The idea of creating a project based on Gerald Thomas's articles and chronicles resulted in a work that challenges the boundaries between literature and journalism. Previously, the author published his texts on a blog, where they were held hostage by the busy life and the reader's memory. His reflections were trapped in a virtual network and in time. In "Nothing Proves Nothing!", this temporal barrier is broken, aiming to immortalize the work of this versatile artist. The title comes from a line from a character created by G. Thomas and played by Marco Nanini in the play "A Circus of Kidneys and Livers." The phrase aptly represents the current political landscape in which public figures are caught acting corruptly, while nothing, absolutely nothing, happens to punish them. Among his numerous professional experiences, G. Thomas worked for six years at Amnesty International in London. This position provided him with a deeper understanding of the political arena, which became the most frequent theme in his writing and plays. His total commitment to Obama's campaign reveals that he lives the world intensely and refuses to adhere to the clichés of those who generalize movements or seek to confine them to conceptual boundaries. His keen eye and, above all, his linguistic singularity are prominent elements in the author's work, as represented in "Nothing Proves Nothing!" Controversially, G. Thomas said goodbye to the public, claiming that theater no longer makes sense today. This book, as restless as its author, will offer us only one certainty: it is impossible to remain indifferent to this maze of ideas.
