aforismos lapidares do livro e, enfim, dizer: “É bom ler, e ótimo ter lido.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Não é comum encontrar tal poder de comunicação na linguagem poética, domínio da expressividade. Vários versos de Drummond foram incorporados ao dia a dia das falas brasileiras, desde a pergunta sem resposta que faz a José ao retrato que dói na parede.” – Pedro Bial, para o posfácio de \u003cem\u003eO avesso das coisas\u003c\/em\u003e.\u003c\/p\u003e","brand":"Editora Record","offers":[{"title":"Default Title","offer_id":48902273401084,"sku":"9788501924322","price":119.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/72cfa7a2f603e8cfaca82a0e1b408fcd_5f1a9487-5582-4eda-ad20-fff35edd3607.jpg?v=1779160412"}],"url":"https:\/\/www.record.com.br\/en\/collections\/carlos-drummond-de-andrade.oembed","provider":"Editora Record","version":"1.0","type":"link"}