{"title":"Teatro","description":null,"products":[{"product_id":"entre-quatro-paredes","title":"Between four walls","description":"In this drama, everyone is dead, and contrary to what they believed, they realize that hell is not a torture chamber, but a living room in the style of the French Second Empire. There they will—eternally—spy, provoke, seduce, and, above all, tear each other apart. \"Hell is other people.\" This is certainly the phrase that punctuates \"Between Four Walls,\" a play written by existentialist philosopher Jean-Paul Sartre in 1944 and published the following year. The action takes place in hell, but not the Christian hell we are accustomed to, with demons, corporal punishment, and other stereotypes. In it, journalist Joseph Garcin, lesbian Inês Serrano, and the frivolous Estelle Rigault are taken to a windowless, constantly lit room. There, cloistered, they are condemned to a \"life without interruption,\" which makes survival unbearable. Confined to eternity, the characters are beings tormented by their own ghosts. Issues such as guilt, accountability, conscience, and sexuality emerge from this coexistence, in conflicts triggered by the relationship of surveillance and mirroring between them. It follows that, if the presence of the other is disturbing, what truly exasperates human beings is the gaze of the other. \"Sartre or the nostalgia for the universal idyll.\" – Albert Camus. \"Between Four Walls is primarily a call [...] for rigorous self-examination on the part of each individual and for the acceptance of an attitude of moral responsibility toward their actions and thoughts.\" – Paul Bowles","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159201857788,"sku":"9786558020639","price":59.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/2eff6b3ea4b5864075e967ad3baf9477.jpg?v=1778875627"},{"product_id":"estado-de-sitio-nova-edicao","title":"State of siege (New edition)","description":"\u003cp\u003e \u003cb\u003eFrom one of the most important and representative authors of the 20th century and Nobel Prize winner for Literature.\u003c\/b\u003e\u003c\/p\u003e\n\n\n \u003cp\u003eOriginally published in 1948, \u003ci\u003eState of Siege\u003c\/i\u003e is set in a small coastal town ravaged by plague and dominated by fear. For Camus, fear was the evil of the 20th century, and so he uses it as the guiding principle of this work, which, for many critics, is an allegory of occupation, dictatorship, and totalitarianism. This edition includes a foreword by Pierre-Louis Rey, historical documents, interviews, a note signed by the author about the play, and a testimony by Jean-Louis Barrault, recounting the story of his collaboration with Camus on the composition and staging of State of Siege and analyzing the reasons for its failure. The edition also presents reviews of the play, first performed on October 27, 1948, by the Madeleine Renaud-Jean-Louis Barrault Company, at the Théâtre Marigny, directed by Simmone Volterra and with Camus' response to the review, thus bringing together everything that has already been said about the play, which escapes realism, opens the scenic horizon and gives complete freedom to the director.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159237017852,"sku":"9788501111678","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/a9a163a7d7d813b4df2ffb85375e91f6.jpg?v=1778325499"},{"product_id":"o-bem-amado","title":"The beloved","description":"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eThe Beloved\u003c\/em\u003e is one of the most famous sociopolitical-pathological farces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e The author, responsible for resounding theatrical successes and whose work shares political and social protest as its common denominator, provides the reader with an irresistible portrait of the customs of life in a small, orderly, and peaceful village in the interior of Bahia, for the inauguration of a cemetery—a political platform of its ambitious mayor, Odorico Paraguaçu. The problem: he needed to find a corpse.\u003c\/p\u003e\n\n\u003cp\u003e Odorico, the Beloved, is the incarnation, on a provincial scale, of much more sinister characters from Latin American political life, dictators, caudillos, demagogues of all kinds, and whose profile, sometimes comical, sometimes pathetic, the author's rich imagination delineates in a precise and forceful way.\u003c\/p\u003e\n\n \u003cp\u003eNaturally, the protagonist is also a human being in crisis. The gap between his pretensions to greatness, comically revealed in his stilted language, and the sad reality of a region he finds frustratingly underdeveloped, accentuates the contradictions of his existence and of the very politics he represents and personifies.\u003c\/p\u003e\n\n\u003cp\u003e Odorico, the politician, the doctor, the tribune, Odorico, the Great, the Peacemaker, is the funny and ironic version of Brazilian and Latin American political reality like the Somozas, the Pinochets, the Batistas, the Videlas and others better known to the Brazilian public, some more, some less “sympathetic”, but all with the same objective: to inflate their own ego at the expense of the people.\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eO Bem-Amado\u003c\/em\u003e , a crystal-clear and blunt satire, is another manifestation of the creative talent of the master of political and social contestation theater, Dias Gomes, from whom we have had equally acclaimed plays, such as \u003cem\u003eO Rei de Ramos\u003c\/em\u003e , \u003cem\u003eO Santo Inquérito\u003c\/em\u003e and \u003cem\u003eO Pagador de Promessas\u003c\/em\u003e .\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159248978172,"sku":"9788528614794","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/c6597e798243da46c692f48d814d681d_0b75822f-76bd-448c-a923-ae84bdd9b94d.jpg?v=1778874435"},{"product_id":"o-pagador-de-promessas","title":"The promise payer","description":"\"\u003cp\u003e \u003cstrong\u003eA hugely successful work in Brazil and around the world, \u003cem\u003eThe Promise Payer\u003c\/em\u003e inspired the film of the same title that won the Palme d'Or at the 1962 Cannes Film Festival. This edition features a blurb signed by Ferreira Gullar.