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The 69 poems, most of them previously unpublished, transcend the trivialities that make earthly life a painful and suffocating martyrdom; they revere, with suburban humility, the mysteries that underpin hope and joy.\u003c\/p\u003e\n\n\u003cp\u003e Recent poems mingle with others written between the 1960s and 1980s, \"saved from shipwrecks in the sea of youth.\" Together, the texts present the main themes of Nei Lopes's lyre: Afro-Indigenous, Caribbean, and African-American ancestry, the song of the Black diaspora, and the cosmology of the orishas; the cleverness of his delivery, the wordplay, and the ever-paced rhythm; childhood memories, his academic and street education, the games and lessons learned as a young man in the Irajá neighborhood of Rio de Janeiro; and, above all, the commitment reaffirmed in his verses to \"Poetry, Democracy, and Law.\"\u003c\/p\u003e\n\n \u003cp\u003eNei Lopes invites the audience to delve deeper into his extraordinary existence. An existence that transcends time, attuned to the most sophisticated aspects of the histories and customs of the Brazilian people, even those undermined by centuries of exclusion and persecution. If this sophistication is fully evident in \u003cem\u003e\"Oitentaculos\u003c\/em\u003e ,\" it is largely due to the poet's ability to weave yesterday into the present. As Muniz Sodré once said, \"Nei articulates himself in poetry and in life as a savior of tradition,\" for this selection of poems is also a reinterpretation of what is understood as erudition. Nei Lopes' poetry emerges from Brazilian culture as a perfect opportunity to parade his elegance and, thus, establish the certainty that his name will never be forgotten.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “Nei articulates himself in poetry and in life as a stimulator of tradition” – Muniz Sodré\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159734665468,"sku":"9786555876543","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/eb1ccbb588ddafffc7faf4b3f42260dd_36cfe65a-1b3e-4f73-bf0b-1fe10f3ae950.jpg?v=1778326979"},{"product_id":"a-traducao-literaria","title":"Literary translation","description":"\" \u003cp\u003e\u003cstrong\u003eKnown for his extensive experience as an English-to-Portuguese translator, Paulo Henriques Britto reflects here on this complex task.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Through a theoretical introduction and examples that multiply throughout the pages of this precious volume, Paulo presents his reflections on translation. Unafraid to take a controversial stance toward some of today's most fashionable theorists, the poet and translator develops his own ideas with objectivity and insight. Even those who disagree with the formulations advocated here, in particular, or even largely, will find rich material to confirm or, if appropriate, refute the concepts they defend. In other words, disagreement becomes salutary insofar as it allows us to reframe many of the already established theses about what translation is and its countless realizations.\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eLiterary Translation\u003c\/em\u003e is a valuable book for both beginners and experts in translation theory and practice, who often encounter difficulties common to anyone dealing with the subject.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159770382588,"sku":"9788520011430","price":69.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/f0cc473c67ac7532d51bf667d01fab3b_b009671e-8b81-412e-8eef-6e7009f28b09.jpg?v=1778315719"},{"product_id":"garcia-marquez-historia-de-um-deicidio","title":"García Márquez: Story of a Deicide","description":"\u003cp\u003e \u003cstrong\u003eUnpublished in Brazil, \u003cem\u003eGarcía Márquez: History of a Deicide\u003c\/em\u003e is at the same time an analysis of the work of the Colombian author and a declaration of love for the work of his Latin American literary companion.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003ePublished in the early 1970s and long out of print, this essay demonstrates the Peruvian Nobel laureate's admiration for García Márquez and his novel \u003cem\u003eOne Hundred Years of Solitude\u003c\/em\u003e . Originally the thesis that earned Vargas Llosa his doctorate from the Complutense University of Madrid in 1971, \u003cem\u003eGarcía Márquez: History of a Deicide\u003c\/em\u003e analyzes in depth the work of the Colombian author, his companion during the \u003cem\u003eboom\u003c\/em\u003e of Latin American literature in the 20th century.\u003c\/p\u003e\n\n \u003cp\u003e\"A writer does not choose his themes; his themes choose him. García Márquez did not decide, through a free movement of conscience, to write fiction based on his memories of Aracataca. Quite the opposite happened: his experiences in Aracataca chose him as a writer. A person does not choose his demons: certain things happen to him, some hurt him so much that they drive him, madly, to deny reality and want to replace it. These things, which are at the origin of his vocation, will also be his stimulus, his sources, the material from which this vocation will work. It is not, of course, in the case of García Márquez or any other writer, of reducing the starting point and nourishment of the vocation to a single experience: others, over time, complement, correct, and replace the initial experience. But in the case of García Márquez, the nature of his work allows us to affirm that this experience, without denying the importance of others, constitutes the main impulse for his creative task.\"\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e\"The best essay on García Márquez. A literary achievement. 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Traces of existence, of creation itself, of words that become part of a legacy for those who remain. With 147 short chapters reminiscent of the structure of a diary, the acclaimed author sculpts an extensive plurality of masks that float through the meanders of life, art, and mortality. Alongside the rush to write against the grain of her remaining time, she dwells not in self-pity, but in celebration: \"I fight for my days to be festive. Just by being alive, even without a concrete reason, I raise the cup of illusion.\" A posthumous and unpublished work, Os rostos que tenho is, according to writer Rodrigo Lacerda, Nélida Piñón's \"literary testament.\"\u003c\/p\u003e\n\n \u003cp\u003eThe first writer to become president of the Brazilian Academy of Letters (ABL) knew the social and literary role played by the records we leave behind, the memories we strive to preserve. 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