{"title":"Rodrigo Faour","description":"\u003cp\u003eRodrigo Faour é graduado em Jornalismo, mestre e doutor em Letras pela PUC-Rio. Especialista em nossa música popular, tem diversos livros sobre o tema, incluindo \u003cem\u003eHistória da Música Popular Brasileira sem Preconceitos\u003c\/em\u003e (em dois volumes), \u003cem\u003eHistória sexual da MPB\u003c\/em\u003e e as biografias de Angela Maria, Dolores Duran, Cauby Peixoto, Claudette Soares, Leny Eversong e Beth Carvalho. É pesquisador musical, palestrante, professor, diretor e roteirista de espetáculos, apresentador e produtor de shows, programas de rádio, TV e YouTube, onde atualmente mantém o canal “Rodrigo Faour Oficial”, de música e comportamento.\u003c\/p\u003e","products":[{"product_id":"angela-maria-a-eterna-cantora-do-brasil","title":"Angela Maria: The eternal singer of Brazil","description":"Discover in detail the impressive trajectory of the most popular singer in the history of MPB. It's impossible to tell the story of Brazilian music and the country itself without mentioning Angela Maria. Her astonishing popularity earned her amassed records throughout her life: thousands of records sold, over fifty songs on the charts, hundreds of trophies, over 250 magazine covers, countless weekly press reviews, and the length of her career itself—about 65 uninterrupted years recording and performing to packed houses. But, before becoming Brazil's most popular singer and the \"highest-earning radio artist\" of her time, Angela Maria endured a miserable childhood and fierce resistance from her religious parents. Later, already famous, she went from heaven to hell in her personal life, deceived by her husband-managers. However, with an incredible capacity for overcoming obstacles, she survived it all, including the most diverse musical fads, becoming a legend of national culture and influencing countless artists. In this new major work of research and biographical narrative, Rodrigo Faour presents us in detail the impressive trajectory of this great singer.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159234986236,"sku":"9788501103000","price":129.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/cb4f8ca742e1127dce56e73ae59c6755_a009d3f3-34ba-4e3b-b8d2-522b5ef793ae.jpg?v=1778326203"},{"product_id":"historia-da-musica-popular-brasileira-sem-preconceitos-vol-1","title":"History of Brazilian Popular Music: Without Prejudice (Vol. 1)","description":"\u003cp\u003e\u003cstrong\u003eRodrigo Faour returns with this first masterful and comprehensive volume on the history of Brazilian popular music, from 1500 to the 1970s.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e After exploring the \u003cem\u003eSexual History of Brazilian Popular Music (MPB)\u003c\/em\u003e and the biographies of Angela Maria, Dolores Duran, Cauby Peixoto, and Claudette Soares, Rodrigo Faour embarks on an even more ambitious project: creating a panorama of Brazilian popular music from the late 15th century, when the Portuguese arrived in Brazil, to the present day. In this first volume, the author delimits his study between 1500, with the contributions of Indigenous peoples, Portuguese, and enslaved people, and the turbulent 1970s.\u003c\/p\u003e\n\n \u003cp\u003eIn \u003cem\u003eHistory of Brazilian Popular Music (Vol. 1)\u003c\/em\u003e , Faour writes about a continental-sized country with a rich musical heritage and diverse cultures. He also examines the transformations in the production and consumption of popular music at various points in history, contextualizing them and relating them to the political, social, and behavioral changes Brazil has undergone and is currently undergoing.\u003c\/p\u003e\n\n \u003cp\u003eCovering rhythms such as choro, samba, marchinha, waltz, frevo, samba-canção, caipira music, baião, bossa nova, sambalanço, coco, samba-enredo, Jovem Guarda, MPB, Tropicalismo, carimbó, partido-alto, soul, samba-rock, pagode, forró, sertanejo, brega, etc., this work does not privilege rhythms or artists; its proposal is to help the reader strip away aesthetic prejudices, presenting the maximum diversity of what has been produced in each region of the country, from the most naive and sentimental to the most revolutionary, experimental, and irreverent, without failing to mention the most representative successes of each artist in their time.