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e In this internationally renowned play, the author narrates the moving ordeal of the simple Zé-do-Burro: to fulfill a promise made to Iansã, for the healing of his donkey, he shares his farm with poor farmers and carries a heavy wooden cross for sixty leagues, with the aim of depositing it inside the church of Santa Bárbara, in Salvador.\u003c\/p\u003e\n\n \u003cp\u003eDias Gomes is a master of his craft. He has demonstrated this abundantly in each of his works. And \u003cem\u003e*The Promise Payer*\u003c\/em\u003e could not fail to reflect this assured mastery of the means of dramatic expression. The action, which unfolds in the play's opening moments, is conducted with intensity and economy, with each frame, each act, irresistibly drawing us to the final outcome. The narrative is clear and dense, with repercussions that always extend beyond the spoken word.\u003c\/p\u003e\n\n\u003cp\u003e Unlike many quality theatrical works, which begin with momentum and sometimes maintain it until a certain point, only to frustrate us at the end, this play by Dias Gomes is a complete and finished whole: its ending results not in frustration, but in fulfillment. And to achieve this, more than mastering the technique is required: the work must combine those imponderable factors that give birth to a true work of art.\u003c\/p\u003e\n\n \u003cp\u003eAnd this is all the more significant because this play affirmed yesterday and reaffirms today the effective possibilities of Brazilian theater: a theater capable of revealing the universality of our experience, of imposing ourselves as creators of culture.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159249142012,"sku":"9788528614800","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/db40b610883580a7f67c8d1221095258.jpg?v=1778876573"},{"product_id":"antigona","title":"Antigone","description":"\"\u003cp\u003e \u003cstrong\u003eSophocles' classic, translated by Millôr Fernandes.\u003c\/strong\u003e \u003cstrong\u003e\"[...] \u003cem\u003eAntigone\u003c\/em\u003e is still the most performed play in the world 2,500 years after its premiere.\" – BBC\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eAntigone\u003c\/em\u003e , a play by Sophocles, translated here by the great writer and playwright Millôr Fernandes, portrays the conflict between a king and his niece. On one side, there is a monarch who believes he has unlimited power, and on the other, a rebellious young woman determined to take on a fatal sentence, claiming to act in the name of natural laws, truly supreme, which supersede the sovereign's powers.\u003c\/p\u003e\n\n\u003cp\u003e In her introduction, Adriane da Silva Duarte, professor of Greek Literature at USP, states that \u003cem\u003eAntigone\u003c\/em\u003e \"gains relevance whenever, haunted by the dead, we must resist.\" And it's not difficult for us, contemporary readers of this classic, to recognize what she explains. The confrontation between Creon and Antigone stages rivalries central to human experience—justice and injustice, natural law and positive law, society and the individual, the state and conscience, practice and morality, submission and rebellion, masculine and feminine, old and young.\u003c\/p\u003e\n\n \u003cp\u003eIn the afterword, acclaimed director, actor, and theater teacher Amir Haddad asks: “How can I answer a strong calling within myself knowing that the fulfillment of this desire will not be well received by the world in which I live?” These are some of the questions raised by this play, which since antiquity have proven to be timeless and, therefore, so close to our lives.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159291805948,"sku":"9786555480238","price":49.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/eccb3a8970bb540016fd67bd2a864469_6c6838c1-f3e6-40c2-84ed-875853cab253.jpg?v=1778875970"},{"product_id":"parem-de-falar-mal-da-rotina","title":"Stop talking bad about the routine","description":"\u003cp\u003e\u003cstrong\u003eIn celebration of the two decades of the show \u003cem\u003eStop talking badly about the routine\u003c\/em\u003e , Elisa Lucinda's book has been released in a new edition revised by the author.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\"Stop Talking Bad About the Routine\u003c\/em\u003e ,\" by Elisa Lucinda, is an adaptation of the play of the same name, which celebrated two decades of immense success in 2022. Twelve years after its first book publication, this new edition from Record features the text revised by the author.\u003c\/p\u003e\n\n\u003cp\u003e In September 2002, the monologue \" \u003cem\u003eStop Talking Bad About the Routine\"\u003c\/em\u003e was written and performed by actress, poet, teacher, and singer Elisa Lucinda. Within a few weeks, the play had become a huge success with audiences and critics.\u003c\/p\u003e\n\n\u003cp\u003e The book, like the show, weaves together stories experienced and heard by Elisa Lucinda, as well as poems taken from her books. The result is a high-spirited eulogy of routine, both entertaining and moving, featuring diverse characters who invite us to observe ourselves with a critical eye.\u003c\/p\u003e\n\n \u003cp\u003eDe-elitizing poetry, Elisa seems to converse with readers (and the public), moving and entertaining people of all ages and backgrounds with her words. An intelligent self-help piece, a lesson in citizenship through emotional education. \"The play was born from the countless lessons nature teaches us every day. The greatest lesson is the capacity for discovery that makes everything in nature happen spectacularly, daily: the sunrise, the sunset, the sky, the rain, the stars, the winds, and the afternoons. Nature teaches everyone, but sometimes, distracted students that we are, we fail to see the obvious beauty it offers us and the tips it can give us for navigating our daily lives,\" says the actress.\u003c\/p\u003e\n\n\u003cp\u003e Both in play and book form, the vocation of \u003cem\u003eStop Talking Badly About Routine\u003c\/em\u003e is to provoke transformations in the micropolitics of everyday life, without claiming to be a single truth.