Love forgets to begin , now with a new cover, takes us on a journey through the feminine universe and strolls through the season of love, the feeling that is the main character in Carpinejar's texts.
With every page lies a new discovery, a new love. A mother's love, the love of those afraid to love, the love of those who love intensely, the love of brotherhood shared between friends. The author manages to straddle the line between pleasure and melancholy, from the euphoria of a first kiss to the grief of a mother who has lost her son. All of this is embraced by the arms of love.
Carpinejar's writing undulates, perfectly representing the roles of men and women in relationships, while making it clear that the main voice is the feminine one.
The woman is not alone in her disturbing solitude in Fabrício's eyes. He explores love in a lighthearted way, describing every detail of his beloved with confidence, demonstrating his sensitivity in observing and studying the feelings of others. It's impossible not to take at least one of the texts as a romantic lesson. Making clear his fascination with women, the author concludes that admiration is one of the foundations of love, as are respect and complicity.
“Carpinejar dominates the feminine universe to the point of demonstrating a disturbing complicity with our solitude and our most secret vertigo.” Martha Medeiros
"I want to reclaim romanticism, a crystal-clear and truthful vision of romantic relationships, careful communication, and seduction," Carpinejar reveals. "Without idealism, but with idealization. Expectation and trust are good for love and cannot be abolished. I desire, with women, the consensus of hands during the day and feet at night." - Carpinejar