\u003c\/p\u003e\n\n\u003cp\u003e Including a 64-page color booklet, \u003cem\u003eHistory of Brazilian Popular Music: Without Prejudice (Vol. 1)\u003c\/em\u003e is an invitation to the reader to (re)discover Brazil through its musical expression, highlighting the diversity of production in each region that makes up the country.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159424221436,"sku":"9786555871883","price":189.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/deb12af203d9a6a82f7383871fb912c5_93860829-5383-4681-b9e3-5c429243e202.jpg?v=1781061854"},{"product_id":"dolores-duran-a-noite-e-as-cancoes-de-uma-mulher-fascinante","title":"Dolores Duran: The Night and Songs of a Fascinating Woman","description":"Brazil loves the romantic songs of Dolores Duran, but has always known very little about the artist, who died at age 29 from a heart attack in October 1959. Her recordings disappeared from the radio, but her few beautiful compositions never stopped being re-recorded. Now this gap is finally being filled with the release of the book \"Dolores Duran: The Night and Songs of a Fascinating Woman,\" published by journalist, producer, and music researcher Rodrigo Faour through Editora Record. The book is a comprehensive study. It included more than 70 interviewees, including those who knew the artist and her admirers, who helped immortalize her work to this day; hundreds of mentions of her name in the press, dating back to her emergence in the artistic world in 1942 as a child actress; and an incredible photographic panel that forms a 48-page illustrated libretto. Faour reveals that Dolores Duran (1930-1959) was a woman far ahead of her time and somewhat precocious. Due to a congenital heart condition, she knew her life would not be long, so she tried to live everything intensely – her career, her loves, her friends, the nightlife. Since she was a pre-teen, she frequented children's theater and talent shows. At 19, she debuted as a crooner at the chic Vogue nightclub in Copacabana and was hired by the legendary Rádio Nacional, where she remained until almost the end of her life. Over time, she gained prestige and the friendship of the greatest chroniclers and intellectuals of Rio's bohemian scene, becoming one of the group's favorites. She sat at tables, chatting on equal terms with Antonio Maria, Vinicius de Moraes, Fernando Lobo, Sérgio Porto, Mister Eco, Mário Lago, and many other chroniclers and composers – the same ones who delighted in hearing her sing in every nightclub of the time. And no wonder... Highly intelligent, despite having dropped out of school after fifth grade, she not only read about the greatest authors, poets, painters, and whatever else struck her fancy, but was also self-taught in languages, speaking, reading, writing, and singing perfectly, and was always asked to perform the international hits of those golden years. Armed with incredible good taste—she hated cheesiness—she interspersed this repertoire with the best of the Brazilian songbook of the time. Eclectic, she ranged from baião to marchinha, from bolero to chanson française, from salsa to fox. Although she was an excellent singer, she never achieved as much popularity as some of her contemporaries, such as Dalva de Oliveira, Angela Maria, or Maysa. Nevertheless, she helped promote the work of authors such as Billy Blanco (\"A banca do diferente,\" \"Praça Mauá,\" \"Pano legal\"), Chico Anysio (\"A fia de Chico Brito\"), and Antonio Maria \u0026amp; Ismael Netto (\"Canção da volta\"). The composer and lyricist, on the other hand, was acclaimed and celebrated from the outset. This book reveals firsthand that, despite her limited body of work, composed mostly in the last three years of her life, Dolores is the most recorded composer in Brazil to date, with around 850 different re-recordings of gems such as \"A Noite do Meu Bem,\" \"Castigo,\" and \"Solidão,\" as well as collaborations with pianist Ribamar (\"Ternura Antiga,\" \"Pela Rua\"), Carlos Lyra (\"O Negócio É Amar\"), and Tom Jobim (\"Por