\u003c\/p\u003e\n\n \u003cp\u003eIn the blurb, singer-songwriter Beth Carvalho writes: \"I'm in love with Elisa. I think she's a phenomenon in Brazil, and also worldwide. The way she engages young people is revolutionary. We have a lot in common, including Blackness, believe me. For me, \u003cem\u003eStop Talking Badly About Routine\u003c\/em\u003e , whether in a show or in a book, is recommended to every human being on the planet. See this artist, read this artist, listen to this artist. For me, life is divided into before and after Elisa Lucinda.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Testimonials about the work:\u003c\/p\u003e\n\n\u003cp\u003e \" \u003cem\u003eStop talking badly about routine\u003c\/em\u003e . It's the possibility of breathing through real mirrors. A work that resembles samba in the harmony and diversity of instruments\/images and that creates a state of freedom for our being.\" – Fabrício Boliveira, actor\u003c\/p\u003e\n\n\u003cp\u003e “With her excellent qualities as a singer and actress, Elisa Lucinda engages the entire audience with \u003cem\u003eStop talking badly about the routine\u003c\/em\u003e .” – \u003cem\u003eLa Vanguardia\u003c\/em\u003e (Spain)\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159303012604,"sku":"9788501104724","price":64.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/64ff78922e77b6cc6b8e50aa7d74f42f.jpg?v=1778321782"},{"product_id":"gota-d-agua","title":"Drop of water","description":"\" \u003cp\u003e\u003cstrong\u003eChico Buarque\u003c\/strong\u003e (Rio de Janeiro, 1944) is a composer, singer, and writer. He received the Molière Prize, the Jabuti Prize, and the Camões Prize, the most prestigious award in the Portuguese language.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003ePaulo Pontes\u003c\/strong\u003e (Campina Grande, 1940 - Rio de Janeiro, 1976) was a Brazilian actor and playwright. He was one of the founders of the Opinião Group. He received the Molière Prize for \u003cem\u003eGota d'água\u003c\/em\u003e .\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159313629436,"sku":"9788520003909","price":69.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/96a515b1847df46bb51409f8ab7fa102.jpg?v=1778901208"},{"product_id":"edipo-rei","title":"Oedipus the King","description":"Sophocles' book \"Oedipus the King\" is one of the masterpieces of universal literature. Hence the interest it has always aroused in the Western world since its first performance in Athens in 430 AD. The famous legend of King Oedipus, brilliantly crafted by Sophocles, is still read with emotion today. \"Oedipus the King\" is the story of the hero who fights against the invisible forces of Destiny and Fate, but is ultimately defeated and inexorably destroyed by them. Sophocles conducts the dramatic action and weaves the events with admirable mastery. The events unfold naturally, linearly, keeping the reader, or viewer, in growing anticipation until the denouement. The work contains vigorous, vibrant dialogue, some of which flashes with irony and bursts with anger. They clearly reflect the feelings and character of the characters. The Chorus, for example, represents the voice of the people, expressing their impressions of events, offering moral reflections, offering advice, expressing their concerns, invoking the help of the gods, extolling the deeds of Oedipus, and lamenting the misfortunes that befall their friendly king, a victim of Fatality. TRANSLATOR Domingos Paschoal Cegalla was born in 1920 and graduated in Classics from the Faculty of Philosophy, Sciences, and Letters of Paraná. He taught Portuguese, Literature, and Latin in Curitiba, São Paulo, and Rio de Janeiro, where he has lived since 1953. He is the author of several didactic works, including \"Novisima Grammática da Língua Portuguesa\" (The New Grammar of the Portuguese Language). As a poet, he published \"Song of Eurydice\" and \"A Cry in the Desert,\" and as a translator, he translated directly from the Greek \"Oedipus the King,\" \"Antigone,\" and \"Electra.\"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159402332412,"sku":"9788574320120","price":49.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/7bfd9c0f3f5a874e40edb65e33f0869f_47e6bc7b-4e27-4828-b79c-3df7acd1b796.jpg?v=1778319848"},{"product_id":"lampiao-a-beata-maria-do-egito","title":"Lampião \/ Blessed Maria of Egypt","description":"\"In Lampião and A Beata Maria do Egito, we have the best of Rachel: the perfection of the language, the clarity and realism of the dialogue, the well-designed Northeastern settings, the historical research, and the undeniable strength of the female characters,\" writes Acioli. \"All these elements give us the certainty that Rachel de Queiroz's play, from the moment it fell from her pen and dripped onto the paper, was already a butterfly ready to fly.\"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159438541052,"sku":"9788503008471","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/b980231e6796684f151520cb4e686bd2.jpg?v=1778324425"},{"product_id":"calabar","title":"Calabar","description":"Chico Buarque's critical and ironic play\n \nCalabar demystifies the concept of traitor and the empty, abstract notion of betrayal. It questions values and reveals contradictions with visceral humor. It's a \"misbehaved\" text, and therefore encourages the creation of a mocking performance, capable of assuming the almost anarchic yet organized collage and juxtaposition of images and eras. The text addresses the issue of loyalty and betrayal, in a clear allusion to the political climate of the period.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159438999804,"sku":"9788520001370","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/2410143371710936a7a8768cc17ee249.jpg?v=1778318789"},{"product_id":"o-santo-inquerito","title":"The holy inquiry","description":"\"\u003cp\u003e \u003cstrong\u003eOne of the great modern Brazilian plays, for its artistic intentions and its social concerns.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe holy inquiry\u003c\/em\u003e tells the story of Branca Dias, a naive new Christian, daughter of Simão Dias and fiancée of Augusto Coutinho, who was persecuted after committing an act that, in her eyes, she considered to be extremely kind: saving the town priest from drowning.\u003c\/p\u003e\n\n\u003cp\u003e Based on a historical episode - or a legendary one, like that of Branca Dias, a victim of the Inquisition whom some scholars see as a kind of country Joan of Arc -, Dias Gomes immediately dismisses the easy, spectacular, and showy pomp that a romantic writer would bring to the stage.