{"title":"Gianfrancesco Guarnieri","description":"\u003cp\u003eGianfrancesco Guarnieri (Milão\/Itália, 1934 – São Paulo, 2006) foi dramaturgo, ator, diretor, compositor e poeta naturalizado brasileiro. Desde a adolescência, envolveu-se em questões políticas e chegou a ser Secretário de Cultura de São Paulo. Fundou o Teatro Paulista do Estudante, que posteriormente se juntou ao Teatro de Arena – do qual veio a se tornar sócio proprietário. Atuou em vários filmes e em redes de televisão, sempre com grande sucesso. A Civilização Brasileira publica \u003cem\u003eEles não usam black-tie\u003c\/em\u003e desde sua primeira edição, em 1958.\u003c\/p\u003e","products":[{"product_id":"eles-nao-usam-black-tie","title":"They don't wear black tie","description":"\u003cp\u003e \u003cstrong\u003eThe key to the great success of \u003cem\u003e\"They Don't Wear Black Tie\"\u003c\/em\u003e lies in the emotion it evokes in viewers and readers. It's a landmark in Brazilian drama.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eWritten in 1955 by Gianfrancesco Guarnieri and first staged by Teatro de Arena in 1958, \u003cem\u003e\"They Don't Wear Black Tie\"\u003c\/em\u003e still represents, for those who read or watch it, the possibility of laughter, pain, joy, sadness, and reflection. Considered a definitive revolution in Brazilian drama for introducing characters from the working class and the poor as protagonists, the play achieved great success with audiences and ran for over a year in São Paulo.\u003c\/p\u003e\n\n\u003cp\u003e The story takes place in a Rio de Janeiro favela in the 1950s, and the central theme is a company strike. Permeating the strikes' struggle for better wages are universal conflicts and concerns, reflecting on the fragile human condition. At the same time, the plot presents the clash between a father and son with opposing ideological and moral positions.\u003c\/p\u003e\n\n \u003cp\u003eThe multiple interpretative layers contained in \u003cem\u003eThey Don't Wear Black Tie\u003c\/em\u003e allow the text to be read, reread, and updated according to the historical and cultural framework of generations of readers. In the story, young workers Tião and Maria decide to get married after discovering they're having a baby. A strike movement then begins, and the workers are divided into those willing to join the strike and those betting on individual solutions. Tensions arise when Tião, worried about his marriage and fearful of losing his job, breaks the strike, clashing with his father, Otávio, a politically active worker.\u003c\/p\u003e\n\n \u003cp\u003eWhile addressing universal human concerns, \u003cem\u003eThey Don't Wear Black Tie\u003c\/em\u003e raises important themes \u003cem\u003e,\u003c\/em\u003e such as the difficult living conditions of workers and the social chasm between the dominant and the dominated. The play undoubtedly stems from a romantic worldview. It presupposes a set of basic, immutable values through which problems arise, triggering conflicts in which men struggle.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176079802620,"sku":"9788520013892","price":59.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/6a46dd4ff9e5277a5db56452035ede63_8540165e-6c82-46b8-8ffe-8e1fcb5ccc1f.jpg?v=1778875735"}],"url":"https:\/\/www.record.com.br\/en\/collections\/gianfrancesco-guarnieri.oembed","provider":"Editora Record","version":"1.0","type":"link"}