Causa de Você\" and \"Estrada do Sol\"). As if all this weren't enough, she was a fun, flirtatious, and fascinating woman, very different from the one immortalized in her poems and songs, which were generally sad and melancholic, albeit with slightly ironic nuances in some of them. She was also politicized (she joined and deserted communism – after a pioneering trip to Eastern Europe, during the Iron Curtain era), religious (from Umbanda to Catholicism), and was also a good seamstress, a great cook and a great joke teller, in addition, of course, to having been one of the frank precursors of the Bossa Nova movement that took off as soon as she was gone.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159476420860,"sku":"9788501400864","price":109.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/db58283bda9219bb98e1a889765a1442.jpg?v=1778321909"},{"product_id":"historia-da-musica-popular-brasileira-sem-preconceitos-vol-2","title":"History of Brazilian Popular Music: Without Prejudice (Vol. 2)","description":"\u003cp\u003e \u003cstrong\u003eThe second volume of \u003cem\u003eHistory of Brazilian Popular Music – Without Prejudice\u003c\/em\u003e provides a complete mapping from the late 1970s to the early 2020s.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eRodrigo Faour, in the first volume of \u003cem\u003eHistoria da Música Popular Brasileira (History of Brazilian Popular Music\u003c\/em\u003e ), warned that there isn't just one Brazilian popular music, but rather many, each with its own distinct style. While the previous book covered the history of music from 1500 to the 1970s and covered rhythms such as choro, samba, marchinha, waltz, frevo, carimbó, samba-rock, pagode, forró, sertanejo, brega, etc., this second volume covers just over forty years: from the transgressive end of the explosive 1970s, when there was a great creative and liberating \u003cem\u003eboom\u003c\/em\u003e in Brazilian music—including the emergence of countless female singers and songwriters simultaneously, unlike anything seen before—to precisely 2022, in a scene divided between the mass production of a very powerful industry in the \"sertanejo\" segment and the independent market.\u003c\/p\u003e\n\n \u003cp\u003eIn this second volume of \u003cem\u003eHistory of Brazilian Popular Music – Without Prejudice\u003c\/em\u003e , the reader will have access not only to the styles that most scholars and the educated media tend to value, such as the so-called \"MPB,\" samba, and national rock, but also to the various genres (and subgenres) that were once considered of lesser value, either because they were aligned with more commercial interests, such as much of the more popular music—labeled \"tacky,\" later \"brega\"—or because they did not reach Rio de Janeiro (the country's cultural and recording industry capital in the 20th century) with much traction, such as caipira\/sertaneja songs and other \"regional\" phenomena. This volume includes, for example, mini-chapters on the songbooks of Pará, Maranhão, Pernambuco, Bahia, and Rio Grande do Sul, as well as phenomena from São Paulo that are more restricted to the state, such as punk rock and the São Paulo avant-garde. or because they are, in theory, “less Brazilian”, like the more unpretentious pop, soul, disco and dance music, axé-music, electronic forró, funk carioca and hip-hop.\u003c\/p\u003e\n\n \u003cp\u003eWithout aesthetic prejudices, this work showcases all types of artists and musical styles, highlights their most relevant songs or acts, leaving the reader free to draw their own conclusions regarding their quality or importance and the intense transformations that our music market and, more than that, our popular music has undergone in recent decades.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"Rodrigo Faour's book is already good from the title onward. It arrives at a great time, with the strength and true beauty that our music brings. Bravo!\" – Maria Bethânia\u003c\/p\u003e\n\n\u003cp\u003e \"This book is a unique document that will survive forever as the most comprehensive book ever written about our musical history. I am shocked by how much I have learned and how much I still have to learn.