\u003c\/p\u003e\n\n\u003cp\u003e What matters to him is the conflict between the purity of the character, his good faith, his sincerity, and those who distort his behavior, seeing him as a threat to the order and the system of established ideals.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159441326332,"sku":"9788528614855","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/0b5480c6250dc31e77e18df423a1281c.jpg?v=1778877009"},{"product_id":"um-rubi-no-umbigo","title":"A ruby in the navel","description":"\u003cp\u003e \u003cstrong\u003eWith a sharp pen for prose, the poet Ferreira Gullar creates, with \u003cem\u003eUm rubi no umbigo\u003c\/em\u003e , a tragicomedy of “wild and rebellious humor”\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eThis film \u003cem\u003e, \"A Ruby in the Belly Button\u003c\/em\u003e ,\" by Ferreira Gullar, is a Brazilian comedy. It all begins in the home of a middle-class family, where Everaldo and Doca live, along with their son, Vítor. A fairly ordinary home, were it not for a curious circumstance: Vítor, a twenty-year-old young man, has a ruby sewn into his navel—the only way his late grandmother could save him from an untimely death. When the family found itself in debt, the father, Everaldo, found a simple solution: removing the ruby from his son's navel to pay off the debts.\u003c\/p\u003e\n\n\u003cp\u003e Inspired by a newspaper article, this play by Gullar, written in 1970, was only published in 1978, a few years after his return from exile imposed by the civil-military dictatorship. The first production, staged the following year, was directed by Bibi Ferreira and featured prominent figures in the field of drama, including Roberto Fróes, Osmar Prado, and Ana Lúcia Torre.\u003c\/p\u003e\n\n \u003cp\u003eA critical success, \u003cem\u003eUm rubi no umbigo\u003c\/em\u003e presents many interpretative dimensions, among them, the political, the social and the psychoanalytic – the latter very well addressed by the poet and theorist Hélio Pellegrino, in a text from 1979, included here in full.\u003c\/p\u003e\n\n\u003cp\u003e This edition, in addition to reproducing the 1978 text, includes: a facsimile reproduction of the author's handwritten corrections to a copy of the first edition; the publication of the play's final text, rewritten by Gullar after seeing Bibi Ferreira's production; an excerpt from a news report about the case of the man with a ruby in his navel; some images from the program for the 1979 production and photos from the most recent, from 2011; and texts that bring the audience closer to the critical debate surrounding the play. The graphic design, by visual artist Gustavo Piqueira, is inspired by the 1978 edition designed by Eugênio Hirsch.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “The play is serious, despite its irresistible hilarious grip.” – Hélio Pellegrino\u003c\/p\u003e\n\n \u003cp\u003e“Gullar’s humor is as subtle and demanding as Kafka’s.” – Luiz Carlos Maciel, \u003cem\u003eVeja\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"What a privilege it was for me to have had the opportunity to rehearse Um rubi no umbigo by the great Ferreira Gullar. His play glides through true theatrical carpentry combined with a reality brought to the stage through laughter.\" – Bibi Ferreira\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159577116924,"sku":"9786558471714","price":79.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/2f24ad7adbf7dc8c7e4950af1434f88d.jpg?v=1778874085"},{"product_id":"teatro-completo-vol-2","title":"Complete Theater (Vol. 2)","description":"\"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eComplete theater\u003c\/em\u003e , all the works of the great playwright Bertolt Brecht in a new edition.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eBertolt Brecht is considered one of the greatest figures in 20th-century drama, and his work changed and broadened the perception of theater's social function. The German author believed that presenting strange situations could foster audiences' distance from reality, thereby transforming how people interacted with the world while also encouraging critical thinking. As a result, society would become more conscious and politicized. This is just one of the premises of his epic theater, which, among other qualities, is capable of revealing something about individuals and society—making his works essential reading.\u003c\/p\u003e\n\n \u003cp\u003eThe 12-volume edition of Bertolt Brecht's \u003cem\u003eComplete Theatre\u003c\/em\u003e was born from a critical review of existing translations by renowned translators and aims to provide an accurate Portuguese-language version of the German writer's dramatic output. The plays are organized chronologically and are based on texts from the renowned editions by Suhrkamp, a prestigious German publisher.\u003c\/p\u003e\n\n\u003cp\u003e Volume 2 brings together the following texts: “In the Jungle of Cities” (1921-1923), translated by Fernando Peixoto, Renato Borghi, Elisabeth Kander and Wolfgang Bader; “The Life of Edward II of England” (1923-1924), translated by Antonieta da Silva Carvalho and Celeste Aida Galeão; “A Man is a Man” (1924-1925), translated by Fernando Peixoto; and “The Baby Elephant”, translated by Fernando Peixoto.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “One of the greatest playwrights in the history of world theater […].” – Portal Globo\u003c\/p\u003e\n\n \u003cp\u003e“Brecht, above all, is a great poet.” – Zé Celso Martinez Corrêa, director, actor and playwright\u003c\/p\u003e\n\n\u003cp\u003e \"Brecht is increasingly timeless. The further history progresses, the greater the need to think of theater that points to the future, and there's no way to do that without going through Bertolt Brecht.\" – Amir Haddad, director and actor\u003c\/p\u003e\n\n\u003cp\u003e “Brecht was an artist who adjusted the theater’s clock to modernity.” – José Antonio Pasta, USP professor and literary critic\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159732109564,"sku":"9786555480498","price":94.