{"title":"Santuza Cambraia Naves","description":"","products":[{"product_id":"cancao-popular-no-brasil","title":"Popular song in Brazil","description":"Popular Song in Brazil offers a thought-provoking journey through the diverse musical rhythms that originated in the country. Santuza Naves presents the results of years of research on the subject in the form of a rich panorama that reflects the country's cultural and social history in the 20th century. The author analyzes Tropicália, samba, bossa nova, rock, rap, and many other rhythms. In Santuza's analysis, Bossa Nova was a watershed moment and revealed a new character: the composer as intellectual, who begins to comment on all aspects of life, from politics to culture, through critical song. The importance of Chico Buarque, Tom Jobim, and Nara Leão in this context led the author to dedicate separate chapters to these artists. While the former was one of the creators of MPB, Jobim, in partnership with João Gilberto, laid the foundations of bossa nova and went further. The muse of Rio's golden youth of the 1960s took \"being an artist\" to its ultimate consequences and influenced an entire generation with her cultural activism. \"(...) popular music became, especially since bossa nova, the vehicle par excellence for intellectual debate, operating both text and context. (...) By extending the critical attitude beyond the formal aspects of the song, the popular composer became a thinker of culture,\" the author analyzes. The antecedents of critical song are also investigated. Santuza revisits modinha and lundu to demonstrate their influence on rhythms such as samba and chorinho. The so-called \"golden years\" (1920-1930) and samba-cação are also highlighted. The author points to Tropicália as a moment of rupture with the previously known concept of song. She argues that to understand Tropicalist song, one must associate the poetic-musical elements with the performance of its singers, rich in choreography and masks. Santuza analyzes the advent of rock in a political-cultural period called post-tropicalism and its evolution into BRock in the 1980s. She shows how the language of rhythm was adapted to local needs. The effervescence of the 1960s is evident in the abundance of musical innovations. Black music was another component of this cultural melting pot, with Jorge Bem Jor and Tim Maia in the 1970s, culminating in rap and funk from the peripheries. In \"Canção popular no Brasil,\" the author dismisses the evolutionary view of the subject and offers an in-depth analysis of the influences of so-called critical song on Brazilian culture.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176307736828,"sku":"9788520009611","price":49.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/5e2f7cc1a375156c2bac41851bf4b08a.jpg?v=1778326060"}],"url":"https:\/\/www.record.com.br\/en\/collections\/santuza-cambraia-naves.oembed","provider":"Editora Record","version":"1.0","type":"link"}