History in films, films in history, The

This book goes beyond the mirroring relationship between cinema and history and expands the possibilities for understanding the historiographical construction and cinematic construction of the past, illuminating not only the understanding of films but also the writing of history itself. Robert Rosenstone presents a thorough analysis of films from different countries, eras, and cinematic styles, investigates how the filmmaker becomes a historian, and examines the interaction between cinema and historical discourse. Aimed at a broad audience, this work is also recommended for teachers and students of History, Humanities, and Cinema and Communication.