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/dd9017490810f8fd5f4866897519b2bb.jpg?v=1778874415"},{"product_id":"teatro-completo-vol-1","title":"Complete Theater (Vol. 1)","description":"\"\u003cp\u003e \u003cstrong\u003e\u003cem\u003eComplete theater\u003c\/em\u003e , all the works of the great playwright Bertolt Brecht in a new edition.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eBertolt Brecht is considered one of the greatest figures in 20th-century drama, and his work changed and broadened the perception of theater's social function. The German author believed that presenting strange situations could foster audiences' distance from reality, thereby transforming how people interacted with the world while also encouraging critical thinking. As a result, society would become more conscious and politicized. This is just one of the premises of his epic theater, which, among other qualities, is capable of revealing something about individuals and society—making his works essential reading.\u003c\/p\u003e\n\n \u003cp\u003eThe 12-volume edition of Bertolt Brecht's \u003cem\u003eComplete Theatre\u003c\/em\u003e was born from a critical review of existing translations by renowned translators and aims to provide an accurate Portuguese-language version of the German writer's dramatic output. The plays are organized chronologically and are based on texts from the renowned editions by Suhrkamp, a prestigious German publisher.\u003c\/p\u003e\n\n\u003cp\u003e This first volume brings together the following texts: “Baal” (1918-1919), translated by Marcio Aurélio and Willi Bolle; “Drums in the Night” (1919), translated by Fernando Peixoto; “The Petty-Bourgeois Wedding” (1919), translated by Luís Antônio Martinez Corrêa, with the collaboration of Wilma Rodrigues; “The Medico or The Dead Dog” (1919), translated by Fernando Peixoto; “He Drives Out a Devil” (1919), translated by Erlon José Paschoal; “Light in the Darkness” (1919), translated by Geir Campos; and “The Fishing” (1919), translated by Erlon José Paschoal.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e“One of the greatest playwrights in the history of world theater […].” – \u003cem\u003ePortal Globo\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e “Brecht, above all, is a great poet.” – Zé Celso Martinez Corrêa, director, actor and playwright\u003c\/p\u003e\n\n\u003cp\u003e \"Brecht is increasingly timeless. The further history progresses, the greater the need to think of theater that points to the future, and there's no way to do that without going through Bertolt Brecht.\" – Amir Haddad, director and actor\u003c\/p\u003e\n\n\u003cp\u003e “Brecht was an artist who adjusted the theater’s clock to modernity.” – José Antonio Pasta, USP professor and literary critic\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159732207868,"sku":"9786555480504","price":94.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/8580f3e74e7bd31eab9a09c1c8b5720e.jpg?v=1778874734"},{"product_id":"diatribe-de-amor-contra-um-homem-sentado","title":"Diatribe of love against a seated man","description":"\u003cp\u003e \u003cstrong\u003eOriginally published in 1987 and never before published in Brazil, \u003cem\u003eDiatribe of Love Against a Sitting Man\u003c\/em\u003e is the only play written by Gabriel García Márquez. It is the intimate and sincere account of a woman about to celebrate her 25th wedding anniversary.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “Nothing is so much like hell as a happy marriage!”\u003c\/p\u003e\n\n \u003cp\u003eThus begins Graciela Jaraiz de la Vera—wife of a comfortable man, grandson of a marquis—on the eve of her silver wedding anniversary. Thus begins her monologue, her frustrated dialogue about public happiness and private unhappiness, about the parallel between social ascension and the growth of heartbreak. Graciela addresses her husband, but he says nothing, simply sitting in a dark suit in the armchair reading the newspaper. In reality, according to García Márquez, he is a mannequin, an object onto which she projects the disenchantment of a life marked by loss: of trust in him, of respect for him, of the value of her feelings for him. All to discover that, despite her resentment, she cannot stop loving him.\u003c\/p\u003e\n\n \u003cp\u003eUnpublished in Brazil, \u003cem\u003e\"Diatribe of Love Against a Sitting Man\"\u003c\/em\u003e is a one-act monologue for a single actress, the only play written by Gabriel García Márquez. First performed in Buenos Aires in 1988 at the IV Ibero-American Theater Festival, this book is a short text, but of unparalleled depth. A union of the tragic and the satirical, it is the reconstruction of a life as a couple, the portrait of a woman imprisoned by a love she knows cannot be shared.\u003c\/p\u003e\n\n\u003cp\u003e \"The truth is that happiness is not as they say, that it only lasts a moment, and we only know we had it when it's gone. 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Faced with this challenge, the life story of Virgulino Ferreira da Silva, the bandit who led the most famous band of cangaceiros in the Northeastern backlands, was written with the dramatic power and social grit the author craved. Lampião became a unique figure in the popular imagination. His attire, typical of cowboys and gunmen of the 1920s, his imposing and defiant pose in photographs, and even his thin-rimmed glasses—a rare item for the working classes of those times, which Lampião, blind in one eye, sported—constituted his mythical persona.\u003c\/p\u003e\n\n \u003cp\u003eRevisiting these more immediate references, Rachel de Queiroz constructed her fearless and, at times, fragile Lampião. Her protagonist challenges the Pernambuco interventor to cede him the governorship of the sertão, but he also becomes wary of the dangers surrounding him, leading Virgulino to seek the spiritual protection of his godfather, Padre Cícero, a religious figure of great prestige in the Northeast. Also prominent in Rachel de Queiroz's play are Corisco, a talented bandit loyal to Lampião, and Maria Bonita (initially presented as Maria Déa), who abandons her husband and children to become the wife of the King of Cangaço, even accompanying him in gun battles.\u003c\/p\u003e\n\n\u003cp\u003e In 1954, \u003cem\u003eLampião\u003c\/em\u003e made his stage debut. Two productions stand out: in São Paulo, at the Leopoldo Fróes Theater, directed by Sérgio Cardoso (who also played Lampião) and starring Araçary de Oliveira as Maria Bonita; and in Rio de Janeiro, at the Municipal Theater, directed by Bibi Ferreira and starring Elísio de Albuquerque in the title role.