\" – Roberto Menescal\u003c\/p\u003e\n\n \u003cp\u003e\"Rodrigo Faour is a walking archive. He unearths magnificent treasures audible in the corners of MPB from any era and expertly explores charming and otherwise details of our artistic culture. He has collaborated countless times in my research. I am his number one fan!\" – Erasmo Carlos\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159791747324,"sku":"9786555875546","price":149.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/902766ee17f6bd458d73a17b87387d39.jpg?v=1781061901"},{"product_id":"historia-sexual-da-mpb","title":"Sexual history of MPB","description":"In seven chapters, SEXUAL HISTORY OF MPB highlights \"Love in MPB\" (talking about the unresolved love that permeated most of the romantic lyrics in our music until the 1960s); \"the evolution of women\", \"sensuality and eroticism\", \"double entendres and filth\", \"songs with gay appeal\", \"transgressions in themes of love and sex\" and, finally, a chapter in which it compares the scandal caused by the maxixe dance at the turn of the 19th to the 20th century, with funk carioca, between the 1990s and the present day – showing that hypocrisy is still present in matters of sexuality, despite the sexual revolution of the last 40 years.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47175497842940,"sku":"9788501075550","price":119.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/417683c073501e46b8b2c93888df00d4_0502e53d-097e-4640-8ac2-85e538e5fd71.jpg?v=1778319266"},{"product_id":"a-audacia-dos-invertidos","title":"A audácia dos invertidos","description":"\u003cp\u003e\u003cstrong\u003eEm meio a brilhos, sombras e histórias de resistência, este livro escancara as portas de um Rio de Janeiro vibrante e transgressor, onde a comunidade LGBTQIAPN+ ousou existir, amar e criar mesmo sob a mira do preconceito e da repressão.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEntre as décadas de 1950 e 1990, o Rio de Janeiro se consolidou como um dos maiores centros de efervescência cultural e resistência do movimento LGBQTIAPN+ no Brasil. Em \u003cem\u003eA audácia dos invertidos\u003c\/em\u003e, Rodrigo Faour revela um Rio de Janeiro oculto que lançou moda e moldou comportamentos e identidades que hoje integram o imaginário da cultura LGBTI+ nacional.\u003c\/p\u003e\n\u003cp\u003eA obra reconstrói a história da comunidade LGBTI+ no Rio de forma abrangente, por meio de registros em jornais, revistas e relatos de personagens anônimos e personalidades que viveram amores, sofrimentos e conquistas em uma cidade onde a liberdade, a repressão e o preconceito sempre andaram lado a lado. Dos primeiros bailes gays de Carnaval aos shows de travestis, das lendárias boates aos pontos de encontro secretos, \u003cem\u003eA audácia dos invertidos\u003c\/em\u003e resgata espaços, corpos e experiências que a história oficial ignorou e silenciou.\u003c\/p\u003e\n\u003cp\u003eAssim, neste livro estão reunidas as histórias da origem dos bares voltados para o público LGBTI+ mais antigos do Brasil, os primeiros grupos de ativismo, os concursos de beleza e até as gírias e expressões que nasceram no cotidiano dessa metrópole marcada pelo desejo, pela arte e pela repressão. A produção artística também se destaca: filmes, novelas, músicas e peças com temática LGBTQIAPN+ fizeram do Rio de Janeiro um verdadeiro palco de visibilidade e resistência.\u003c\/p\u003e\n\u003cp\u003eCom uma pesquisa extensa e um olhar crítico e afetuoso, Rodrigo Faour faz, em \u003cem\u003eA audácia dos invertidos\u003c\/em\u003e, um registro histórico poderoso e revelador da cultura LGBTQIAPN+ no Rio de Janeiro e expõe as raízes da cultura de um grupo marginalizado, perseguido e, ao mesmo tempo, irresistivelmente livre. Um retrato emocionante de uma cidade que ajudou a moldar a identidade do movimento LGBTI+ brasileiro.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":48522704322812,"sku":"9788501924889","price":159.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/902a7a42786d0e555e96c660fd289f29.jpg?v=1782877729"}],"url":"https:\/\/www.record.com.br\/en\/collections\/rodrigo-faour.oembed","provider":"Editora Record","version":"1.0","type":"link"}