{"title":"Frederico Oliveira Coelho","description":"","products":[{"product_id":"eu-brasileiro-confesso-minha-culpa-e-meu-pecado","title":"I, Brazilian, confess my guilt and my sin","description":"Hélio Oiticica, Torquato Neto, Waly Salomão, Rogério Duarte, Jards Macalé, and others are some of the figures featured in Frederico Coelho's analysis of marginal culture in the 1960s and 1970s. \"I, Brazilian, Confess My Guilt and My Sin\" presents a profound analysis of the influence of this movement during that historical period and continues today. The author truly revives this cultural movement by offering a fresh perspective on the subject. Testimonies, articles, and rare interviews guide the text, which presents a snapshot of the main events of marginal production. \"Through the statements of the movements' own participants, I constructed a panorama of the differences and affinities that contributed to the formation of two distinct movements in Brazilian cultural production,\" he explains. Coelho presents an original perspective on the Tropicalist movement by dividing it into two strands. To trace the formation of marginal culture, he distinguishes between musical Tropicalism and Tropicália. The first movement known to the general public includes the already established names of Caetano Veloso, Gilberto Gil, Nara Leão, among others. The second is more heterogeneous, with figures such as Oiticica, Júlio Bressane, Glauber Rocha, Waly Salomão, Torquato Neto, and many other artists who move between visual arts, literature, music, and cinema. With this excerpt, the author intends to show that Tropicália may have influenced musical Tropicalism more than one might imagine. \"(...) as a provocation, we can suggest that instead of the marginalized necessarily being the 'post-tropicalists,' they become, from another perspective, the 'pre-marginals,'\" he notes. The author's analysis shows that today's marginal artist, linked to the popular culture of the peripheries, is the embodiment of yesterday's marginal ideal. \"Today's marginal artist is one who emerges from the poverty-stricken pockets and peripheral regions of large cities. Being an marginal artist is an organic part of a culture that imposes itself as a tool for reflection and creation, for individual action and collective results. The marginal artist of today's Brazilian world provides flesh and blood to the ideal representation of the marginalized of decades past,\" concludes Frederico Coelho.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176834416892,"sku":"9788520009383","price":79.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/38f76b3fbc0682b6b4452c6ba3717617.jpg?v=1776896847"}],"url":"https:\/\/www.record.com.br\/en\/collections\/frederico-oliveira-coelho.oembed","provider":"Editora Record","version":"1.0","type":"link"}