\u003c\/p\u003e\n\n \u003cp\u003eThis special volume reproduces the graphic design of the first edition of \u003cem\u003eLampião\u003c\/em\u003e , published in 1953 by Livraria José Olympio Editora. On the cover, Lampião and Maria Bonita are illustrated by Tomás Santa Rosa, the iconic graphic artist responsible for the projects published by José Olympio in the 1950s. The interior replicates the style of the old movable type printing. The new edition of \u003cem\u003eLampião\u003c\/em\u003e , therefore, celebrates Rachel de Queiroz's exquisite text, which makes a welcome return to the general public.\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159802200316,"sku":"9786558471387","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/4060f29170b63051b02addf5dda45f96_1394620e-8460-4a14-a939-832496fcc310.jpg?v=1778875517"},{"product_id":"cyrano-de-begerac","title":"Cyrano de Begerac","description":"A product of late Romanticism, Cyrano de Bergerac was written and first performed in 1897, when the process of renewal that would define the avant-garde movements of the 20th century had already begun in all fields of art. The author, Edmond Rostand (1868-1918), based this work on the life of the French writer Savinien de Cyrano de Bergerac (1619-1655). Performed and staged numerous times around the world, this play never fails to captivate and fascinate audiences of all eras and generations.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159837196540,"sku":"9788503010122","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/573a4122958f2dc75d1ab517d6dd60ba.jpg?v=1778318820"},{"product_id":"a-cidade-assassinada","title":"The murdered city","description":"\" \u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Murdered City\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003e, Antonio Callado's first play, was born as a tribute to the 400th anniversary of the city of São Paulo and is today a classic of Brazilian literature.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Written and performed in the 1950s, \u003cem\u003eThe Assassinated City\u003c\/em\u003e transports the audience to 1500s Brazil in three acts, alongside historical and legendary characters, such as João Ramalho and Father José de Anchieta.\u003c\/p\u003e\n\n\u003cp\u003e With a rich text, filled with historical layers and intertextualities, Callado presents in \u003cem\u003eThe Assassinated City\u003c\/em\u003e his political concerns – which will appear in later works, such as his novel \u003cem\u003eQuarup\u003c\/em\u003e –, such as the indigenous condition, religious colonization, the formation of the Brazilian people and the imposition of a logic of progress, which was in full swing in Juscelino Kubitschek's Brazil.\u003c\/p\u003e\n\n \u003cp\u003eIn the play, the city of Santo André da Borda do Campo is threatened by the governor-general's desire to transfer the pillory (a symbol of civilizing presence) to the village of São Paulo. Alongside this, a conflict of interest regarding the treatment of the region's indigenous people emerges between the physical violence of the first bandeirantes and the symbolic violence of the Jesuits. War between the men approaches, but not without first considering the decisive action of Rosa Bernarda, a woman and a mameluca—a strong female character, as is the hallmark of Callado's theater.\u003c\/p\u003e\n\n \u003cp\u003eBy blending historical memory and fiction, classic texts such as \"Auto de Anchieta,\" \"Iracema,\" and \"Song of Solomon,\" the author, an immortal of the Brazilian Academy of Letters, is able to bring out Brazilian identity itself. The play presents political conflicts, which, despite being represented by the interests between colony and metropolis, are still perceptible today, as well as romantic conflicts, including the ethical battle between love and duty. The very condition and mission of art and the search for freedom are also discussed—specific and general themes that can elevate \u003cem\u003e\"The Assassinated City\"\u003c\/em\u003e to the rank of great works of universal significance.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159838802172,"sku":"9788503013932","price":54.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/c312b140bf92d494de01df06fdcb965b.jpg?v=1778814971"},{"product_id":"uma-rede-para-iemanja","title":"A hammock for Yemanja","description":"\" \u003cp\u003e\u003cstrong\u003e\u003cem\u003eA Network for Yemanja\u003c\/em\u003e is a moving Afro-Brazilian Christmas play that captures the power of Black culture, through the words of Antônio Callado. This edition also features a performance by the renowned actress Zezé Motta.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e In the opening of \u003cem\u003e\"A Rede Para Yemanjá\u003c\/em\u003e ,\" a play written by the celebrated author Antônio Callado in 1961, Juca's father sits on a beach bench, gazing out to sea in prayer. Yemanjá has taken his son, and with him, perhaps, his sense. As the figure of an old black man, Juca's father can be considered a guide, present throughout the play's action and responsible for blending reality and fantasy. Through his eyes appear Manuel Seringueiro, Lili, and Jacira—the latter pregnant and with an immense desire to answer the call of the sea.\u003c\/p\u003e\n\n \u003cp\u003eThe only play by Callado's Black Theater set in an open space, \u003cem\u003e\"A Rede para Iemanjá\"\u003c\/em\u003e can be read as a representation of Brazil's condition at the time. In the city of Rio de Janeiro, which serves as its setting, there is the encounter of the sea with urban progress, verticalization, the presence of northeastern migration, religious syncretism, and the mixing of Black and white people. Abandonment, hope, and faith are also on stage. The hammock is the symbolic artifact that allows all the dimensions presented by Callado to be embraced and cradled, and that drives Jacira's will; it represents her bond with her family, a place of belonging. Her child, therefore, can only be born there.