{"product_id":"o-cinema-de-perto-prosa-e-poesia","title":"Cinema up close: prose and poetry","description":"\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003e\"Close-Up Cinema: Prose and Poetry\u003c\/em\u003e ,\" a never-before-seen collection of his chronicles and poems about the seventh art, Carlos Drummond de Andrade proves himself a true cinephile. The author enthusiastically celebrates his fascination with actresses, actors, filmmakers, and all the magic of the cinematic universe.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Who are our idols' idols? Who inspires them to create works we love? In this unpublished selection of chronicles and poems—edited by Pedro Augusto Graña Drummond, grandson of Carlos Drummond de Andrade, and Rodrigo Lacerda—our greatest poet emerges from moving texts to openly proclaim his fascination with actresses, actors, filmmakers, and the entire liturgy surrounding the seventh art of the 20th century.\u003c\/p\u003e\n\n \u003cp\u003eActresses hold a special place in the emotional memory of the columnist and self-proclaimed founder of the \"Society of Madmen in Love with Greta Garbo.\" Fascinated by the Swedish artist, Drummond indulges in \"fan delirium,\" inventing a visit by Garbo to Belo Horizonte, complete with dialogues and encounters that never actually took place. Regarding Marlene Dietrich, he says: \"For me, she wasn't born: she just appeared.\" In the poet's pantheon, there's also a special place for Bette Davis, Ingrid Bergman, Romy Schneider, and Catherine Deneuve, among other stars.\u003c\/p\u003e\n\n\u003cp\u003e Formed in the seats of the Odeon in the capital of Minas Gerais, the writer also turns his gaze to Brazilian cinema, sometimes concerned with the paths of film production (public policies, ticket prices, censorship, the beginning of the disappearance of street theaters, etc.), sometimes praising directors like Joaquim Pedro de Andrade and Glauber Rocha. And, of course, writing generously about our Brazilian divas, like Fernanda Montenegro and Sônia Braga.\u003c\/p\u003e\n\n \u003cp\u003eFor Sérgio Augusto, a renowned journalist and film critic who wrote the foreword to this edition, \"The poet from Itabira was an active film chronicler in publications in Belo Horizonte and Rio de Janeiro for nearly six decades. [...] He was a voice of constant solidarity against censorship and an enthusiast for the best Brazilian cinema produced.\"\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eCinema de perto: prosa e poesia\u003c\/em\u003e is, then, a declaration of love from Carlos Drummond de Andrade to an art form that helped shape his sensibility. Here, the histories of literature and cinema intersect through the eyes of a master of words, for whom, wisely, \"cinema is another life, alongside life.\"\u003c\/p\u003e","brand":"Totvsrj-record-dc","offers":[{"title":"Default Title","offer_id":47159642620156,"sku":"9786555876802","price":129.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/9197\/5420\/files\/f5f1143655f0e05c229fbee12e8636aa_324a70c4-6f32-4bc1-a05a-9d7ea3eaa59e.jpg?v=1778876653","url":"https:\/\/www.record.com.br\/en\/products\/o-cinema-de-perto-prosa-e-poesia","provider":"Editora Record","version":"1.0","type":"link"}