\u003c\/p\u003e\n\n \u003cp\u003eProfessor and literary critic Ligia Chiappini observes that, despite a certain melancholy, there is a strong sense of hope in this performance: “The play, which parodies the birth of Christ, has him reborn in the open air [...] and can be read as an Afro-Brazilian version of a Christmas play.” \u003cem\u003eA Rede Para Iemanjá\u003c\/em\u003e contains the beauty, simplicity, and also the complexity of so many Brazils that only Antônio Callado could wrap and enchant in a single hammock.\u003c\/p\u003e\n\n\u003cp\u003e This edition features an introduction by actress Zezé Motta, a foreword by João Cezar de Castro Rocha, professor of Comparative Literature at UERJ, and a profile of the author by Eric Nepomuceno.\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159926489340,"sku":"9786558470298","price":54.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/01259b3a89f40d989da8b0dfb71e326d.jpg?v=1778321227"},{"product_id":"teatro","title":"Theater","description":"A thought-provoking, controversial, and defining look at the performing arts. A masterpiece written by today's greatest connoisseur. If theater were a religion, many of the observations and suggestions contained in this book would be considered heretical. In *Theater*, critic David Mamet advocates nothing less than the death of the director and the end of acting theory. For him, actors are either good or they are not actors, and good actors generally work best without the direct interference of a director, no matter how well-intentioned. Whether for experimentation or simply to debate their ideas, this book invites impactful and transformative reflection. A landmark in the study of the performing arts. • Like Constantin Stanislavski's *An Actor Prepares, *The Creation of a Role*, and *The Construction of Character*, this book by Mamet enriches our catalog in the field of theater training. • David Mamet was the director and producer of such well-known films as Hannibal, The Untouchables, and Going Anywhere. He is internationally recognized as one of the greatest living authorities on theater theory and criticism. He is a member of the American Theater Hall of Fame and has also won the Pulitzer Prize.","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47174761119996,"sku":"9788520011133","price":54.9,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/ec20f8e9c2c3fd74162b3646d8e64251_28f27669-844d-4ae7-8662-54a260a41971.jpg?v=1778319266"},{"product_id":"sucupira-ame-a-ou-deixe-a","title":"Sucupira: love it or leave it","description":"\"\u003cp\u003e Dias Gomes turned the play \u003cem\u003e\"O bem-amado\"\u003c\/em\u003e into a highly successful television soap opera and, subsequently, a TV series, also with widespread popular acclaim. Now, from this electronic feat, he has selected seven highly entertaining episodes that narrate the \"adventures and misadventures of Zeca Diabo and his people in the lands of Odorico Paraguaçu.\"\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSucupira\u003c\/em\u003e is Brazil seen through the opposite end of the binoculars. Not to belittle the view, but simply to transform an immense universe into a tiny minute, a microcosm, where the ills, impostures, trickery, and deceit—in short, the comedy of the greater world—can be found, reduced, miniaturized, but not hidden.\u003c\/p\u003e\n\n \u003cp\u003eThe joyful stories in this book offer a territory more real than imaginary. Dias Gomes begins with facts and events, and then, filtering them through his creative mind, transposes them to the realm of fiction.\u003c\/p\u003e\n\n\u003cp\u003e And he does so in such a way that one comes to believe these very facts and events were always fiction. Nothing more than crude fictions waiting for someone to infuse them with artistic dignity. Something the Bahian playwright achieves with splendid skill.\u003c\/p\u003e\n\n\u003cp\u003e The real and the imaginary enter into close union, and \u003cem\u003eSucupira\u003c\/em\u003e and its people begin to belong to literature.\u003c\/p\u003e\n\n\u003cp\u003e Dias Gomes cultivates a lively sense of humor in his narratives. But in a Brazilian style. That is, in a playful, mocking, and playful way. 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For him, fascism was the antithesis of all the defining qualities of the Spanish people, and so he opposed the insurgents in every possible way—including four visits to the front lines to fight, weapon in hand, against Francoist troops, and a series of reports he produced as a correspondent for major American newspapers.\u003c\/p\u003e\n\n \u003cp\u003eIt was during one of these prolonged trips of observation and solidarity that, under heavy enemy bombardment, he surprisingly found the physical and mental time to write the text of \u003cem\u003eThe Fifth Column in Madrid, at the Hotel Florida.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e \"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47174841598204,"sku":"9788528615630","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/fae9f52bc821972f81b7d57a5575b30d_b759b059-be12-4c00-a9f9-7447836ce2c0.jpg?v=1778327044"},{"product_id":"regurgitofagia","title":"Regurgitophagy","description":"In 2004, Michel Melamed premiered the show Regurgitofagia – based on this book. 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His theatrical work reflects a relentless commitment to political and social values, a concern for local and universal realities, and the creation of moral and ethical characters who champion human values.\u003c\/p\u003e\n\n\u003cp\u003e But it was in a European custom from the Middle Ages that Dias Gomes found inspiration for \u003cem\u003e*The First Fruits\u003c\/em\u003e *. Written in 1977, the story takes place on a large rural estate, in an undetermined time, where a young peasant couple can think of only one thing: their wedding night. But instead of looking forward to the great happiness they will experience, they are concerned about who will be there at the final moment. For the much-feared \u003cem\u003ejus primae noctis\u003c\/em\u003e , the landowner's right to the virginity of peasant brides, belongs to the all-powerful master and lord. The husband only has the right to have sex with his wife on the second night.\u003c\/p\u003e\n\n \u003cp\u003eContrary to tradition, Lua and Mara decide not to accept the humiliation and rebel against custom. They hatch a plan to deceive the owner, with the vicar as their accomplice. The couple will face all the threats and judgments imposed on them, but the first fruits of Mara's youthful sensuality will be Lua's. A cry for freedom illuminated by the power of love, on a night of rebellion and liberation.\u003c\/p\u003e\n\n\u003cp\u003e A poetic satire on the absolute power that was beginning to crumble at the time of its production, \u003cem\u003eAs primícias (\u003c\/em\u003e The First Fruits) has sex and power as the foundations of this allegory about man's right to freedom. 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Our poverty is a force majeure reality imposed by our underdevelopment; and in certain cases, it manifests itself in paradoxical displays of material opulence. Grotowski's poverty is an almost metaphysical choice, resulting from an aristocratic wealth of contradictory traditions, and from the need to spin, from this mass of traditions, an ascetic and synthetic thread that carries the current of scenic communication from its archetypal roots to the sensibility of our times. 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Almost three decades after its first production, the play repeated its success with a new staging in 2008, this time with Camila Morgado and Reinaldo Gianecchini in the cast and Marília herself directing. Originally published in the third and final volume of the \"Teatro de Alcione Araújo\" series (1999), which brings together 12 plays written by the playwright, the play now has a special, independent edition featuring an introduction by the author, as well as interviews with actors Camila Morgado and Reinaldo Gianecchini, who discuss their involvement in the play's second production and the process of creating the characters. With this first volume, Civilização Brasileira revives Alcione Araújo's Theater series, which in this new phase will feature short texts, including some previously unpublished. With lively and exuberant humor, Doce Delite is a 12-sketch comedy that reveals the behind-the-scenes of a theater and its characters, both onstage and in the wings. Written in 1980, a time when the country's mood was buoyant with the return of political exiles, a glimmer of hope, and freedom seemed at hand, the play utilizes different forms of the same genre—comedy—to honor theater as the most ancient art of acting. Featuring a pair of actors who play multiple roles, Doce Delite celebrates a singular type of artist whose creation gives life, body, voice, features, and emotions to non-existent beings, as well as to those who exist behind the scenes but seem not to exist because they never appear onstage, such as stagehands and ticket takers. In the words of director Aderbal Freire-Filho, who was the lighting designer for the first production and wrote the book's blurb: \"Alcione plays with theater, mocking it, its sayings and myths, its trades and officials, its pretensions and miseries. A dish made to show that theater is such a powerful art that it can't be taken seriously.\"","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176044282108,"sku":"9788520009017","price":39.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/9212ecc76e2f5a4117b6a978ca5963fd_85c725ea-05ea-4131-b32a-63d4c7067ebd.jpg?v=1778310933"},{"product_id":"eles-nao-usam-black-tie","title":"They don't wear black tie","description":"\u003cp\u003e \u003cstrong\u003eThe key to the great success of \u003cem\u003e\"They Don't Wear Black Tie\"\u003c\/em\u003e lies in the emotion it evokes in viewers and readers. 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Anyone who encounters Andrea Beltrão's Antigone is not left unscathed. The protagonist's presence can be experienced—through Millôr Fernandes' translation of Sophocles' text, which accompanies this edition in its entirety—as if we were in the ancient Theater of Dionysus. She is among us.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “To bring the audience closer to one of the sources of the Western canon, actress Andrea Beltrão and director Amir Haddad created a different and modernized production of \u003cem\u003eAntigone\u003c\/em\u003e , by Sophocles.” – Fábio Prikladnicki, \u003cem\u003eZero Hora\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"The expression \u003cem\u003e'fourth wall'\u003c\/em\u003e defines the imaginary boundary between the actor on stage and the spectator. \u003cem\u003eAntigone\u003c\/em\u003e , a Greek tragedy by Sophocles, was recreated as a monologue by actress Andrea Beltrão and director Amir Haddad and constantly subverts this barrier.\" - Dirceu Alves Jr., \u003cem\u003eVeja São Paulo\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e “Andrea Beltrão (...) confirms the relevance of Sophocles’ text.” - Ubiratan Brasil, \u003cem\u003eEstadão\u003c\/em\u003e\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47176695185660,"sku":"9786555481020","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/a7bcb62618513c7a21bbda7c08bb58a9_62f17dff-f0e7-44be-8f94-c8d37bd93067.jpg?v=1779765559"},{"product_id":"a-revolta-da-cachaca","title":"The cachaça revolt","description":"A tribute to Grande Otelo, the play is part of Antonio Callado's Black theater alongside, among others, Pedro Mico Vito and Dadinha, a playwright and his wife, both white, who receive an unexpected visit from Ambrósio, a Black actor and longtime friend of the couple. 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Na peça, Alfred Jarry, seu autor, lança alguns importantes caminhos estéticos, grotescos e polêmicos, que seriam precursores de movimentos como o surrealismo e o teatro do absurdo. Não à toa, o poeta Stéphane Mallarmé, após assistir à primeira encenação da obra, decretou na plateia: “Jarry é poeta, e com este \u003cem\u003eUbu rei \u003c\/em\u003ecomeça uma nova época.”\u003c\/p\u003e\n\u003cp\u003eO humor ácido de Alfred Jarry ainda choca, não só pelos atos e falas controversos de seus personagens, mas também por sua atualidade. As figuras caricatas de \u003cem\u003eUbu rei \u003c\/em\u003eilustram perfeitamente governos fascistas que assombraram o século XX e que insistem em emergir no século XXI. Talvez, por isso, o fascínio pela peça persista no imaginário coletivo e as montagens sejam profusas. 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